城の見える風景|バルトロメオ・モンターニャ(に帰属) |所蔵作品検索

更新日 2025.04.14 | 14 April 2025

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バルトロメオ・モンターニャ (に帰属)

オルジヌオーヴィ?, 1450年頃 - ヴィチェンツァ, 1523年

Bartolomeo Montagna (attributed to)

Orzinuovi?, c. 1450 - Vicenza, 1523

城の見える風景 Landscape with Castles

制作年	15世紀末-16世紀初頭
材質・技法・形状	油彩、板（円形）
寸法（cm）	139.7 (直径) x 139.7
分類	絵画
所蔵番号	P.1978-0003

この作品は、ささくれ立ったような岩肌の山を背にして、水辺の風景が画面手前を占め、その向こう左手は教会堂や家の建ち並ぶ静かな町の光景となり、そこから蛇行する道を登り詰めると遠く中央に聳える城に達するという、モティーフ豊かな変化に富んだ風景画である。当時としては、このように純粋な風景画は極めてまれであり、また鴨や右上の城がたち切られたようになっているので、本来はもっと大きな絵の一部ではなかったかと考える研究者もいる。作者に関しては諸説があり、これまでB.ベレンソンはフィレンツェ派の画家ピエロ・ディ・コジモ（1461/62-1521?）とし、R.オッフナーはヴェネツィア派の画家ヴィットーレ・カルパッチョ（1465-1521）に帰している。しかしながらM.バッチは、その著『ピエロ・ディ・コジモ』の中で、風景は明らかにトスカーナ地方のそれとは異なり、また建築物はヴェネト地方に見られるものであることから、ヴェネト地方の画家の作であろうと推定した。最近ではE.フェイ（口頭による）やL.プッピがモンターニャ説を出し、有力な見解となっている。いずれにせよ今後の研究が待たれる興味深い作品である。（出典: 国立西洋美術館名作選. 東京, 国立西洋美術館, 2006. cat. no. 14）

来歴

Liechtenstein Collection, Wien, (purchased by Prince Johann in Italy in 1882); Wildenstein, New York; Purchased by the NMWA, 1978.

展覧会歴

1968: Benefit exhibition for Arthritis Foundation, Wildenstein Gallery, New York, 1968年10月0日-1968年10月0日
1978: ヨーロッパの風景画, 山梨県立美術館, 甲府, 1978年11月3日-1979年1月15日, cat. no. 4
1999: エルミタージュ美術館所蔵イタリア・ルネサンス美術展─フィレンツェとヴェネツィア: 開館40周年記念特別展, 国立西洋美術館, 1999年3月20日-1999年6月20日, cat. no. 14
2014: 非日常からの呼び声：平野啓一郎が選ぶ西洋美術の名品, 国立西洋美術館, 2014年4月8日-2014年6月15日, cat. no. 28

文献歴

1909: Berenson, Bernard. The Florentine Painters of the Renaissance. New York/London, 1909, p. 166 (attributed to Piero di Cosimo).
1931: Kronfeld, Adolf. Führer durch die fürstlich Liechtensteinsche Gemäldegalerie in Wien. 3rd. ed., Wien, Kunstverlag Wolfrum, 1931, p. 165, no. 844 (as anonymous).
1931: Marle, Raimond van. The Development of the Italian Schools of Painting. vol. 13, The Hague, Nijhoff, 1931, p. 380, note 3 (attributed to Piero di Cosimo).
1932: Berenson, Bernard. Italian Pictures of the Renaissance. Oxford, Clarendon, 1932, p. 455 (attributed to Piero di Cosimo).
1936: Berenson, Bernard. Italian Pictures of the Renaissance. Milano, 1936, p. 390 (attributed to Piero di Cosimo).
1938: Berenson, Bernard. The Drawings of the Florentine Painters. vol. 3 (catalogue), Chicago, 1938, cited p. 258, no. 1858 (attributed to Piero di Cosimo).
1963: Berenson, Bernard. Italian Pictures of the Renaissance: Florentine School. vol. 1, London, Phaidon, 1963, p.177 (attributed to Piero di Cosimo).
1966: Bacci, Mina. Piero di Cosimo. Milano, Bramante, 1966, p. 124 (attributed to a painter from the Veneto).
1968: Without benefit of labels. Art News. vol. 67, no. 8, December 1968, p. 58, p. 34, fig. 4.
1979: Gazette des Beaux-Arts. Ser. 6, tome 93, Apr. 1979,"Chronique des Arts", p. 67, no. 337, repr.
1979: 国立西洋美術館総目録: 絵画篇. 東京, 国立西洋美術館, 1979, no. 199, repr.
1980: 国立西洋美術館年報. No. 13 (1978), 1980, 越宏一. [作品解説]. pp. 16-17, 新収作品目録. pp. 24-25, repr.
2006: 国立西洋美術館名作選. 東京, 国立西洋美術館; 東京, 西洋美術振興財団, 2006, no. 14, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 14, col. repr.
2013: 国立西洋美術館名作選. 東京, 西洋美術振興財団, 2013, no. 14, col. repr.

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Currently not on display

Bartolomeo Montagna (attributed to)

Orzinuovi?, c. 1450 - Vicenza, 1523

Landscape with Castles

Date	End of the 15th century - early 16th century
Materials and Techniques	oil on panel (tondo)
Size（cm）	139.7 (diameter) x 139.7
Credit Line	Purchased
Category	Paintings
Collection Number	P.1978-0003

A shoreline backed with split rock cliffs fills the foreground of this composition, while the church and other buildings of a town are shown in the central left. A meandering path climbs behind this town towards several castles seen in the background, all elements of a richly detailed landscape scene. The "pure" landscape was extremely rare in this period, and the duck in the lower left and the castle in the upper right appear to be cut off, therefore further research is needed to confirm the supposition that it was a fragment of a larger composition. Various theories exist regarding the painter of the work, with B. Berenson attributing the work to the Florentine painter Piero di Cosimo, and R. Offner attributing it to the Venetian painter Vittore Carpaccio. However, M. Bacci, in her book Piero di Cosimo, indicates that the landscape is clearly different from that of the Tuscan region, and that the architecture is also the type found in the Veneto region. These factors suggest that a Veneto region painter created the painting. Finally, E. Fahy has verbally conveyed the idea, reiterated by L. Puppi, that Montagna painted the work. This seems the most convincing of the attributions. In any event, further research will be needed on this fascinating work. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no. 14)

Provenance

Liechtenstein Collection, Wien, (purchased by Prince Johann in Italy in 1882); Wildenstein, New York; Purchased by the NMWA, 1978.

Exhibition History

1968: Benefit exhibition for Arthritis Foundation, Wildenstein Gallery, New York, 0 October 1968 - 0 October 1968
1978: European Landscape Painting, Yamanashi Prefectural Museum of Art, Kofu, 3 November 1978 - 15 January 1979, cat. no. 4
1999: Florence and Venice: Italian Renaissance Paintings and Sculpture from the State Hermitage Museum, National Museum of Western Art, Tokyo, 20 March 1999 - 20 June 1999, cat. no. 14
2014: Voices Calling from the Unusual: Hirano Keiichiro's Selection of Western Art Masterpieces, National Museum of Western Art, Tokyo, 8 April 2014 - 15 June 2014, cat. no. 28

Bibliography

1909: Berenson, Bernard. The Florentine Painters of the Renaissance. New York/London, 1909, p. 166 (attributed to Piero di Cosimo).
1931: Kronfeld, Adolf. Führer durch die fürstlich Liechtensteinsche Gemäldegalerie in Wien. 3rd. ed., Wien, Kunstverlag Wolfrum, 1931, p. 165, no. 844 (as anonymous).
1931: Marle, Raimond van. The Development of the Italian Schools of Painting. vol. 13, The Hague, Nijhoff, 1931, p. 380, note 3 (attributed to Piero di Cosimo).
1932: Berenson, Bernard. Italian Pictures of the Renaissance. Oxford, Clarendon, 1932, p. 455 (attributed to Piero di Cosimo).
1936: Berenson, Bernard. Italian Pictures of the Renaissance. Milano, 1936, p. 390 (attributed to Piero di Cosimo).
1938: Berenson, Bernard. The Drawings of the Florentine Painters. vol. 3 (catalogue), Chicago, 1938, cited p. 258, no. 1858 (attributed to Piero di Cosimo).
1963: Berenson, Bernard. Italian Pictures of the Renaissance: Florentine School. vol. 1, London, Phaidon, 1963, p.177 (attributed to Piero di Cosimo).
1966: Bacci, Mina. Piero di Cosimo. Milano, Bramante, 1966, p. 124 (attributed to a painter from the Veneto).
1968: Without benefit of labels. Art News. vol. 67, no. 8, December 1968, p. 58, p. 34, fig. 4.
1979: Gazette des Beaux-Arts. Ser. 6, tome 93, Apr. 1979,"Chronique des Arts", p. 67, no. 337, repr.
1979: The National Museum of Western Art, Tokyo: Catalogue of paintings. Tokyo, The National Museum of Western Art, 1979, no. 199, repr.
1980: Annual Bulletin of the National Museum of Western Art. No. 13 (1978), 1980, Koshi, Koichi. New Acquisitions (Painting). pp. 16-17, New Acquisitions (Catalogue). pp. 24-25, repr.
2006: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2006 (Japanese, preface in Japanese and English), no. 14, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, cno. 14, col. repr.
2013: Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 14, col. repr.

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