更新日 2025.04.14 | 14 April 2025
展示中 企画展示館展示室 | Special Exhibition Wing
展示中
企画展示館展示室
Pedro de Orrente
Murcia, 1580 - Valencia, 1645
聖母被昇天 The Assumption of the Virgin
| 制作年 | 1620-1625年頃 |
|---|---|
| 材質・技法・形状 | 油彩、カンヴァス |
| 寸法（cm） | 125 x 93 |
| 分類 | 絵画 |
| 所蔵番号 | P.2018-0003 |
地上での生涯を終えた聖母マリアが霊魂と肉体とともに天国に上げられる場面を描く。空の墓の周りには驚きを隠せない12使徒が配される。作者のオレンテは、17世紀初頭にヴェネツィアでレアンドロ・バッサーノに学んだスペイン人画家で、その後トレドに戻りこれを描いた。色彩にはやはりヴェネツィアで学んだエル・グレコの影響が明らかであるが、マリアの肉体の量感や、粗野で武骨な使徒たちの風貌に、当時勃興しつつあった新たな自然主義絵画に対する強い関心が表れている。（出典: 展示室作品解説パネル、2020年8月）
来歴
Family of Marqués de Auñón since 19th century; D. Enrique Valera y Ramírez de Saavedra, marqués de Auñón (1899-1947); By direct inheritance to his son, D. Luis Enrique Valera y Muguiro; From whom Purchased by Galería Coll y Cortés, Madrid, 2018; purchased by NMWA, March 2019.
文献歴
- 1950
- Nieto, Benedicto. La Asunción de la Virgen en el Arte. Madrid, 1950, p. 151, pl. 242.
- 1971
- Angulo Iñiguez, Diego. Pintura del siglo XVII. Madrid, 1971 (Ars Hispaniae, vol. XV), p. 68.
- 1972
- Angulo Iñiguez, Diego; Pérez Sánchez, Alfonso E. Pintura toledana. Primera mitad del siglo XVIII, Madrid, Instituto Diego Velázquez, 1972 (Historia de la Pintura Española), pp. 235-36, 244, 328-29, no. 312, lám. 249.
- 2020
- 国立西洋美術館報. No. 53 (Apr. 2018-Mar. 2019), 2020, 川瀬佑介. 新収作品. pp. 16-18, 新収作品一覧. p. 22, col. repr.
On Display
Special Exhibition Wing
The Assumption of the Virgin
| Date | ca. 1620-1625 |
|---|---|
| Materials and Techniques | oil on canvas |
| Size（cm） | 125 x 93 |
| Category | Paintings |
| Collection Number | P.2018-0003 |
This scene shows the Assumption of Mary, as God returns her spirit and corporeal body to heaven after her life on earth. The Twelve Apostles are arrayed around the empty tomb, unable to hide their surprise at the event. The painter, Pedro de Orrente, was a Spaniard who studied under Leandro Bassano in Venice at the beginning of the 17th century. He later returned to Toledo, where he created this work. The color palette used here clearly reveals the influence of El Greco, who also studied in Venice, while the sense of volume in Mary's body and the rough, unkempt visages of the Apostles indicate Orrente's strong interest in the newly emerging naturalistic painting style of his day. (Source: Gallery label, August 2020)
Provenance
Family of Marqués de Auñón since 19th century; D. Enrique Valera y Ramírez de Saavedra, marqués de Auñón (1899-1947); By direct inheritance to his son, D. Luis Enrique Valera y Muguiro; From whom Purchased by Galería Coll y Cortés, Madrid, 2018; purchased by NMWA, March 2019.
Bibliography
- 1950
- Nieto, Benedicto. La Asunción de la Virgen en el Arte. Madrid, 1950, p. 151, pl. 242.
- 1971
- Angulo Iñiguez, Diego. Pintura del siglo XVII. Madrid, 1971 (Ars Hispaniae, vol. XV), p. 68.
- 1972
- Angulo Iñiguez, Diego; Pérez Sánchez, Alfonso E. Pintura toledana. Primera mitad del siglo XVIII, Madrid, Instituto Diego Velázquez, 1972 (Historia de la Pintura Española), pp. 235-36, 244, 328-29, no. 312, lám. 249.
- 2020
- Annual Bulletin of the National Museum of Western Art. No. 53 (Apr. 2018-Mar. 2019), 2020, Kawase, Yusuke. New Acquisitions. pp. 16-18, List of New Acquisitions. p. 22, col. repr.