Updated 19 October 2026
On Display Picturing the Theater: From Delacroix and Daumier to Toulouse-Lautrec and Klinger
Poster of "Lorenzaccio": Sarah Bernhardt
| Date | 1896 |
|---|---|
| Materials and Techniques | colour lithograph |
| Size（cm） | 97.0 x 36.0 |
| Inscriptions | Signed lower right: Mucha |
| Credit Line | Donated by Mr. Sadajiro Kubo |
| Standard ref. | Bridges A10 |
| Category | Prints |
| Collection Number | G.1971-0005 |
Provenance
Donated by Mr. Sadajiro Kubo, 1971.
Exhibition History
- 1997
- Resonating Love and Life: European Art from National Museum of Western Art, Tokyo, The Niigata Prefectural Museum of Modern Art, Nagaoka, 12 April 1997 - 18 May 1997, cat. no. 91
- 2015
- [Prints and Drawings Exhibition]Lithographs and Etchings from Fin-de-Siècle France, National Museum of Western Art, Tokyo, 17 March 2015 - 31 May 2015, cat. no. 20
- 2017
- [Traveling Exhibitions Presenting National Art Museum Collections, Fiscal 2017] Muse: Women before the Artists' Eyes: From the Collection of the National Museum of Western Art, Tokyo, Fukushima Prefectural Museum of Art, 22 April 2017 - 2 July 2017, Akita Museum of Modern Art, 15 July-18 September, cat. no. 98
Bibliography
- 1966
- Mucha, Jirì. Alphonse Mucha. Prague, 1966, p. 69, cat. no. 52.
- 1973
- Bulletin Annuel du Musée National d’Art Occidental. No.6 (1971), 1973, Nouvelles acquisitions (catalogue). pp.14-15, repr.
- 1987
- Mucha and Paris: Hanazono no kaori. Tokyo, Gakushu kenkyu-sha, 1987（Art Nouveau no Sekai, vol. 1）, p. 8, cat. no. 4. (in Japanese)
- 1992
- The French Modern Art, from The National Museum of Western Art, Tokyo (exh. cat.). The National Museum of Western Art, Tokyo, ed. Okinawa, Urasoe Art Museum, 1992, p. 61, cat. no. 54, col. repr
- 2017
- Muse: Women before the Artists' Eyes: from the Collection of the National Museum of Western Art, Tokyo: Traveling Exhibitions Presenting National Art Museum Collections, Fiscal 2017 (exh. cat.). Nakada, Asuka, ed. Tokyo, The National Museum of Western Art, Tokyo, 2017, pp. 125, 142, cat. no. 98, col. repr.