Updated 28 June 2021
Currently not on display
Currently not on display
<La Tauromaquia>: The rabble hamstring the bull with lances, sickles, banderillas and other arms
| Date | 1816 |
|---|---|
| Materials and Techniques | etching, burnished aquatint and drypoint on laid paper |
| Watermarks | No. 1 |
| Size（cm） | 25.0 x 35.0 (plate, according to T. Harris 1964) |
| State | First edition (published in 1816) |
| Inscriptions | Numbered in upper right margin: 12 |
| Standard ref. | Delteil 235; Harris 215; Gassier/Wilson 1174 |
| Category | Prints |
| Collection Number | G.1990-0013 |
Provenance
Acquired in Paris in 1870; Private collection, Boston; Purchased by the NMWA, 1990.
Exhibition History
- 2011
- Goya: Lights and Shadows. Masterpieces of the Museo del Prado, National Museum of Western Art, Tokyo, 22 October 2011 - 29 January 2012, cat. no. 85
Bibliography
- 1954
- Kamon, Yasuo. Goya no hanga-shu "To-gyu" kara. Bijutsu Techo. no. 82, June, 1954 (in Japanese)
- 1961
- Glendinning, Nigel. A new view of Goya's Tauromaquia. Journal of the Warburg and Coutauld Institutes. vol. 24, No. 1/2, January 1961, pp. 115-127, esp. pp. 120-127.
- 1970
- Nishiyama, Shigenori. Goya no Hanga: "To-gyu-gi" heno michisuji. Kikan Hanga: La Gravure. no. 8, 1970 (in Japanese)
- 1992
- Glendinning, Nigel. Real Academia de Bellas Artes de San Fernando, Calcografia Nacional. Francisco de Goya, grabador: Instantáneas. 4 vols., Madrid, Turner, 1992
- 1994
- Annual bulletin of the National Museum of Western Art. Nos. 25-26 (April 1990-March 1992), 1994, List of New Acquisitions. pp. 45-47.