Updated 10 June 2025
Currently not on display
Mater Dolorosa
Materials and Techniques | oil on panel |
---|---|
Size(cm) | 45 x 31 |
Inscriptions | Inscription on the lower part of the frame: O UOS OM~ES QUI TRANSITIS (Lamentationes Jeremiae, 1. 12); Inscription on the reverse of the panel: "Esta ymagen, m[and]o / En su testam[ent]o, A este mon[a]s / t[eri]o, de la concepçion, de / la puebla, la mui jll[ustr]e, señora / doña leonor chacõ patron / y fũdadora, del dicho monas[terio] / Mandose las con cõdiçion / que no las puedan dar ni / prestar, y que si las prestan / las puedan tomar los cler / gos para la yglesia de es / ta villa" |
Category | Paintings |
Collection Number | P.2007-0001 |
Provenance
Doña Leonor Chacón (according to an old inscription on the reverse); By whom given to the Monasterio de la Concepción, La Puebla de Montalbán; In the collection of Joachim Cabot I Rovira (1861-1951), Barcelona; Thence by descent to his great-grandchildren, the present owners, collection of Balazó Family; Purchased by the NMWA, 2008.
Exhibition History
- 1954
- La Imagen de Maria, Palacio Guell-Comillas, Barcelona , 0 1954 - 0 1954
- 2014
- Voices Calling from the Unusual: Hirano Keiichiro's Selection of Western Art Masterpieces, National Museum of Western Art, Tokyo, 8 April 2014 - 15 June 2014, cat. no. 25
- 2014
- The Rings from The Hashimoto Collection of The National Museum of Western Art, The National Museum of Western Art, 8 July 2014 - 15 September 2014, cat. no. 155
- 2016
- Sacred and Secular: Israhel van Meckenem & Early German Engraving, The National Museum of Western Art, Tokyo, 9 July 2016 - 19 September 2016
Bibliography
- 1938
- Schöne, Von Wolfgang. Dieric Bouts und seine Schule: Mit 90 Bildtafeln. Berlin, Verlag für Kunstwissenschaft, 1938, p. 129, no. 19 A1, plate 48a.
- 1944
- Michel, Edouard. L'école flamande du XVe siècle au Musée du Louvre. Bruxelles, 1944, pp. 93-94, “école de Thierry Bouts”.
- 1953
- Davies, Martin. Les primitifs flamands: Corpus de la peinture des anciens Pays-Bas meridionaux au quinzieme siecle, 3, National Gallery, London. vol. 1, Antwerp, De Sikkel, 1953, p. 34, under ‘F. Comparative Material’, no. A (1).
- 1954
- Font Espina, J. “La imagen de Maria en el Palacio Guell”. Revista Garbo. Barceloa, 1954, pp. 18-19.
- 1961
- Eisler, Colin Tobias. Les primitifs flamands: Corpus de la peinture des anciens Pays-Bas méridionaux au quinzième siècle, 4, New England Museums. Brussels, 1961, p. 59, under ‘F. Comparative Material’, no. A (1).
- 1982
- Bermejo Martínez , Elisa. La pintura de los primitivos flamencos en España. vol. 2, Madrid, 1982, p. 35, no. 17b, p. 179, fig. 26, as circle of Dieric Bouts.
- 1982
- Annual Bulletin of the National Museum of Western Art. No. 15 (1980), 1982, Mayekawa, Seiro. On the New Acquisitions 1980. pp. 8-12.
- 2009
- Annual bulletin of the National Museum of Western Art. No. 42 (Apr. 2007-Mar. 2008), 2009, Takanashi Mitsumasa. New Acquisitions. pp. 8-15, List of New Acquisitions. p. 58, repr.
- 2013
- Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 6, col. repr.
- 2014
- The Rings: from the Hashimoto Collection of the National Museum of Western Art (exh. cat.). Iizuka, Takashi, ed. Tokyo, The National Museum of Western Art, Tokyo, 2014, p. 141, cat. no. 155, col. repr.
- 2018
- Kofuku, Akira. Catalogue of Dutch and Flemish Paintings, The National Museum of Western Art, Tokyo. [Tokyo], The National Museum of Western Art, Tokyo; The Western Art Foundation, 2018, pp. 28-29, no. 3, col. repr.