The National Museum of Western Art

Updated 15 May 2025

On Display Permanent collection

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On Display

Permanent collection

Henri Fantin-Latour

Grenoble, 1836 - Buré, 1904

Still Life with a Carafe, Flowers and Fruit

Date 1865
Materials and Techniques oil on canvas
Size(cm) 59.1 x 51.5
Inscriptions Signed and dated upper left: H.Fantin. 1865
Credit Line Purchased
Standard ref. Fantin-Latour 280bis
Category Paintings
Collection Number P.1997-0001

Fantin-Latour's oeuvre can be largely divided into three genres, namely, portraits, still-lifes and allegorical compositions. Still-lifes are a genre that Fantin-Latour was particularly enthusiastic about throughout his life. The motifs in this painting are early summer fruit and flowers, making it a typical example of Fantin-Latour's still-lifes. The painting was created relatively early in his career and is noteworthy for the extremely high quality. The almost square canvas is one of the larger still-lifes created by the artist. The composition, made up of various objects placed on a tablecloth-draped table, reflects the traditional methods of the 17th and 18th centuries. Similarly the motifs chosen -- a wine-filled carafe, flowers in a vase, and fruit -- are all standard motifs in such works. The simple contrast between the dark brown background and the pure white tablecloth and the stylish choice of placing a white china dish and white flowers on top of a white tablecloth are characteristic of Fantin-Latour's style. Moreover, the striking contrast between the hard textures of the glass carafe, vase, and plate and the tactile textures of flowers and fruit is extremely modern. In the 1860s Fantin-Latour's friends, Manet, Monet, Renoir and many others began to create still-life paintings, and there is a considerable connection between Manet's still-lifes and Fantin-Latour's in terms of motifs and compositions. The freshness of feeling and the sense that the scene highlights a single moment of time are elements common to both Fantin-Latour's and Manet's still-lifes. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no.66)

Provenance

Madam Esnaut-Pelterie.

Exhibition History

2017
Edouard Manet, Von der Heydt-Museum, Wuppertal, 24 October 2017 - 25 February 2018, [n. n.]
2021
National Touring Exhibition of Western Art from the NMWA: When Here and Afar Meet: Western Art in Yamagata / Western Art in Takaoka, Yamagata Museum of Art, 17 July 2021 - 27 August 2021, Takaoka Art Museum, 10 September-24 October 2021, cat. no. Y3_21 | T3_45
2023
Van Gogh and Still Life: From Traditional to Innovation, Sompo Museum of Art, 17 October 2023 - 21 January 2024, cat. no. 18, col. repr.

Bibliography

1911
Fantin-Latour, Madame. Catalogue de l'oeuvre complet de Fantin-Latour. Paris, 1911 (rep. ed. Amsterdam/ New York, 1969), cat. no. 280bis.
1995
Roux, P. de. Fantin-Latour, Figures et Fleurs. Paris, 1995, p. 18.
1996
Lévêque, J. J. Henri Fantin-Latour, un peintre intimiste, 1836-1904. Paris, 1996, p. 11.
1998
Takahashi, Akiya. Henri Fantin-Latour and the Revolution in Still-life Painting. Fantin- Latour (exh. cat.). Utsunomiya Museum of Art, ed. Utsunomiya Museum of Art, Utsunomiya, 23 September – 8 November 1998. Utsunomiya, Utsunomiya Museum of Art, 1998, pp. 67-74 (in Japanese), 76-81 (in English), repr.
1999
Annual Bulletin of the National Museum of Western Art. No. 32 (April 1997-March 1998), 1999, Takahashi, Akiya. New Acquisitions. pp. 8-9, List of New Acquisitions. p. 19, col. repr.
2006
Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2006 (Japanese, preface in Japanese and English), no. 66, col. repr.
2009
Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 66, col. repr.
2013
Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 83, col. repr.
2013
French Ceramics at the Time of Impressionism 1866–1886: Maturity of Japonisme(exh. cat.). Art Impression Inc., c2013, cat. no. P1, col. repr.
2017
Edouard Manet (exh. cat.). Finckh, Gerhard. Wuppertal, Von der Heydt-Museum, 2017, p. 196, col. repr.
2021
When Here and Afar Meet: Western Art in Yamagata/Western Art in Takaoka (exh. cat.). Shinfuji, Atsushi, ed. Tokyo, The National Museum of Western Art, Tokyo, 2021, pp. 137, 183, cat. no. Y3_21 | T3_45, col. repr.
2023
Van Gogh and Still Life: From Traditional to Innovation (exh. cat.). Senzoku, Nobuyuki; Kobayashi, Shoko, eds. [Tokyo], Sompo Art Foundation; Sompo Museum of Art, 2023, pp. 66, 69, 181, cat. no. 18, col. repr.

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