更新日 2025.03.07 | 07 March 2025
展示中 常設展 | Permanent collection
Lovis Corinth
Tapiau, East Prussia, 1858 - Zandvoord, Netherlands, 1925
樫の木 Der Eichbaum
| 制作年 | 1907年 |
|---|---|
| 材質・技法・形状 | 油彩、カンヴァス |
| 寸法（cm） | 96.2 x 120.5 |
| 署名・年記 | 署名なし |
| 分類 | 絵画 |
| 所蔵番号 | P.2018-0004 |
ドイツの印象派を代表する画家、ロヴィス・コリントの1作です。この画家は、パリのアカデミー・ジュリアンで学んだ経験を基礎とした写実主義的な絵画の数々、フランス印象派の影響が顕著なベルリン分離派参加以降の仕事、さらにその後の表現主義的な作風など、19世紀末から20世紀初頭にかけて多様なスタイルを見せました。本作品では、クールベからモネ、ひいてはセザンヌらまでのフランス人画家たちの樹木の描写を想起させずにはいない構築的かつ躍動的な筆致によって、1本の樫の木をカンヴァス全体に網状に描きだし、かつてのドイツ・ロマン主義に馴染みの絵画主題であったものを、あらたな表現の次元へと押し広げています。（出典: 展示室作品解説パネル、2020年8月）
来歴
Paul Cassirer, Berlin, by whom acquired from the artist in 1908; Carl Steinbart, Berlin, by whom acquired from the above in 1908; Paul Cassirer, by whom acquired from the above in 1908; Adolf Rothermundt, Dresden, by whom acquired from the above in 1908/09; Paul Cassirer, by whom acquired from the above in 1910; Julius Gerson, Berlin, by whom acquired from the above in 1921; Eva D. Marcu (daughter of Julius Gerson), New York, by 1958; Allan Frumkin Gallery, New York & Chicago, by 1961; Galerie St. Etienne, New York; acquired from the above by the previous owner in Switzerland in 1988; purchased by NMWA, March 2019.
展覧会歴
- 1913
- Lebenswerk von Lovis Corinth, Secession, Berlin, 1913年1月0日-1913年2月0日, cat. no. 102
- 1958
- Lovis Corinth: Gedächtnisausstellung zur Feier des hundersten Geburtsjahres, Stadthalle, Wolfsburg, 1958年5月0日-1958年6月0日
- 1958
- Lovis Corinth 1858-1925, Kunsthalle, Basel, 1958年9月0日-1958年10月0日, cat. no. 43
- 1964
- Lovis Corinth. A Retrospective Exhibition in the Gallery of Modern Art, Gallery of Modern Art, NewYork, 1964年9月0日-1964年11月0日, cat. no. 24
- 1988
- Three Pre-Expressionists: Lovis Corinth, Käthe Kollwitz, Paula Modersohn-Becker, Galerie St. Etienne, New York, 1988年1月26日-1988年3月12日, cat. no. 7
- 1992
- Lovis Corinth, Kunstforum der Bank Austria, Vienna, 1992年9月2日-1992年11月22日, Forum des Landesmuseums, Hannover, 1992年12月8日-1993年2月21日, cat. no. 25
- 1996
- El Greco bis Mondrian, Aargauer Kunsthaus, Aarau, 1996年1月28日-1996年3月17日, Von der Heydt-Museum, Wuppertal, 4月21日-6月16日；Staatliche Kunstsammlungen, Gemäldegalerie Neue Meister, Dresden, 7月8日-9月15日；Kunstforum der Bank Austria, Vienna, 9月-11月；Fondation de l’Hermitage, Lausanne, 1997年1月-4月, p. 180 (illustrated on p. 181)
- 2010
- Die Natur der Kunst. Begegnungen mit der Natur vom 19. Jahrhundert bis in die Gegenwart, Kunstmuseum, Winterthur, 2010年10月31日-2011年2月27日, cat. no. 45
- 2022
- 自然と人のダイアローグ フリードリヒ、モネ、ゴッホからリヒターまで：国立西洋美術館リニューアルオープン記念, 国立西洋美術館, 2022年6月4日-2022年9月11日, cat. no. 54
文献歴
- 1913
- Bierbaum, Georg. Lovis Corinth. Bielefeld/Leipzig, Velhagen & Klasing, 1913 (Künstler-Monographien 107), p. 82, Abb. 88 (Titled “Deutsche Eiche“).
- 1958
- Berend-Corinth, Charlotte. Die Gemälde von Lovis Corinth: Werkkatalog. München, F. Bruckmann, 1958, no. 335 (illustrated on p. 457).
- 1992
- Berend-Corinth, Charlotte. Lovis Corinth: Die Gemälde. München, Neu bearbeitet von Béatrice Hernad, F. Bruckmann, 1992, no. 335 (illustrated on p. 487).
- 2020
- 国立西洋美術館報. No. 53 (Apr. 2018-Mar. 2019), 2020, 池田祐子. 新収作品. pp. 19-21, 新収作品一覧. p. 22, col. repr.
- 2022
- 自然と人のダイアローグ：フリードリヒ、モネ、ゴッホからリヒターまで (exh. cat.). 陳岡めぐみ; 新藤淳; 読売新聞東京本社事業局ミュージアム事業部編集. 東京, 国立西洋美術館; 読売新聞社; NHK; NHKプロモーション, 2022, pp. 123, 258, cat. no. 54, col. repr.
Der Eichbaum
| Date | 1907 |
|---|---|
| Materials and Techniques | oil on canvas |
| Size（cm） | 96.2 x 120.5 |
| Inscriptions | no signiture |
| Category | Paintings |
| Collection Number | P.2018-0004 |
Lovis Corinth was a major German Impressionist painter. From the end of the 19th century to the early 20th century Corinth painted in styles ranging from realist works based on his studies at the Académie Julian, Paris, to images heavily influenced by the French Impressionists after he joined the Berlin Secession, and then to later paintings in an expressionist style. The composition and dancing brushstrokes seen here would be unimaginable without reference to the depictions of trees created by such French artists as Courbet, Monet and even Cézanne. A single evergreen oak tree fills this canvas, taking a painting theme steeped in German Romanticism and delving deeper, expanding it into a new expressive dimension. (Source: Gallery label, August 2020)
Provenance
Paul Cassirer, Berlin, by whom acquired from the artist in 1908; Carl Steinbart, Berlin, by whom acquired from the above in 1908; Paul Cassirer, by whom acquired from the above in 1908; Adolf Rothermundt, Dresden, by whom acquired from the above in 1908/09; Paul Cassirer, by whom acquired from the above in 1910; Julius Gerson, Berlin, by whom acquired from the above in 1921; Eva D. Marcu (daughter of Julius Gerson), New York, by 1958; Allan Frumkin Gallery, New York & Chicago, by 1961; Galerie St. Etienne, New York; acquired from the above by the previous owner in Switzerland in 1988; purchased by NMWA, March 2019.
Exhibition History
- 1913
- Lebenswerk von Lovis Corinth, Secession, Berlin, 0 January 1913 - 0 February 1913, cat. no. 102
- 1958
- Lovis Corinth: Gedächtnisausstellung zur Feier des hundersten Geburtsjahres, Stadthalle, Wolfsburg, 0 May 1958 - 0 June 1958
- 1958
- Lovis Corinth 1858-1925, Kunsthalle, Basel, 0 September 1958 - 0 October 1958, cat. no. 43
- 1964
- Lovis Corinth. A Retrospective Exhibition in the Gallery of Modern Art, Gallery of Modern Art, NewYork, 0 September 1964 - 0 November 1964, cat. no. 24
- 1988
- Three Pre-Expressionists: Lovis Corinth, Käthe Kollwitz, Paula Modersohn-Becker, Galerie St. Etienne, New York, 26 January 1988 - 12 March 1988, cat. no. 7
- 1992
- Lovis Corinth, Kunstforum der Bank Austria, Vienna, 2 September 1992 - 22 November 1992, Forum des Landesmuseums, Hannover, 8 December 1992-21 February 1993, cat. no. 25
- 1996
- El Greco bis Mondrian, Aargauer Kunsthaus, Aarau, 28 January 1996 - 17 March 1996, Von der Heydt-Museum, Wuppertal, 21 April-16 June; Staatliche Kunstsammlungen, Gemäldegalerie Neue Meister, Dresden, 8 July- 15 September; Kunstforum der Bank Austria, Vienna, September-November; Fondation de l’Hermitage, Lausanne, January-April 1997, p. 180 (illustrated on p. 181)
- 2010
- Die Natur der Kunst. Begegnungen mit der Natur vom 19. Jahrhundert bis in die Gegenwart, Kunstmuseum, Winterthur, 31 October 2010 - 27 February 2011, cat. no. 45
- 2022
- In Dialogue with Nature - from Friedrich, Monet and Van Gogh to Richter, The National Museum of Western Art, Tokyo, 4 June 2022 - 11 September 2022, cat. no. 54
Bibliography
- 1913
- Bierbaum, Georg. Lovis Corinth. Bielefeld/Leipzig, Velhagen & Klasing, 1913 (Künstler-Monographien 107), p. 82, Abb. 88 (Titled “Deutsche Eiche“).
- 1958
- Berend-Corinth, Charlotte. Die Gemälde von Lovis Corinth: Werkkatalog. München, F. Bruckmann, 1958, no. 335 (illustrated on p. 457).
- 1992
- Berend-Corinth, Charlotte. Lovis Corinth: Die Gemälde. München, Neu bearbeitet von Béatrice Hernad, F. Bruckmann, 1992, no. 335 (illustrated on p. 487).
- 2020
- Annual Bulletin of the National Museum of Western Art. No. 53 (Apr. 2018-Mar. 2019), 2020, Ikeda, Yuko. New Acquisitions. pp. 19-21, List of New Acquisitions. p. 22, col. repr.
- 2022
- In Dialogue with Nature: from Friedrich, Monet and Van Gogh to Richter (exh. cat.). Jingaoka, Megumi; Shinfuji, Atsushi; Yomiuri Shimbun, Museum Exhibition Department, eds. Tokyo, The National Museum of Western Art, Tokyo; Yomiuri Shimbun; NHK; NHK Promotions, 2022, pp. 123, 258, cat. no. 54, col. repr.