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エドゥアール・マネ

パリ, 1832年 - パリ, 1883年

Édouard Manet

Paris, 1832 - Paris, 1883

嵐の海 Sea in Stormy Weather

制作年	1873年
材質・技法・形状	油彩、カンヴァス
寸法（cm）	55 x 72.5
署名・年記	右下に署名
所蔵経緯	旧松方コレクション
Standard ref.	M691
分類	絵画
所蔵番号	P.2019-0002

来歴

Estate of the artist, Paris, 1883, no. 71; Manet sale, Hôtel Drouot, Paris, 4–5 February 1884, lot 80 (Lugt 43575); where purchased by Léon Leenhoff, Paris; Charles Deudon, Nice; acquired by Paul Rosenberg, Paris, 1914; from whom purchased by Kojiro Matsukata, Kobe, ca. March 1922, as ‘Marine’ (53,000 fr.) [see letter from Paul Rosenberg to Léonce Bénédite, dated 30 March 1922, in Bibliothèque centrale des musées nationaux, Paris (copy in NMWA curatorial file)]; sold by his custodian, Kōzaburō Hioki (日置釭三郎), Abondant/Paris, possibly to André Schoeller, Paris, ca. 1940–1942; bought from the above by Raphaël Gérard, Paris, 25 September 1942, stock no. 21174 (550,000 fr.); bought from the above by Mathilde Gessler, 5 October 1942 (700,000 fr.); bought back from the above by Rafaël Gérard, 17 February 1944; bought from the above by Hildebrand Gurlitt, Dresden and later Düsseldorf, 25 March 1944, stock no. 22456 (900,000 fr.); with Raphaël Gérard, Paris, by 28 April 1944 [per Cornelius Gurlitt Papers]; Hildebrand Gurlitt, Dresden and later Düsseldorf, by September 1953 [per Cornelius Gurlitt Papers]; by descent to Cornelius Gurlitt, Munich/Salzburg; Estate of Cornelis Gurlitt; by descent to Kunstmuseum Bern, 6 May 2014; purchased from the above by NMWA, 1 November 2019.

展覧会歴

1923: Výstava Francouzského Umění XIX. a XX. Století, Prague, 1923年5月0日-1923年6月0日, no. 83, lent by Kojiro Matsukata
1924: Inaugural exposition of French art, California Palace of the Legion of Honor, San Francisco, 1924年0月0日-1925年0月0日, p. 19, no. 34, as “Stormy Sea”
2017: Bestandsaufnahme Gurlitt, Bundeskunsthalle, Bonn, 2017年11月3日-2018年3月11日, no. 200
2019: 松方コレクション展：国立西洋美術館開館60周年記念, 国立西洋美術館, 2019年6月11日-2019年9月23日, 特別出品
2022: Renoir—Monet—Gauguin: Images of a Floating World: the Collections of Kōjirō Matsukata and Karl Ernst Osthaus, Museum Folkwang, 2022年2月6日-2022年5月15日
2022: 自然と人のダイアローグ　フリードリヒ、モネ、ゴッホからリヒターまで：国立西洋美術館リニューアルオープン記念, 国立西洋美術館, 2022年6月4日-2022年9月11日, cat. no. 5

文献歴

1920: Forthuny, Pascal. “La Collection Deudon,” Le Bulletin de la vie artistique, 1st May 1920, pp. 306-07.
1932: Jamot, Paul. Manet. Paris, Les Beaux-arts, [1932] (édition d’études et de documents), no. 226, as in the collection of Matsukata.
1947: Tabarant, Adolphe. Manet et ses oeuvres, Paris, Gallimard, 1947, no. 206.
1968: Bodelsen, Merete. “Early Impressionist Sales 1874-94 in the Light of Some Unpublished 'Procès-Verbaux',” The Burlington Magazine, Jun. 1968, p. 343.
1971: 佐々木英也『日本所在のマネ作品：油彩・パステル・デッサン』国立西洋美術館年報, 第4号, 1971年, no. 7.
1975: Rouart, Denis; Wildenstein, Daniel. Édouard Manet: Catalogue raisonné. Lausanne, La Bibliothèque des arts, 1975, no. 200.
1989: 国立西洋美術館設置の状況. 垂木祐三編. 全3巻, 東京, 国立西洋美術館協力会, 1987–1989年, vol. 3, p. 93.
1989: Distel, Anne. “Charles Deudon (1832-1914) collectionneur”Revue de l'art, Paris, Flammarion, 1989, vol. 86, Annex II, no. 6.
2018: 松方コレクション：西洋美術全作品. 川口雅子; 陳岡めぐみ編. 第1巻　絵画, 東京, 国立西洋美術館, 2018, cat. no. 691, col. repr.
2019: 陳岡めぐみ「松方コレクション　百年の流転」『松方コレクション展 : 国立西洋美術館開館60周年記念』国立西洋美術館、2019年, pp. 22-23.
2021: 国立西洋美術館報. No. 54 (Apr. 2019-Mar. 2020), 2021, 陳岡めぐみ. 新収作品. pp. 14-15, 新収作品一覧. p. 16, col. repr.
2022: 自然と人のダイアローグ：フリードリヒ、モネ、ゴッホからリヒターまで (exh. cat.). 陳岡めぐみ; 新藤淳; 読売新聞東京本社事業局ミュージアム事業部編集. 東京, 国立西洋美術館; 読売新聞社; NHK; NHKプロモーション, 2022, pp. 64, 254, cat. no. 5, col. repr.
2022: Renoir—Monet—Gauguin: Images of a Floating World: the Collections of Kōjirō Matsukata and Karl Ernst Osthaus (exh.cat.). Engel, Nadine; Herlemann, Rebecca, eds. Berlin, Hatje Cantz, [2022], pp. 199, 366, col. repr.

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Édouard Manet

Paris, 1832 - Paris, 1883

Sea in Stormy Weather

Date	1873
Materials and Techniques	Oil on canvas
Size（cm）	55 x 72.5
Inscriptions	Signed lower right: Manet; marked in stencil on the reverse: 184; in crayon on a Chenue label: 160
Credit Line	Ex-Matsukata Collection
Standard ref.	M691
Category	Paintings
Collection Number	P.2019-0002

Provenance

Estate of the artist, Paris, 1883, no. 71; Manet sale, Hôtel Drouot, Paris, 4–5 February 1884, lot 80 (Lugt 43575); where purchased by Léon Leenhoff, Paris; Charles Deudon, Nice; acquired by Paul Rosenberg, Paris, 1914; from whom purchased by Kojiro Matsukata, Kobe, ca. March 1922, as ‘Marine’ (53,000 fr.) [see letter from Paul Rosenberg to Léonce Bénédite, dated 30 March 1922, in Bibliothèque centrale des musées nationaux, Paris (copy in NMWA curatorial file)]; sold by his custodian, Kōzaburō Hioki, Abondant/Paris, possibly to André Schoeller, Paris, ca. 1940–1942; bought from the above by Raphaël Gérard, Paris, 25 September 1942, stock no. 21174 (550,000 fr.); bought from the above by Mathilde Gessler, 5 October 1942 (700,000 fr.); bought back from the above by Rafaël Gérard, 17 February 1944; bought from the above by Hildebrand Gurlitt, Dresden and later Düsseldorf, 25 March 1944, stock no. 22456 (900,000 fr.); with Raphaël Gérard, Paris, by 28 April 1944 [per Cornelius Gurlitt Papers]; Hildebrand Gurlitt, Dresden and later Düsseldorf, by September 1953 [per Cornelius Gurlitt Papers]; by descent to Cornelius Gurlitt, Munich/Salzburg; Estate of Cornelis Gurlitt; by descent to Kunstmuseum Bern, 6 May 2014; purchased from the above by NMWA, 1 November 2019.

Exhibition History

1923: Exhibition of French Art of the 19th and 20th Century, Prague, 0 May 1923 - 0 June 1923, no. 83, lent by Kojiro Matsukata
1924: Inaugural exposition of French art, California Palace of the Legion of Honor, San Francisco, 0 1924 - 0 1925, p. 19, no. 34, as “Stormy Sea”
2017: Bestandsaufnahme Gurlitt, Bundeskunsthalle, Bonn, 3 November 2017 - 11 March 2018, no. 200
2019: The Matsukata Collection: A One-Hundred-Year Odyssey: Upon the 60th Anniversary of the NMWA, The National Museum of Western Art, Tokyo, 11 June 2019 - 23 September 2019, special display item
2022: Renoir—Monet—Gauguin: Images of a Floating World: the Collections of Kōjirō Matsukata and Karl Ernst Osthaus, Museum Folkwang, 6 February 2022 - 15 May 2022
2022: In Dialogue with Nature - from Friedrich, Monet and Van Gogh to Richter, The National Museum of Western Art, Tokyo, 4 June 2022 - 11 September 2022, cat. no. 5

Bibliography

1920: Forthuny, Pascal. “La Collection Deudon,” Le Bulletin de la vie artistique, 1st May 1920, pp. 306-07.
1932: Jamot, Paul. Manet. Paris, Les Beaux-arts, [1932] (édition d’études et de documents), no. 226, as in the collection of Matsukata.
1947: Tabarant, Adolphe. Manet et ses oeuvres, Paris, Gallimard, 1947, no. 206.
1968: Bodelsen, Merete. “Early Impressionist Sales 1874-94 in the Light of Some Unpublished 'Procès-Verbaux',” The Burlington Magazine, Jun. 1968, p. 343.
1971: Sasaki, Hideya. “Edouard Manet dans les collections japonaises: peinture a l’huile, pastel, dessin,” Annual Bulletin of the National Museum of Western Art, No. 4, 1971, no. 7.
1975: Rouart, Denis; Wildenstein, Daniel. Édouard Manet: Catalogue raisonné. Lausanne, La Bibliothèque des arts, 1975, no. 200.
1989: Kokuritsu Seiyō Bijutsukan setchi no jōkyō. Taruki, Yūzō ed. Tokyo, Kokuritsu Seiyō Bijutsukan Kyōryokukai, 1987–1989, 3 vols., vol. 3, p. 93.
1989: Distel, Anne. “Charles Deudon (1832-1914) collectionneur”Revue de l'art, Paris, Flammarion, 1989, vol. 86, Annex II, no. 6.
2018: The Matsukata Collection: Complete Catalogue of the European Art. Kawaguchi, Masako; Jingaoka, Megumi, eds. vol. 1: Paintings, Tokyo, The National Museum of Western Art, Tokyo, 2018, cat. no. 691, col. repr.
2019: Jingaoka, Megumi. “The Matsukata Collection: A Century-Long Voyage” The Matsukata Collection: A One-Hundred-Year Odyssey, pp. 302-304.
2021: Annual Bulletin of the National Museum of Western Art. No. 54 (Apr. 2019-Mar. 2020), 2021, Jingaoka, Megumi. New Acquisitions. pp. 14-15, List of New Acquisitions. p. 16, col. repr.
2022: In Dialogue with Nature: from Friedrich, Monet and Van Gogh to Richter (exh. cat.). Jingaoka, Megumi; Shinfuji, Atsushi; Yomiuri Shimbun, Museum Exhibition Department, eds. Tokyo, The National Museum of Western Art, Tokyo; Yomiuri Shimbun; NHK; NHK Promotions, 2022, pp. 64, 254, cat. no. 5, col. repr.
2022: Renoir—Monet—Gauguin: Images of a Floating World: the Collections of Kōjirō Matsukata and Karl Ernst Osthaus (exh.cat.). Engel, Nadine; Herlemann, Rebecca, eds. Berlin, Hatje Cantz, [2022], pp. 199, 366, col. repr.

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