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ジュリオ・カンパニョーラ

パドヴァ, 1482年頃 - ヴェネツィア, 1515/18年

Giulio Campagnola

Padua, c. 1482 - Venice, 1515/18

洗礼者ヨハネ St, John the Baptist

制作年 1505年頃
材質・技法・形状 エングレーヴィング
寸法(cm) 31.2 x 24.0
Standard ref. Bartsch 1811, No.3; Hind 1910, No.2(repr.); Tietze and Tietze-Conrat 1944; Hind 1948, etc.
分類 版画
所蔵番号 G.1984-0095

今日、本作品を含め35点の刷りの存在が知られるこのエングレーヴィングは、牧歌的風景を背景に立つ洗礼者聖ヨハネを表わしている。ヨハネは左手で洗礼の水を注ぐ鉢を持ち、右手で衣の裾をたくし上げ、全体のポーズは優雅なコントラポストを示す。彫像的な人物タイプや衣襞の表現は、極めてマンテーニャ的である。一方、背景には、灌木、切り株、羊飼いと羊たち、家々など、ジョルジョーネ的諸モティーフがスティプル法(点刻法)を駆使して情趣豊かに表現されている。つまり本作品には、カンパニョーラが活動の初期に学んだマンテーニャ的な要素と、ヴェネツィア移住後に身につけたジョルジョニスム的様式とが、人物と風景という形で混在しているわけである。現在ルーヴル美術館の素描室に本作品の下絵素描が保存されており、そこでは、ヨハネ像の部分は16世紀半ば頃の描き加えで、風景部分だけが版画の下図として用いられたことがわかる。従って本作品の背景は、ヨハネ像がマンテーニャ風に構想された後に、新たにルーヴルの素描をもとに付け加えられたものであると考えられる。オーバーフーバーはルーヴルの素描の作者をジョルジョーネその人であるとし、ワシントン・ナショナル・ギャラリー所蔵の《羊飼いの礼拝》が描かれた1505年頃の制作と考えたが、必ずしも確定的な説ではない。たとえばウェセイは、ルーヴル素描を1510年頃のジュリオの手に帰しており、その場合版画の制作年代もオーバーフーバーの説よりも5年ほど下ることになる。(出展: 国立西洋美術館名作選. 東京, 国立西洋美術館, 1989. cat. no. 116)

来歴

A. Ronald Collection; R. M. Light, Santa Barbara; Purchased by the NMWA, 1984.

展覧会歴

1997
国立西洋美術館展─愛と生命の響き: ルネサンスから近代への西洋美術の流れ, 新潟県立近代美術館, 1997年4月12日-1997年5月18日, cat. no. 44
2011
美の軌跡: デューラーから中村彝まで: 前川誠郎の美学, 新潟県立近代美術館, 2011年9月3日-2011年10月10日, cat. no. 60, repr.
2017
ティツィアーノとヴェネツィア派展:日伊国交樹立150周年記念, 東京都美術館, 2017年1月21日-2017年4月2日, cat. no. P-3, col. repr.

文献歴

1811
Bartsch, Adam. Le Peintre-graveur. vol. 13, Wien, 1811, no. 3.
1816
Ottley, W. Y. An Inquiry into the Origin and Early History of Engraving upon Copper and in Wood with an Account of Engravers and Their Works: from the Invention of Chalcography by Maso Finiguerra to the Time of Marc'Antonio Raimondi. vol. 2, John and Arthur Arch by J. McCreery, 1816, p. 767, no. 2.
1824
Malaspina di Sannazaro, Luigi. Catalogo di una raccolta di stampe antiche compilato dallo stesso possessore Marchese Malaspina di Sannazaro. vol. 2, Milan, 1824, p. 46.
1835
Nagler, G. K. Neues allgemeines Künstler-Lexicon oder Nachrichten von dem Leben und Werken der Maler, Bildhauer, Baumeister, Kupferstecher, Formschneider, Lithographen, Zeichner, Medailleure, Elfenbeinarbeiter, etc. vol. 2, Munich, 1835, p. 376.
1837
Le premier siècle de la calcographie ou catalogue raisonné des estampes du cabinet de feu M. le Comte Léopold Cicognara, avec une appendice sur les nielles du même cabinet. Venice, 1837, pp. 169-170, no. 219.
1862
Galichon, É. Giulio Campagnola, peintre-graveur du XVIe siècle. Gazzette des Beaux-Arts. vol. 13, 1862, p. 339, no. 3.
1864
Passavant, J. D. Le Peintre-Graveur. vol. 5, Leipzig, R. Weigel, 1864, p. 164, no. 3.
1905
Frizzoni, G. Disegni di antichi maestri. L'Arte. vol. 8, 1905, pp. 249-252.
1907
Kristeller, P. Giulio Campagnola. Kupferstiche und Zeichnungen, Berlin, 1907
1908
Hind, A. M. Giulio Campagnola. The Burlington Magazine. vol. 13, 1908, pp. 365-366.
1910
Hind, Arthur Mayger. Catalogue of Early Italian Engravings Preserved in the Department of Prints and Drawings in the British Museum. London, 1910, p. 494, repr., no. 2.
1923
Borenius, T. Four Early Italian Engravers: Antonio del Pollaiuolo, Andrea Mantegna, Jacopo de' Barbari, Giulio Campagnola. London, 1923, pp. 105-106, no. 11.
1930
Hourticq, L. Le problème de Giorgione: sa lʹegende, son œuvre, ses ʹelèves. Paris, 1930, p. 88, no. 6.
1936
Tietze, H.; Tietze-Conrat, E. Contributi critici allo studio organico dei disegni veneziani del Cinquecento. Criteria d'arte. vol. 2, 1936-37, p. 81.
1944
Tietze, Hans; Tietze-Conrat, E. The Drawings of the Venetian Painters in the 15th and 16th Centuries. New York, 1944, pp. 135-136.
1948
Hind, Arthur Mayger. Early Italian Engraving. vol. 5; vol. 7, London, 1948, vol. 5, pp. 201-202, no. 12; vol. 7, pl. 780.
1949
Pouncy, P. Early Italian Engraving. The Burlington Magazine. vol. 91, no. 556, 1949, p. 236.
1953
De Venetiaanse meesterst. (exh. cat.). Rijksmuseum, Amsterdam, 26July - 11October 1953. Amsterdam, 1953, no. P93.
1966
Renaissance in Italien 16. Jahrhundert: Werke aus dem Besitz der Albertina (exh. cat.). Oberhuber, K. ed. Graphische Sammlung Albertina, Vienna, 18 February - 18 May 1966. Viennna, 1966, p. 68, no. 58.
1970
Tietze, Hans; Titeze-Conrat, E. The Drawings of the Venetian Painters in the 15th and 16th Centuries. rpt. ed., New York, 1970, pp. 135-136.
1970
Hind, Arthur Mayger. Early Italian Engraving. rpt. ed., vol. 5; vol. 7, Nendeln/Liechtenstein, Kraus Reprint, 1970, vol. 5, pp. 201-202, no. 12; vol. 7, pl. 780.
1973
Levenson, Jay A.; Oberhuber, Konrad; Sheehan, Jacquelyn L. Early Italian Engravings from the National Gallery of Art (exh. cat.). Washington, National Gallery of Art, 1973, pp. 402-409, no. 149.
1974
Rome and Venice: Prints of the High Renaissance. (exh. cat.). Oberhuber, K. ed. Fogg Art Museum, Harvard University, Cambridge (Mass.), 5 - 30 May 1974. Cambridge (Mass.), 1974, pp. 67-68, no. 43.
1975
Stampe Italiane dalle origini all'Ottocento (exh. cat.). Petrioli Tofani, A. M. ed. Gabinetto Disegni e Stampe degli Uffizi, Florence, June - September 1975. Florence, 1975, p. 43, no. 46, ill. 29.
1976
Oberhuber, Konrad, ed. Disegni di Tiziano e della sua cerchia. Vicenza, 1976, pp. 51-52.
1977
Rearick, W. R. "Titian's Drawings, 1510-1512". Tiziano nel quarto centenario della sua morte 1576-1976. Venice, 1977, p. 174, note. 3.
1977
W. R. Rearick. "Maestri veneti del Cinquecento: Giorgione, Titian, Campagnola, Sebastiano del Piombo, Lotto, Palma Vecchio, Bordone, Cariani, Pordenone, Girolamo da Treviso, etc.". Biblioteca di disegni. vol. 5, 1977, no. 6, pp. 8-9, 16, 24.
1978
Muraro, M. "Grafica tizianesca". Tiziano e il Manierismo europeo. R. Pallucchini ed. Florence, 1978, pp. 137-38, note. 6.
1979
Pignatti, T.; Chiari, M. A. Tiziano: disegni. Florence, 1979, p. 7, no. II.
1979
Oberhuber, K. Giorgione: atti del Convegno internazionale di studio per il quinto centenario della nascita. 29 - 31 May 1978. Castelfranco, 1979, pp. 317, 320, note. 27.
1980
Byam Shaw, J. Titian's Drawings: A Summing Up. Apollo. Vol. 112, no. 226, 1980, p. 390.
1981
アルベルティーナ所蔵ヨーロッパ版画名作展. 国立西洋美術館, 1981年2月7日-3月22日. 国立西洋美術館, 1981, no. 29.
1982
Chiari, M. A. Incisioni da Tiziano: catalogo del fondo grafico a stampa del Museo Correr. (exh. cat.). Venice, 1982, p. 5.
1982
Saccomani, E. Domenicho Campagnola disegnatore di "paesi" degli esordi alla prima maturità. Arte veneta: rivista di storia dell'arte. vol. 36, 1982, pp. 84, 95, note. 22.
1983
The Genius of Venice 1500-1600. (exh. cat.), Martineau, J.; Hope, C. ed. Royal Academy of Arts, London, 25 November 1983 - 11 March 1984. London, 1983, pp. 314-15, no. P10.
1984
Zucker, Mark J. The Illustrated Bartsch vol. 25 (Commentary): Early Italian Masters. New York, 1984, pp. 470-471, 2518.005.
1985
Emison, P. A. Invention and the Italian Renaissance Print: Mantegna to Parmigianino. Ph. D., Columbia University, 1985, pp. 90-98.
1987
Wethey, H. E. Titian and his Drawings: with Reference to Giorgione and Some Close Contemporaries. Princeton (N.J.), 1987, pp. 192-194, no. A-27.
1988
Chiari Moretto Wiel, M. A. Per una nuova cronologia di Giulio Campagnola incisore. Arte veneta. no. 42, 1988, pp. 41-44, 46-47, 50, 53, note. 6.
1988
国立西洋美術館年報. No. 19 (1984), 1988, 越川倫明. 新収作品解説. pp. 22-25, 新収作品目録. pp. 92-94, repr.
1988
Chiari Moretto Wiel, M. A. Per un catalogo ragionato dei disegni di Tiziano. Saggi e memorie di storia dell'Arte. no. 16, 1988, pp. 67-68, no. A10.
1989
国立西洋美術館名作選. 東京, 国立西洋美術館, 1989, cat. no. 116.
1991
Rearick, W. R. Titian Drawings: A Progress Report. Artibus et Historiae. vol. 12, No. 23, 1991, pp. 14, 36, note. 33.
1993
Le Siècle de Titien. L'âge d'or de la peinture à Venise. (exh. cat.). Laclotte, M. et al. eds. Grand Palais, Paris, 9 March - 14 June. Paris, 1993, pp. 437-439, 470, no. 124.
1995
Tiziano: Amor Sacro e Amor Profano. (exh. cat.). Bernardini, M. G. ed. Palazzo delle Esposizioni, Rome, 1995, pp. 295-297, no. 77.
1999
Lambert, G. Les premières gravures italiennes Quattrocento-début du Cinquecento: Inventaire de la collection du Département des Estampes et de la Photographie [Bibliothèque nationale de France]. Paris, 1999, pp. 381-382, no. 706.
2001
Rearick, W. R. Il disegno veneziano del Cinquecento. Milan, 2001, p.34.
2003
van der Sman, G. J. Le Siècle de Titien: gravures vénitiennes de la Renaissance. (exh. cat.). Bonnefantenmuseum à Maastricht, 17 November2002 - 16February 2003; Musée Groeninge; Hôtel Arents à Bruges, 1 March - 26 May 2003. Bruges, 2003, p. 66, no. II. 1.
2003
Andrea Mantegna e l'incisione italiana del Rinascimento nelle collezioni dei Musei civici di Pavia. (exh. cat.). Lomartire, S. ed. Pavia, 2003, pp. 61, 103-104, no. 36.
2011
美の軌跡:デューラーから中村彝まで:前川誠郎の美学(exh. cat.). [長岡], 新潟県立近代美術館, 2011, cat. no. 60, repr.
2016
ティツィアーノとヴェネツィア派展 : 日伊国交樹立150周年記念 (exh. cat.). ジョヴァンニ・カルロ・フェデリコ・ヴィッラ, 小林明子責任編集. [東京], NHK, 2017, pp. 154-155, 216, cat. no. P-3, col. repr.

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Currently not on display

Giulio Campagnola

Padua, c. 1482 - Venice, 1515/18

St, John the Baptist

Date ca. 1505
Materials and Techniques engraving
Size(cm) 31.2 x 24.0
Inscriptions signed upper left; IVLIVS CAMPAGNOLA/ F
Standard ref. Bartsch 1811, No.3; Hind 1910, No.2(repr.); Tietze and Tietze-Conrat 1944; Hind 1948, etc.
Category Prints
Collection Number G.1984-0095

This engraving by an important 16th century Italian printmaker, Giulio Campagnola, portrays John the Baptist standing in front of a pastoral landscape. His left hand is holding a bowl for pouring the holy water and his right hand is tucking up the hem of his outfit so that the overall pose forms an elegant contrapposto. The background is composed of Giorgionesque motifs such as shrubbery, a stump, shepherds and sheep, and houses, which are depicted passionately in stippling. The Mantegnesque elements Campagnola learnt early on in his career and the Giorgionesque style he acquired after he moved to Venice coexist in the form of portraiture and landscape. (Source: The Digital Gallery. 1999-2006)

Provenance

A. Ronald Collection; R. M. Light, Santa Barbara; Purchased by the NMWA, 1984.

Exhibition History

1997
Resonating Love and Life: European Art from National Museum of Western Art, Tokyo, The Niigata Prefectural Museum of Modern Art, Nagaoka, 12 April 1997 - 18 May 1997, cat. no. 44
2011
The Locus of Art: Aesthetics of Seiro Mayekawa from Dürer to Tsune Nakamura, Niigata Prefectural Museum of Modern Art, 3 September 2011 - 10 October 2011, cat. no. 60, repr.
2017
Titian and the Renaissance in Venice: 150th Anniversary of Diplomatic Relations between Japan and Italy, Tokyo Metropolitan Art Museum, 21 January 2017 - 2 April 2017, cat. no. P-3, col. repr.

Bibliography

1811
Bartsch, Adam. Le Peintre-graveur. vol. 13, Wien, 1811, no. 3.
1816
Ottley, W. Y. An Inquiry into the Origin and Early History of Engraving upon Copper and in Wood with an Account of Engravers and Their Works: from the Invention of Chalcography by Maso Finiguerra to the Time of Marc'Antonio Raimondi. vol. 2, John and Arthur Arch by J. McCreery, 1816, p. 767, no. 2.
1824
Malaspina di Sannazaro, Luigi. Catalogo di una raccolta di stampe antiche compilato dallo stesso possessore Marchese Malaspina di Sannazaro. vol. 2, Milan, 1824, p. 46.
1835
Nagler, G. K. Neues allgemeines Künstler-Lexicon oder Nachrichten von dem Leben und Werken der Maler, Bildhauer, Baumeister, Kupferstecher, Formschneider, Lithographen, Zeichner, Medailleure, Elfenbeinarbeiter, etc. vol. 2, Munich, 1835, p. 376.
1837
Le premier siècle de la calcographie ou catalogue raisonné des estampes du cabinet de feu M. le Comte Léopold Cicognara, avec une appendice sur les nielles du même cabinet. Venice, 1837, pp. 169-170, no. 219.
1862
Galichon, É. Giulio Campagnola, peintre-graveur du XVIe siècle. Gazzette des Beaux-Arts. vol. 13, 1862, p. 339, no. 3.
1864
Passavant, J. D. Le Peintre-Graveur. vol. 5, Leipzig, R. Weigel, 1864, p. 164, no. 3.
1905
Frizzoni, G. Disegni di antichi maestri. L'Arte. vol. 8, 1905, pp. 249-252.
1907
Kristeller, P. Giulio Campagnola. Kupferstiche und Zeichnungen, Berlin, 1907
1908
Hind, A. M. Giulio Campagnola. The Burlington Magazine. vol. 13, 1908, pp. 365-366.
1910
Hind, Arthur Mayger. Catalogue of Early Italian Engravings Preserved in the Department of Prints and Drawings in the British Museum. London, 1910, p. 494, repr., no. 2.
1923
Borenius, T. Four Early Italian Engravers: Antonio del Pollaiuolo, Andrea Mantegna, Jacopo de' Barbari, Giulio Campagnola. London, 1923, pp. 105-106, no. 11.
1930
Hourticq, L. Le problème de Giorgione: sa lʹegende, son œuvre, ses ʹelèves. Paris, 1930, p. 88, no. 6.
1936
Tietze, H.; Tietze-Conrat, E. Contributi critici allo studio organico dei disegni veneziani del Cinquecento. Criteria d'arte. vol. 2, 1936-37, p. 81.
1944
Tietze, Hans; Tietze-Conrat, E. The Drawings of the Venetian Painters in the 15th and 16th Centuries. New York, 1944, pp. 135-136.
1948
Hind, Arthur Mayger. Early Italian Engraving. vol. 5; vol. 7, London, 1948, vol. 5, pp. 201-202, no. 12; vol. 7, pl. 780.
1949
Pouncy, P. Early Italian Engraving. The Burlington Magazine. vol. 91, no. 556, 1949, p. 236.
1953
De Venetiaanse meesterst. (exh. cat.). Rijksmuseum, Amsterdam, 26July - 11October 1953. Amsterdam, 1953, no. P93.
1966
Renaissance in Italien 16. Jahrhundert: Werke aus dem Besitz der Albertina (exh. cat.). Oberhuber, K. ed. Graphische Sammlung Albertina, Vienna, 18 February - 18 May 1966. Viennna, 1966, p. 68, no. 58.
1970
Tietze, Hans; Tietze-Conrat, E. The Drawings of the Venetian Painters in the 15th and 16th Centuries. rpt ed., New York, 1970, pp. 135-136.
1970
Hind, Arthur Mayger. Early Italian Engraving. rpt. ed.,vol. 5; vol. 7, Nendeln/Liechtenstein, Kraus Reprint, 1970, vol. 5, pp. 201-202, no. 12; vol. 7, pl. 780.
1973
Levenson, Jay A.; Oberhuber, Konrad; Sheehan, Jacquelyn L. Early Italian Engravings from the National Gallery of Art (exh. cat.). Washington, National Gallery of Art, 1973, pp. 402-409, no. 149.
1974
Rome and Venice: Prints of the High Renaissance. (exh. cat.). Oberhuber, K. ed. Fogg Art Museum, Harvard University, Cambridge (Mass.), 5 - 30 May 1974. Cambridge (Mass.), 1974, pp. 67-68, no. 43.
1975
Stampe Italiane dalle origini all'Ottocento (exh. cat.). Petrioli Tofani, A. M. ed. Gabinetto Disegni e Stampe degli Uffizi, Florence, June - September 1975. Florence, 1975, p. 43, no. 46, ill. 29.
1976
Oberhuber, Konrad, ed. Disegni di Tiziano e della sua cerchia. Vicenza, 1976, pp. 51-52.
1977
Rearick, W. R. "Titian's Drawings, 1510-1512". Tiziano nel quarto centenario della sua morte 1576-1976. Venice, 1977, p. 174, note. 3.
1977
W. R. Rearick. "Maestri veneti del Cinquecento: Giorgione, Titian, Campagnola, Sebastiano del Piombo, Lotto, Palma Vecchio, Bordone, Cariani, Pordenone, Girolamo da Treviso, etc.". Biblioteca di disegni. vol. 5, 1977, no. 6, pp. 8-9, 16, 24.
1978
Muraro, M. "Grafica tizianesca". Tiziano e il Manierismo europeo. R. Pallucchini ed. Florence, 1978, pp. 137-38, note. 6.
1979
Pignatti, T.; Chiari, M. A. Tiziano: disegni. Florence, 1979, p. 7, no. II.
1979
Oberhuber, K. Giorgione: atti del Convegno internazionale di studio per il quinto centenario della nascita. 29 - 31 May 1978. Castelfranco, 1979, pp. 317, 320, note. 27.
1980
Byam Shaw, J. Titian's Drawings: A Summing Up. Apollo. Vol. 112, no. 226, 1980., p. 390.
1981
Sechs Jahrhunderte europäischer Druckgraphik: Meisterwerke aus dem Besitz der Albertina in Wien. The National Museum of Western Art, 7 February - 22 March 1981. The National Museum of Western Art, 1981, no. 29.
1982
Chiari, M. A. Incisioni da Tiziano: catalogo del fondo grafico a stampa del Museo Correr. (exh. cat.). Venice, 1982, p. 5.
1982
Saccomani, E. Domenicho Campagnola disegnatore di "paesi" degli esordi alla prima maturità. Arte veneta: rivista di storia dell'arte. vol. 36, 1982, pp. 84, 95, note. 22.
1983
The Genius of Venice 1500-1600. (exh. cat.), Martineau, J.; Hope, C. ed. Royal Academy of Arts, London, 25 November 1983 - 11 March 1984. London, 1983, pp. 314-15, no. P10.
1984
Zucker, Mark J. The Illustrated Bartsch vol. 25 (Commentary): Early Italian Masters. New York, 1984, pp. 470-471, 2518.005.
1985
Emison, P. A. Invention and the Italian Renaissance Print: Mantegna to Parmigianino. Ph. D., Columbia University, 1985, pp. 90-98.
1987
Wethey, H. E. Titian and his Drawings: with Reference to Giorgione and Some Close Contemporaries. Princeton (N.J.), 1987, pp. 192-194, no. A-27.
1988
Chiari Moretto Wiel, M. A. Per una nuova cronologia di Giulio Campagnola incisore. Arte veneta. no. 42, 1988, pp. 41-44, 46-47, 50, 53, note. 6.
1988
Annual bulletin of the National Museum of Western Art. No. 19 (1984), 1988, Koshikawa, Michiaki. New Acquisitions 1984. pp. 22-25, Catalogue of the New Acquisitions 1984. pp. 92-94, repr.
1988
Chiari Moretto Wiel, M. A. Per un catalogo ragionato dei disegni di Tiziano. Saggi e memorie di storia dell'Arte. no. 16, 1988, pp. 67-68, no. A10.
1989
Masterpieces of the National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art, 1989 (Japanese, preface in Japanese and English), cat. no. 116.
1991
Rearick, W. R. Titian Drawings: A Progress Report. Artibus et Historiae. vol. 12, No. 23, 1991, pp. 14, 36, note. 33.
1993
Le Siècle de Titien. L'âge d'or de la peinture à Venise. (exh. cat.). Laclotte, M. et al. eds. Grand Palais, Paris, 9 March - 14 June. Paris, 1993, pp. 437-439, 470, no. 124.
1995
Tiziano: Amor Sacro e Amor Profano. (exh. cat.). Bernardini, M. G. ed. Palazzo delle Esposizioni, Rome, 1995, pp. 295-297, no. 77.
1999
Lambert, G. Les premières gravures italiennes Quattrocento-début du Cinquecento: Inventaire de la collection du Département des Estampes et de la Photographie [Bibliothèque nationale de France]. Paris, 1999, pp. 381-382, no. 706.
2001
Rearick, W. R. Il disegno veneziano del Cinquecento. Milan, 2001, p.34.
2003
van der Sman, G. J. Le Siècle de Titien: gravures vénitiennes de la Renaissance. (exh. cat.). Bonnefantenmuseum à Maastricht, 17 November2002 - 16February 2003; Musée Groeninge; Hôtel Arents à Bruges, 1 March - 26 May 2003. Bruges, 2003, p. 66, no. II. 1.
2003
Andrea Mantegna e l'incisione italiana del Rinascimento nelle collezioni dei Musei civici di Pavia. (exh. cat.). Lomartire, S. ed. Pavia, 2003, pp. 61, 103-104, no. 36.
2011
The Locus of Art: Aesthetics of Seiro Mayekawa from Dürer to Tsune Nakamura(exh. cat.). [Nagaoka], Niigata Prefectural Museum of Modern Art, 2011, cat. no. 60, repr.
2016
Titian and the renaissance in Venice: 150th anniversary of diplomatic relations between Japan and Italy (exh. cat.). Villa, Giovanni Carlo Federico; Kobayashi Akiko, eds. [Tokyo], NHK, 2016, pp. 154-155, 216, cat. no. P-3, col. repr.

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パーマリンク:https://collection.nmwa.go.jp/G.1984-0095.html

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