ソドムを去るロトとその家族（ルーベンスの構図に基づく）|ヤーコプ・ヨルダーンス(に帰属) |所蔵作品検索

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ヤーコプ・ヨルダーンス (に帰属)

アントウェルペン, 1593年 - アントウェルペン, 1678年

Jacob Jordaens (attributed to)

Antwerp, 1593 - Antwerp, 1678

ソドムを去るロトとその家族（ルーベンスの構図に基づく） The Flight of Lot and His Family from Sodom (after Rubens)

制作年	1618-20年頃
材質・技法・形状	油彩、カンヴァス
寸法（cm）	169.5 x 198.5
分類	絵画
所蔵番号	P.1978-0006

本作の主題は、旧約聖書の創世記19章の記述によっています。中央に描かれた老人ロトは、妻と二人の娘を従え、二人の天使に促されて、神に滅ぼされようとする悪徳の町ソドムから逃げ出そうとしています。本作はながらくルーベンスあるいはルーベンスの工房作と伝えられていましたが、当館では1993年に綿密な調査を行い、こうした諸説を検討しました。その結果、本作は現在のところ、衣服などの色調から、ルーベンスと並んで17世紀前半のアントウェルペンを代表する画家であったヤーコプ・ヨルダーンスが、ルーベンスの原画をもとに描いたものと推定されています。（出典: 展示室作品解説パネル）

来歴

Lewis & Son, London; Auc. Christie's, London, 29. 7. 1937, lot no. 80; E. Lübbert, München (long-term loan to the Martin-von-Wagner-Museum der Universität Würzburg); Purchased by the NMWA, 1978.

展覧会歴

1933: Rubens-tentoonstelling, Kunsthandel J. Goudstikker, Amsterdam, 1933年8月0日-1933年9月0日, cat. no. 1
1965: Le siècle de Rubens, Musée Royaux des Beaux-Arts de Belgique, Brussel, 1965年10月15日-1965年12月12日, cat. no. 181, repr.
1968: Weltkunst aus Privatbesitz (Ausstellung der Kölner Museen), Kunsthalle, Köln, 1968年5月18日-1968年8月4日, cat. no. F29. fig. 16
1993: ソドムを去るロトとその家族: ルーベンスと工房, 国立西洋美術館, 1993年7月13日-1993年8月29日, cat. no. 3
2018: ルーベンス展：バロックの誕生, 国立西洋美術館, 2018年10月16日-2019年1月20日, cat. no. 69

文献歴

1830: Smith, John. A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish and French Painters. part 2, London, 1830, no. 826.
1928: Glück, G. Sammlung S. del Monte. Wien, 1928, no. 6.
1935: Glück, G. in Thieme-Becker-Künstlerlexikon. Bd. 29. 1935, p. 142.
1940: Van den Wijngaert, Frank. Inventaris der Rubeniaansche prentkunst. Antwerpen, de Sikkel, 1940, no. 708.
1947: Goris, Jan-Albert; Held, Julius S. Rubens in America. Antwerpen, Standaard Boekhandel, 1947, no. 36.
1966: Gerson, Horst. Das Jahrhundert von Rubens. Kunstchronik, 19. Jg., Heft 3, März 1966, pp. 58, 61.
1967: Cabanne, Pierre. Rubens. Bernard, Oliver, trans. London, Thames and Hudson, 1967, p. 186.
1968: Evers, H. G. in Kindlers Malerei-Lexikon. Bd. 5, 1968, p. 163, col. repr., p. 161.
1969: Ragaller, H. Martin-von-Wagner-Museum der Universität Würzburg, Neuere Abteilung: Verzeichnis der Gemälde und Skulpturen. Würzburg, 1969, p. 45.
1977: Liess, Reinhard. Die Kunst des Rubens. Braunschweig, Waisenhaus-Buchdruckerei und Verl., 1977, p. 355.
1979: Hubala, Erich. "Figurenerfindung und Bildform bei Rubens, Beiträge zum Thema: Rubens als Erzähler". Rubens: Kunstgeschichtliche Beiträge. Hubala, E.rich, ed. Konstanz, L. Leonhardt, 1979, pp. 176-178, 274, Abb. 69.
1979: 国立西洋美術館総目録: 絵画篇. 東京, 国立西洋美術館, 1979, no. 252 (ルーベンスの作品として).
1980: 国立西洋美術館年報. No. 13 (1978), 1980, 越宏一. [作品解説]. pp. 8 -13, 新収作品目録. pp. 26-28, repr.
1989: Kobayashi-Sato, Yoriko. Catalogue of Dutch and Flemish Paintings in Japan I. ブリヂストン美術館・石橋美術館館報. no. 37 (1988), 1989, p. 54, no. 34, repr.
1994: Nakamura, Toshiharu, ed. Rubens and His Workshop: The Flight of Lot and His Family from Sodom. Tokyo, the National Museum of Western Art, 1994
1996: 雪山行二. 当館所蔵作品《ソドムを去るロトとその家族》の作者表示の変更について. 国立西洋美術館年報. Nos. 27-28 (April 1992-March 1994), 1996, p. 65.
2006: 国立西洋美術館名作選. 東京, 国立西洋美術館; 東京, 西洋美術振興財団, 2006, no. 28, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 28, col. repr.
2013: ルーベンス：栄光のアントワープ工房と原点のイタリア (exh. cat). Bunkamuraザ・ミュージアム, 東京, 2013年3月9日-4月21日. 北九州市立美術館, 2013年4月28日-6月16日. 新潟県立近代美術館, 長岡, 2013年6月29日-8月11日. [東京], 毎日新聞社, 2013, pp. 166-167.
2013: 国立西洋美術館名作選. 東京, 西洋美術振興財団, 2013, no. 42, col. repr.
2018: ルーベンス展：バロックの誕生 (exh. cat.). アンナ・ロ・ビアンコ; 渡辺晋輔責任編集. 東京, TBSテレビ, 2018, pp. 196-197, 291, cat. no. 69, col. repr.
2018: 幸福輝. 国立西洋美術館オランダ絵画・フランドル絵画カタログ. [東京], 国立西洋美術館; 西洋美術振興財団, 2018, pp. 82-85, no. 21, col. repr.

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Currently not on display

Jacob Jordaens (attributed to)

Antwerp, 1593 - Antwerp, 1678

The Flight of Lot and His Family from Sodom (after Rubens)

Date	c. 1618-20
Materials and Techniques	oil on canvas
Size（cm）	169.5 x 198.5
Credit Line	Purchased
Category	Paintings
Collection Number	P.1978-0006

The scene of Lot and his family fleeing the sinful city of Sodom at the behest of two angels is based on the Old Testament Book of Genesis:19. The hesitating figure of Lot is shown in the center with his wife seen in profile to his left and his two daughters, trying to carry their riches with them, behind him to the right. They are shown in a gloomy unsettled scene as Lot abandons his position in the town in accordance with an order from God. The pillar seen in the central back section of the composition prefigures the fate of Lot's wife, who is turned into a pillar of salt when she looks back at the city. There are three other known works that have essentially the same dimensions and composition as this work (Ringling Museum of Art, Sarasota, Florida; Bass Museum of Art, Miami Beach, Florida; Private collection). A comparison of the details of these works was thought to be a good method of clarifying Rubens's studio methods, and thus in the summer of 1993 a study exhibition entitled The Flight of Lot and his Family from Sodom: Rubens and his Workshop was held at the NMWA. The exhibition brought together the NMWA work alongside the two oil paintings from the Bass and Ringling museums, a reproduction engraving of the composition by Lucas Vorsterman, and preparatory sketches for the engraving. The details of the works were surveyed during the exhibition, opinions were exchanged by specialists from the NMWA and other institutions, and the following was clarified. In spite of the fact that the Ringling work includes some student work in its secondary elements, it is overwhelmingly superior in quality and can be considered an original work by Rubens. The Bass work is probably a studio work based on the Ringling work. The NMWA painting has more stereotyped expression in such areas as the beards and angel wings, sections that would have allowed a master's talents to shine, and thus it is thought that the NMWA work is a studio work created under the direction of Rubens. However, in many areas the NMWA work differs from the Ringling painting. Thus, while not yet confirmed, the theory regarding the NMWA work that has the greatest support today is R-A. d'Hulst's view that this painting was from the earliest period of Jacob Jordaens, a young collaborator of Rubens, particularly based on the vigorous depiction of the bodies and the cool, pale lavender tones used in the work. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no. 28)

Provenance

Lewis & Son, London; Auc. Christie's, London, 29. 7. 1937, lot no. 80; E. Lübbert, München (long-term loan to the Martin-von-Wagner-Museum der Universität Würzburg); Purchased by the NMWA, 1978.

Exhibition History

1933: Rubens-tentoonstelling, Kunsthandel J. Goudstikker, Amsterdam, 0 August 1933 - 0 September 1933, cat. no. 1
1965: Le siècle de Rubens, Musée Royaux des Beaux-Arts de Belgique, Brussel, 15 October 1965 - 12 December 1965, cat. no. 181, repr.
1968: Weltkunst aus Privatbesitz (Ausstellung der Kölner Museen), Kunsthalle, Köln, 18 May 1968 - 4 August 1968, cat. no. F29. fig. 16
1993: The Flight of Lot and his Family from Sodom: Rubens and his Workshop, National Museum of Western Art, Tokyo, 13 July 1993 - 29 August 1993, cat. no. 3
2018: Rubens and the Birth of the Baroque, The National Museum of Western Art, Tokyo, 16 October 2018 - 20 January 2019, cat. no. 69

Bibliography

1830: Smith, John. A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish and French Painters. part 2, London, 1830, no. 826.
1928: Glück, G. Sammlung S. del Monte. Wien, 1928, no. 6.
1935: Glück, G. in Thieme-Becker-Künstlerlexikon. Bd. 29. 1935, p. 142.
1940: Van den Wijngaert, Frank. Inventaris der Rubeniaansche prentkunst. Antwerpen, de Sikkel, 1940, no. 708.
1947: Goris, Jan-Albert; Held, Julius S. Rubens in America. Antwerpen, Standaard Boekhandel, 1947, no. 36.
1966: Gerson, Horst. Das Jahrhundert von Rubens. Kunstchronik, 19. Jg. Heft 3, März 1966, pp. 58, 61.
1967: Cabanne, Pierre. Rubens. Bernard, Oliver, trans. London, Thames and Hudson, 1967, p. 186.
1968: Evers, H. G. in Kindlers Malerei-Lexikon. Bd. 5, 1968, p. 163, col. repr., p. 161.
1969: Ragaller, H. Martin-von-Wagner-Museum der Universität Würzburg, Neuere Abteilung: Verzeichnis der Gemälde und Skulpturen. Würzburg, 1969, p. 45.
1977: Liess, Reinhard. Die Kunst des Rubens. Braunschweig, Waisenhaus-Buchdruckerei und Verl., 1977, p. 355.
1979: Hubala, Erich. "Figurenerfindung und Bildform bei Rubens, Beiträge zum Thema: Rubens als Erzähler". Rubens: Kunstgeschichtliche Beiträge. Hubala, E.rich, ed. Konstanz, L. Leonhardt, 1979, pp. 176-178, 274, Abb. 69.
1979: The National Museum of Western Art, Tokyo: Catalogue of paintings. Tokyo, The National Museum of Western Art, 1979, no. 252 (as the work by Rubens).
1980: Annual Bulletin of the National Museum of Western Art. No. 13 (1978), 1980, Koshi, Koichi. New Acquisitions (Painting). pp. 8-13, New Acquisitions (Catalogue). pp. 26-28, repr.
1989: Kobayashi-Sato, Yoriko. Catalogue of Dutch and Flemish Paintings in Japan I. Annual Report Bridgestone Museum of Art & Ishibashi Museum of Art. no. 37 (1988), 1989, p. 54, no. 34, repr.
1994: Nakamura, Toshiharu, ed. Rubens and His Workshop: The Flight of Lot and His Family from Sodom. Tokyo, the National Museum of Western Art, 1994
1996: Yukiyama, Koji. Regarding the Reattribution of the Museum's the Flight of Lot and his Family from Sodom. Annual bulletin of the National Museum of Western Art. Nos. 27-28 (April 1992-March 1994), 1996, p. 65.
2006: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2006 (Japanese, preface in Japanese and English), no. 28, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 28, col. repr.
2013: Rubens: Inspired by Italy and Established in Antwerp (exh. cat). The Bunkamura Museum of Art, 9 March-21 April 2013. Kitakyushu Municipal Museum of Art, 28 April-16 June 2013. The Niigata Prefectural Museum Of Modern Art, Nagaoka, 29 June-11 August 2013. [Tokyo], The Mainichi Newspapers, 2013, pp. 166-167.
2013: Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 42, col. repr.
2018: Rubens and the Birth of the Baroque (exh. cat.). Lo Bianco, Anna; Watanabe Shinsuke, eds. Tokyo, TBS Television, 2018, pp. 196-197, 291, cat. no. 69, col. repr.
2018: Kofuku, Akira. Catalogue of Dutch and Flemish Paintings, The National Museum of Western Art, Tokyo. [Tokyo], The National Museum of Western Art, Tokyo; The Western Art Foundation, 2018, pp. 82-85, no. 21, col. repr.

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