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Provenance

Jonathan Blackburne (1721-1786) [sighed lower left on the back and collector’s mark upper middle on the back (Lugt 2650b)]; William Esdaile (1758-1837), London [collector’s mark lower right on the face and lower left on the back (Lugt 2617)]; [?] John Heywood Hawkins (ca. 1800-1870/80) [collector’s mark lower left on the back (Lugt 3022)?] or Walter Francis, Duke of Buccleuch (1806-1884) [collector’s mark lower left on the back (Lugt 402)]; Walter Francis, Duke of Buccleuch (1806-1884) [collector’s mark lower left on the back (Lugt 402)] or [?] John Heywood Hawkins (c. 1800-1870/80) [collector’s mark lower left on the back (Lugt 3022)?]; Richard Gutekunst (born in 1870) [collector’s mark lower right on the back (Lugt 2213a)]; acquired by MATSUKATA Kojiro; inherited within the Matsukata family; Mr. MATSUKATA Kiyohiko; donated by Matsukata to NMWA, 2020.

Bibliography

1969

White, Christopher. Rembrandt as an Etcher. A Study of the Artist at Work. London, 1969, pp. 167-169.

1973

Slatkes, Leonard Joseph. Book Review ‘C. White and Boon, Rembrandt Etching and C. White, Rembrandt as Etcher’. Art Quarterly. vol. 36, 1973, p. 257.

1981

Hellerstedt, Kahren Jones. A Traditional Motif in Rembrandt’s Etchings. The Hurdy-Gurdy Player. Oud Holland. vol. 95, 1981, pp. 16-30.

1986

Stratton, Suzanne. Rembrandt’s Beggars: Satire & Sympathy. The Print Collector’s Newsletter. vol. 17, no. 3, 1986, pp. 77-82.

1986

Rembrandt. Eaux-fortes (exh. cat.). Bussierre, Sophie de, ed. Musée du petit palais. Paris, 1986, no. 87.

1991

Held, Julius. “Rembrandt’s Interest in Beggars (1648)”. Rembrandt Studies. Held, Julius. Princeton, 1991, pp. 153-163.

1991

Bevers, Holm; Schatborn, Peter; Welzel, Barbara. Rembrandt, The Master & His Workshop: Drawings & Etchings (exh. cat.). Kupferstichkabinett SMPK, Altes Museum, Berlin, 12 September - 27 October 1991; Rijksmuseum, Amsterdam, 4 December 1991 - 19 January 1992; National Gallery, London 26 March - 24 May 1992. New Haven, Yale Univ. Press; London, National Gallery, c. 1991, pp. 239-241, 26 (II).

1997

Spiegel van alledag. Nederlandse genreprenten 1550–1700 (exh. cat.). Jongh, Eddy de; Luijten, Ger, eds. Rijksmuseum, Amsterdam, 1997, no. 56.

1999

White. Christopher. Rembrandt as an Etcher. A Study of the Artist at Work. New Heaven; London, 1999 (2nd revised edition), pp. 188-189.

2000

Rembrandt the Printmaker (exh. cat.). Hinterding, Erik. et al., eds. Rijksmuseum, Amsterdam, 22 July 2000-8 October; British Museum, London, 26 January 2001-8 April 2001. Chicago, 2000, no. 60.

2001

Rembrandt's Women (exh. cat.). Williams, Julia Lloyd, ed. National Gallery of Scotland, Edinburgh, 8 June-2 September 2001; Royal Academy of Arts, London, 22 September-16 December 2001. New York, Prestel, 2001, cat. no. 111.

2003

Rembrandt's Journey: Painter, Draftsman, Etcher (exh. cat.). Ackley, Clifford S, ed. Museum of Fine Arts, Boston; The Art Institute of Chicago, Chicago. Boston, 2003, cat. no. 140.

2006

Rembrandt as Printmaker (exh. cat.). Royalton-Kisch, Martin, ed. Ferens Art Gallery, Hull, 8 April-18 June 2006; Victoria Art Gallery, Bath, 24 June-3 September 2006; Laing Art Gallery, Newcastle, 14 October-31 December 2006; The Potteries Museum and Art Gallery, Stoke-on-Trent, 28 April- 24 June 2007; Grundy Art Gallery, Blockpool, 30 June-8 September 2007. London, Hayward Gallery, 2006, cat. no. 35, col. repr.

2008

Hinterding, Erik. Rembrandt Etchings from the Frits Lugt Collection. Bussum, 2008, no. 142.

2019

The Matsukata Collection: Complete Catalogue of the European Art. Kawaguchi, Masako; Jingaoka, Megumi, eds. vol. 2:Sculpture, Drawings, Prints and Decorative Arts and Other Works, Tokyo, The National Museum of Western Art, Tokyo, 2019,, cat. no. 2656, col. repr.

2022

Annual Bulletin of the National Museum of Western Art. No. 55 (Apr. 2020-Mar. 2021), 2022, List of New Acquisitions. p. 19.