サン=トロぺの港|ポール・シニャック |所蔵作品検索

更新日 2025.04.18 | 18 April 2025

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常設展

ポール・シニャック

パリ, 1863年 - パリ, 1935年

Paul Signac

Paris, 1863 - Paris, 1935

サン=トロぺの港 The Port of Saint-Tropez

制作年	1901-02年
材質・技法・形状	油彩、カンヴァス
寸法（cm）	131 x 161.5
署名・年記	右下に署名: P. Signac
Standard ref.	Cachin 359
分類	絵画
所蔵番号	P.1987-0003

シニャックは彼とともに新印象主義の護持とその理論の普及を行なったスーラの死によって大きな衝撃を受け、その翌年の1892年、友人の画家クロスの勧めによってヨットによる地中海巡航の旅に出た。彼はこの旅行中、まだ小さな漁港であったサン=トロペを発見し、以後10年ほどは、こことパリを往復しつつ制作を行なうこととなる。この期間中、シニャックの芸術傾向は次第に著しい変化を見せる。まず構図の線的な厳格さが和らぎ、色彩の面では新印象主義絵画に特有の描点の粒が大きくなる。後者の変化は、点描派の当初の目的であった視覚混合よりも、個々の色彩の特性とそれらの対比を強調することになる。サン=トロペ港の全景を描いた本作品は、この時期の彼の絵画では最もモニュメンタルなものであり、またこうした様式の変化を端的に示すことによって、新印象主義からの脱却とフォーヴィスム誕生の準備という、世紀の変わり目におけるシニャックの業績を代表する作品となっている。（出典: 国立西洋美術館名作選. 東京, 国立西洋美術館, 2006. cat. no. 90 ）

来歴

Karl-Ernst Osthaus, Hagen; Museum Folkwang, Essen; Marlborough Fine Art, London; Purchased by the NMWA, 1988.

展覧会歴

1902: Exposition de la Société des Artistes Indépendants, Cours-la-Reine, Paris, 1902年3月29日-1902年5月5日, cat. no. 1633 (titled Saint Tropez)
1904: Exposition des peintres impressionnistes, La Libre Esthétique, Bruxelles, 1904年2月25日-1904年3月29日, cat. no. 153
1907: Paul Signac, Galerie Bernheim-Jeune, Paris, 1907年1月21日-1907年2月2日, cat. no. 17 (titled Saint-Tropez, Le Port)
1912: Museum Folkwang, Hagen, 1912年0月0日-1912年0月0日, cat. no. 188
1929: Museum Folkwang, Essen, 1929年0月0日-1929年0月0日, cat. no. 300
1952: , Kunstverein für die Rheinlande und Westfalen, Düsseldorf, 1952年10月19日-1952年11月30日, cat. no. 13
1969: Museum Folkwang, Essen, 1969年0月0日-1969年0月0日, cat. no. 105, repr.
1973: Selected European Master of the 19th and 20th Centuries, Marlborough Fine Art, London, 1973年0月0日-1973年0月0日, cat. no. 144, repr.
1983: 19世紀20世紀巨匠展, マルボロー・ファインアート, 東京, 1983年0月0日-1983年0月0日, cat. no. 19, repr.
1983: Master of the 19th and 20th Centuries, Marlborough Gallery Inc., New York, 1983年0月0日-1983年0月0日, cat. no. 45, repr.
1997: 素材と表現: 国立西洋美術館所蔵作品を中心に, 国立国際美術館, 1997年4月17日-1997年6月22日, cat. no. 38
2001: Signac, 1863-1935, Galeries nationales du Grand Palais, Paris, 2001年2月27日-2001年5月28日, Van Gogh Museum, Amsterdam, 15 June-9 September 2001; Metropolitan Museum of Art, New York, 9 October- 30 December, cat. no. 105, col. repr.
2013: モネ、風景をみる眼：19世紀フランス風景画の革新, 国立西洋美術館, 2013年12月7日-2014年3月9日, cat. no. 95, col. repr.
2022: Renoir—Monet—Gauguin: Images of a Floating World: the Collections of Kōjirō Matsukata and Karl Ernst Osthaus, Museum Folkwang, 2022年2月6日-2022年5月15日
2022: 自然と人のダイアローグ　フリードリヒ、モネ、ゴッホからリヒターまで：国立西洋美術館リニューアルオープン記念, 国立西洋美術館, 2022年6月4日-2022年9月11日, cat. no. 64
2024: ここは未来のアーティストたちが眠る部屋となりえてきたか?：国立西洋美術館65年目の自問：現代美術家たちへの問いかけ, 国立西洋美術館, 2024年3月12日-2024年5月12日

文献歴

1902: Anonymous. Le Cri de Paris. 9 April 1902, p. 4
1902: Fleury, Arbert. Les Indépendants. L'Effort. 15 June 1902, p. 58
1902: Klingsor, Tristan. Les Salons de 1902. Le Salon des Indépendants. La Plume. 1 May 1902, p. 567
1902: Anonymous. Les Indépendants. Le Petit Bleu de Paris. 5 May 1902, p. 2
1902: Laertes. Les Salons. Exposition des Indépendants. La Dépêche de Toulouse. 1 April 1902, p. 5
1902: Bidou, Henri. Le Salon des Indépendants. L'Occident. June 1902, p. 253
1904: Fénéon, Félix. L'Art à Paris. Exposition Paul Signac. L'Art Moderne. 18 December 1904, pp. 409-410
1907: Jamot, Paul. Exposition Paul Signac. La Chronique des arts et de la curiosité. no. 4, 26 January 1907, p. 28
1912: Museum Folkwang. Freyer, Kurt, ed, vol. 1 Moderne Kunst: Plastik, Malerei, Graphik, Hagen, 1912, cat. no. 189
1929: Museum Folkwang. Waldstein, Agnes, ed, vol. 1 Moderne Kunst: Plastik, Malerei, Graphik, Essen, 1929, cat. no. 298
1967: Lindemann, G. Kunst, Künstler, Kunstwerke. Essen, 1967, pp. 266-267, repr.
1969: Museum Folkwang Essen, Gemälde 19. und 20. Jahrhundert. Rickman, Herbert, ed, Essen, Museum Folkwang, 1969, cat. no. 206, repr.
1986: Paul Signac 1863-1935: Watercolours and Drawings (exh. cat.). Bosman, Suan. Marlborough Gallery, London, November 1986. London, 1986, p. 11, fig. 15, repr.
1989: 国立西洋美術館名作選. 東京, 国立西洋美術館, 1989, no. 82, repr.
1990: 国立西洋美術館新収蔵絵画目録: 昭和54年-平成元年. 東京, 国立西洋美術館, 1990, pp. 65-66, repr.
1990: 国立西洋美術館年報. Nos. 21-22 (1986-87), 1990, 八重樫春樹. 新収作品解説. pp. 15-16, 新収作品目録. pp. 34-35, repr.
1992: Ferretti-Bocquillon, Maria. Peintures. Dessins et aquarelles. Signac & Saint-Tropez: 1892-1913 (exh. cat.). Musée de l'Annonciade, Saint-Tropez, 20 June - 6 October 1992; Musée des Beaux-Arts, Reims, 6 November - 13 December 1992. [Saint-Tropez], [Musée de l'Annonciade], 1992, pp. 76-77, repr.
1997: Ferretti-Bocquillon, Maria. Paul Signac au temps d’Harmonie 1895-1913. Signac et la libération de la couleur: de Matisse à Mondrian (exh. cat.). Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1 December 1996 – 16 February 1997; Musée de Grenoble, 9 March – 25 May 1997; Kunstsammulungen zu Weimer, 15 June – 31 August 1997. Paris, Réunion des musées nationaux, 1997, p. 66
2000: Cachin, Françoise. Signac: catalogue raisonné de l'oeuvre peint. Paris, Gallimard, 2000, cat. no. 359, repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 90, col. repr.
2013: モネ、風景をみる眼: 19世紀フランス風景画の革新(exh. cat.). 東京, TBSテレビ, c2013, cat. no. 95, col. repr.
2013: 国立西洋美術館名作選. 東京, 西洋美術振興財団, 2013, no. 112, col. repr.
2022: 自然と人のダイアローグ：フリードリヒ、モネ、ゴッホからリヒターまで (exh. cat.). 陳岡めぐみ; 新藤淳; 読売新聞東京本社事業局ミュージアム事業部編集. 東京, 国立西洋美術館; 読売新聞社; NHK; NHKプロモーション, 2022, pp. 138, 259, cat. no. 64, col. repr.
2022: Renoir—Monet—Gauguin: Images of a Floating World: the Collections of Kōjirō Matsukata and Karl Ernst Osthaus (exh.cat.). Engel, Nadine; Herlemann, Rebecca, eds. Berlin, Hatje Cantz, [2022], pp. 287, 368, col. repr.
2024: ここは未来のアーティストたちが眠る部屋となりえてきたか?：国立西洋美術館65年目の自問：現代美術家たちへの問いかけ (exh. cat.). 新藤淳企画構成; 望月かおる編集. [東京], カルチュア・コンビニエンス・クラブ株式会社; 美術出版社書籍編集部, 2024, pp. 250, 309, col. repr.

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On Display

Permanent collection

Paul Signac

Paris, 1863 - Paris, 1935

The Port of Saint-Tropez

Date	1901-02
Materials and Techniques	oil on canvas
Size（cm）	131 x 161.5
Inscriptions	Signed lower right: P. Signac
Credit Line	Purchased
Standard ref.	Cachin 359
Category	Paintings
Collection Number	P.1987-0003

Signac was greatly shocked by the death of Seurat who had joined him in defending and extolling the spread of Neo-impressionism. Thanks to the efforts of his friend the painter H. E. Cross, Signac left the year after the death of Seurat (1892) on a yacht voyage around the Mediterranean. He discovered the still as yet small fishing harbor of Saint-Tropez during this trip and for the next ten years he traveled between Saint-Tropez and Paris in the creation of his paintings. A series of developments in the artistic directions of Signac's work can be seen over this period. First we see the softening of the linear rigor of his compositions, followed by an increase in size of the distinctive dots of pigment that characterize the Neo-impressionist style. In this later change, he strengthened the characteristics of the individual touches and the contrast between them, surpassing the optical mixture that had been the Pointillists' first objective. This work depicting the port of Saint-Tropez in its entirety is one of his most monumental works of this period, providing an extreme expression of these formal changes. Signaling Signac's emergence from the Neo-impressionists and revealing intimations of the birth of Fauvism, this work represents Signac's achievements at the turn of the century. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no. 90)

Provenance

Karl-Ernst Osthaus, Hagen; Museum Folkwang, Essen; Marlborough Fine Art, London; Purchased by the NMWA, 1988.

Exhibition History

1902: Exposition de la Société des Artistes Indépendants, Cours-la-Reine, Paris, 29 March 1902 - 5 May 1902, cat. no. 1633 (titled Saint Tropez)
1904: Exposition des peintres impressionnistes, La Libre Esthétique, Bruxelles, 25 February 1904 - 29 March 1904, cat. no. 153
1907: Paul Signac, Galerie Bernheim-Jeune, Paris, 21 January 1907 - 2 February 1907, cat. no. 17 (titled Saint-Tropez, Le Port)
1912: Museum Folkwang, Hagen, 0 1912 - 0 1912, cat. no. 188
1929: Museum Folkwang, Essen, 0 1929 - 0 1929, cat. no. 300
1952: , Kunstverein für die Rheinlande und Westfalen, Düsseldorf, 19 October 1952 - 30 November 1952, cat. no. 13
1969: Museum Folkwang, Essen, 0 1969 - 0 1969, cat. no. 105, repr.
1973: Selected European Master of the 19th and 20th Centuries, Marlborough Fine Art, London, 0 1973 - 0 1973, cat. no. 144, repr.
1983: Master of the 19th and 20th Centuries: Inaugural Exhibition, Marlborough Fine Art Ltd., Tokyo, 0 1983 - 0 1983, cat. no. 19, repr.
1983: Master of the 19th and 20th Centuries, Marlborough Gallery Inc., New York, 0 1983 - 0 1983, cat. no. 45, repr.
1997: Expressiveness of Materials, National Museum of Art, Osaka, 17 April 1997 - 22 June 1997, cat. no. 38
2001: Signac, 1863-1935, Galeries nationales du Grand Palais, Paris, 27 February 2001 - 28 May 2001, Van Gogh Museum, Amsterdam, 15 June-9 September 2001; Metropolitan Museum of Art, New York, 9 October- 30 December, cat. no. 105, col. repr.
2013: Monet, An Eye for Landscapes: Innovation in 19th Century French Landscape Paintings, The National Museum of Western Art, Tokyo, 7 December 2013 - 9 March 2014, cat. no. 95, col. repr.
2022: Renoir—Monet—Gauguin: Images of a Floating World: the Collections of Kōjirō Matsukata and Karl Ernst Osthaus, Museum Folkwang, 6 February 2022 - 15 May 2022
2022: In Dialogue with Nature - from Friedrich, Monet and Van Gogh to Richter, The National Museum of Western Art, Tokyo, 4 June 2022 - 11 September 2022, cat. no. 64
2024: Does the Future Sleep Here?: Revisiting the Museum's Response to Contemporary Art after 65 Years, National Museum of Western Art, Tokyo, 12 March 2024 - 12 May 2024

Bibliography

1902: Anonymous. Le Cri de Paris. 9 April 1902, p. 4
1902: Fleury, Arbert. Les Indépendants. L'Effort. 15 June 1902, p. 58
1902: Klingsor, Tristan. Les Salons de 1902. Le Salon des Indépendants. La Plume. 1 May 1902, p. 567
1902: Anonymous. Les Indépendants. Le Petit Bleu de Paris. 5 May 1902, p. 2
1902: Laertes. Les Salons. Exposition des Indépendants. La Dépêche de Toulouse. 1 April 1902, p. 5
1902: Bidou, Henri. Le Salon des Indépendants. L'Occident. June 1902, p. 253
1904: Fénéon, Félix. L’Art à Paris. Exposition Paul Signac. L’Art Moderne. 18 December 1904, pp. 409-410
1907: Jamot, Paul. Exposition Paul Signac. La Chronique des arts et de la curiosité. no. 4, 26 January 1907, p. 28
1912: Museum Folkwang. Freyer, Kurt, ed, vol. 1 Moderne Kunst: Plastik, Malerei, Graphik, Hagen, 1912, cat. no. 189
1929: Museum Folkwang. Waldstein, Agnes, ed, vol. 1 Moderne Kunst: Plastik, Malerei, Graphik, Essen, 1929, cat. no. 298
1967: Lindemann, G. Kunst, Künstler, Kunstwerke. Essen, 1967, pp. 266-267, repr.
1969: Museum Folkwang Essen, Gemälde 19. und 20. Jahrhundert. Rickman, Herbert, ed, Essen, Museum Folkwang, 1969, cat. no. 206, repr.
1986: Paul Signac 1863-1935: Watercolours and Drawings (exh. cat.). Bosman, Suan. Marlborough Gallery, London, November 1986. London, 1986, p. 11, fig. 15, repr.
1989: Masterpieces of the National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art, 1989 (Japanese, preface in Japanese and English), no. 82, repr.
1990: Catalogue of painting acquisitions: 1979-1989. Tokyo, The National Museum of Western Art, 1990, pp. 65-66, repr.
1990: Annual bulletin of the National Museum of Western Art. Nos. 21-22 (1986-87), 1990, Yaegashi, Haruki. New Acquisitions 1986-87. pp. 15-16, Catalogue of the New Acquisitions 1986-87. pp. 34-35, repr.
1992: Ferretti-Bocquillon, Maria. Peintures. Dessins et aquarelles. Signac & Saint-Tropez: 1892-1913 (exh. cat.). Musée de l'Annonciade, Saint-Tropez, 20 June - 6 October 1992; Musée des Beaux-Arts, Reims, 6 November - 13 December 1992. [Saint-Tropez], [Musée de l'Annonciade], 1992, pp. 76-77, repr.
1997: Ferretti-Bocquillon, Maria. Paul Signac au temps d’Harmonie 1895-1913. Signac et la libération de la couleur: de Matisse à Mondrian (exh. cat.). Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1 December 1996 – 16 February 1997; Musée de Grenoble, 9 March – 25 May 1997; Kunstsammulungen zu Weimer, 15 June – 31 August 1997. Paris, Réunion des musées nationaux, 1997, p. 66
2000: Cachin, Françoise. Signac: catalogue raisonné de l'oeuvre peint. Paris, Gallimard, 2000, cat. no. 359, repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 90, col. repr.
2013: MONET, An Eye For Landscapes: Innovation in 19th Century French Landscape Paintings(exh. cat.). Tokyo, TBS, c2013, cat. no. 95, col. repr.
2013: Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 112, col. repr.
2022: In Dialogue with Nature: from Friedrich, Monet and Van Gogh to Richter (exh. cat.). Jingaoka, Megumi; Shinfuji, Atsushi; Yomiuri Shimbun, Museum Exhibition Department, eds. Tokyo, The National Museum of Western Art, Tokyo; Yomiuri Shimbun; NHK; NHK Promotions, 2022, pp. 138, 259, cat. no. 64, col. repr.
2022: Renoir—Monet—Gauguin: Images of a Floating World: the Collections of Kōjirō Matsukata and Karl Ernst Osthaus (exh.cat.). Engel, Nadine; Herlemann, Rebecca, eds. Berlin, Hatje Cantz, [2022], pp. 287, 368, col. repr.
2024: Does the Future Sleep Here?: Revisiting the Museum's Response to Contemporary Art after 65 Years (exh. cat.). Shinfuji, Atsushi; Mochizuki, Kaoru, eds. [Tokyo], Culture Convenience Club; Bijutsu Shuppan-sha, 2024, pp. 250, 309, col. repr.

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