ダヴィデを装った若い男の肖像|ティントレット（本名ヤコポ・ロブスティ） |所蔵作品検索

更新日 2023.03.09 | 09 March 2023

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常設展

ティントレット（本名ヤコポ・ロブスティ）

ヴェネツィア, 1518年 - ヴェネツィア, 1594年

Tintoretto (Jacopo Robusti)

Venice, 1518 - Venice, 1594

ダヴィデを装った若い男の肖像 Portrait of a Young Man as David

制作年	1555-60年頃
材質・技法・形状	油彩、カンヴァス
寸法（cm）	124.5 x 96.5
Standard ref.	Bernani/Vecchi 122
分類	絵画
所蔵番号	P.1971-0002

ティントレットは、ヴェネツィアを中心に活躍した画家です。彼はティツィアーノの晩年の様式を強く引き継ぎつつ、その一方でフィレンツェのマニエリスムをも吸収しました。若者が手にする剣と背景の人物を見ると、旧約聖書「サムエル記上」に語られるダヴィデとゴリアテの物語であることが分かります。このようにダヴィデに見立てた肖像を描くことによって、剣によって示される力としての強さだけではなく、しっかりと据えられた視線に暗示される、心の強さや正義に対する意志の強さも同時に表そうとしていると考えられます。（出典: 展示室作品解説パネル）

来歴

Robert Napier of Shandon, 1877; Hanbury, 1927; Sir Kenneth Clark; Gallery Agnew, London; Purchased by the NMWA, 1972.

展覧会歴

1928: , Burlington Fine Arts Club, 1928年0月0日-1928年0月0日, cat. no. 26
1953: De Venetiaanse meesters, Rijksmuseum, Amsterdam, 1953年7月26日-1953年10月11日, cat. no. 61
1960: Italian art and Britain: winter exhibition 1960, Royal Academy of Arts, London, 1960年1月2日-1960年3月6日, cat. no. 61
1997: [子どものための美術展] ものがたりの森, 東京国立博物館, 1997年7月1日-1997年8月31日
1999: エルミタージュ美術館所蔵イタリア・ルネサンス美術展─フィレンツェとヴェネツィア: 開館40周年記念特別展, 国立西洋美術館, 1999年3月20日-1999年6月20日, cat. no. 50
2018: ルーベンス展：バロックの誕生, 国立西洋美術館, 2018年10月16日-2019年1月20日, cat. no. 38

文献歴

1929: Bercken, Erich von der. Einige unbekannte Werke Jacopo Tintorettos'. Pantheon. vol. 4, July/December 1929, p. 452, col. repr.
1939: Bercken, Erich von der. Thieme-Becker-Künstlerlexikon. Bd. 33, Leipzig, 1939, p. 193.
1942: Bercken, Erich von der. Tintoretto. München, 1942, p. 52, no. 159.
1950: Pallucchini, Rodolfo. La giovinezza del Tintoretto. Milano, Guarnati, 1950, p. 152 (dated c. 1555-60).
1956: Benesch, O. Some unknown early works by Tintoretto. Arte Veneta. vol. 10, 1956, p. 98.
1957: Berenson, Bernard. Italian Pictures of the Renaissance, Venetian School. vol. 2, London, 1957, p. 177, pl. 1290.
1970: Bernari, Carlo; De Vecchi, Pierluigi. L'opera completa del Tintoretto. Milano, Rizzoli, 1970, p. 99, no. 122.
1973: Gazette des Beaux-Arts. ser. 6, tome 81, Feb. 1973, "Chronique des arts", p. 233, no. 844, repr.
1973: 国立西洋美術館年報. No. 6 (1971), 1973, 山田智三郎. [作品解説]. pp. 3-5. 新収作品目録. pp. 8-9, col repr. p. 2.
1973: Mazia, Violette De. Creative distortion, 3. In portrature. Journal of the art department, the Barnes Foundation. autumn 1973, pl. 19.
1974: Rossi, Paola. Jacopo Tintoretto. vol. 1: i ritratti, Venezia, Alfieri, [1974], p. 44, p. 110, fig. 91.
1974: Clark, Kenneth. Another Part of the Wood: A Self-portrait. London, John Murray, 1974, p. 195.
1975: 国立西洋美術館名作選. 東京, 国立西洋美術館, 1975, no. 5, col. repr.
1978: 国立西洋美術館名作選. 東京, 国立西洋美術館, 1978, no. 5, col. repr.
1979: 国立西洋美術館総目録: 絵画篇. 東京, 国立西洋美術館, 1979, no. 267, repr.
2006: 国立西洋美術館名作選. 東京, 国立西洋美術館; 東京, 西洋美術振興財団, 2006, no. 18, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 18, col. repr.
2013: 国立西洋美術館名作選. 東京, 西洋美術振興財団, 2013, no. 20, col. repr.

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On Display

Permanent collection

Tintoretto (Jacopo Robusti)

Venice, 1518 - Venice, 1594

Portrait of a Young Man as David

Date	c. 1555-60
Materials and Techniques	oil on canvas
Size（cm）	124.5 x 96.5
Credit Line	Purchased
Standard ref.	Bernani/Vecchi 122
Category	Paintings
Collection Number	P.1971-0002

This work was originally in the collection of the famous British art historian, Sir Kenneth Clark, and represents the portrait of a young man in the guise of the Old Testament (Samuel 1: 17) hero, David. The body of the Philistine Goliath slain by David and fleeing Philistine troops can be seen in the left background, all depicted in such an energetic manner that Sir K. Clark noted, "they bring to mind Delacroix." Two theories have been proposed for the dating of this work: E. von der Bercken suggests the period of 1544-1550, while R. Pallucchini and P. Rossi indicate the latter half of the 1550s. It would seem that the latter theory is correct. It is thought that the figure shown is the scion, appropriately named David, of a famous family. This individual is thought to be the same figure shown in Paolo Veronese's work Man in Furs (Museum of Fine Arts Budapest). While O. Benesch has proposed that Tintoretto's follower's student, the Flemish painter Gillis van Valckenborch, added the scene of the Philistine battle, Rossi rejects this theory.(Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no. 18)

Provenance

Robert Napier of Shandon, 1877; Hanbury, 1927; Sir Kenneth Clark; Gallery Agnew, London; Purchased by the NMWA, 1972.

Exhibition History

1928: , Burlington Fine Arts Club, 0 1928 - 0 1928, cat. no. 26
1953: De Venetiaanse meesters, Rijksmuseum, Amsterdam, 26 July 1953 - 11 October 1953, cat. no. 61
1960: Italian art and Britain, Royal Academy of Arts, London, 2 January 1960 - 6 March 1960, cat. no. 61
1997: [Exhibition for Children] Every Picture Tells a Story, Tokyo National Museum, 1 July 1997 - 31 August 1997
1999: Florence and Venice: Italian Renaissance Paintings and Sculpture from the State Hermitage Museum, National Museum of Western Art, Tokyo, 20 March 1999 - 20 June 1999, cat. no. 50
2018: Rubens and the Birth of the Baroque, The National Museum of Western Art, Tokyo, 16 October 2018 - 20 January 2019, cat. no. 38

Bibliography

1929: Bercken, Erich von der. Einige unbekannte Werke Jacopo Tintorettos'. Pantheon. vol. 4,July/December 1929, p. 452, col. repr.
1939: Bercken, Erich von der. Thieme-Becker-Künstlerlexikon. Bd. 33, Leipzig, 1939, p. 193.
1942: Bercken, Erich von der. Tintoretto. München, 1942, p. 52, no. 159.
1950: Palluccjomo, Rodolfo. La giovinezza del Tintoretto. Milano, Guarnati, 1950, p. 152 (dated c. 1555-60).
1956: Benesch, O. Some unknown early works by Tintoretto. Arte Veneta. vol. 10, 1956, p. 98.
1957: Berenson, Bernard. Italian Pictures of the Renaissance, Venetian school. vol. 2, London, 1957, p. 177, pl. 1290.
1970: Bernari, Carlo; De Vecchi, Pierluigi. L'opera completa del Tintoretto. Milano, Rizzoli, 1970, p. 99, no. 122.
1973: Gazette des Beaux-Arts. ser. 6, tome 81, Feb. 1973, "Chronique des arts", p. 233, no. 844, repr.
1973: Bulletin Annuel du Musée National d’Art Occidental. No.6 (1971), 1973, Nouvelles acquisitions, par Chisaburoh F. Yamada, pp. 3-5. Nouvelles acquisitions (catalogue). pp.8-9, col. repr, p. 2.
1973: Mazia, Violette De. Creative distortion, 3. In portrature. Journal of the art department, the Barnes Foundation. autumn 1973, pl. 19.
1974: Rossi, Paola. Jacopo Tintoretto. vol. 1: i ritratti, Venezia, Alfieri, [1974] , p. 44, p. 110, fig. 91.
1974: Clark, Kenneth. Another Part of the Wood: A Self-portrait by Kenneth Clark. London, John Murray, 1974, p. 195.
1975: Les cent chefs-d'œuvre du Musée National d'Art Occidental. Tokyo, The National Museum of Western Art, 1975 (Japanese), no. 5, col. repr.
1978: Masterpieces of the National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art, 1978 (Japanese, preface in Japanese and English), no. 5, col. repr.
1979: The National Museum of Western Art, Tokyo: Catalogue of paintings. Tokyo, The National Museum of Western Art, 1979, no. 267, repr.
2006: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2006 (Japanese, preface in Japanese and English), no. 18, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 18, col. repr.
2013: Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 20, col. repr.

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