ジュリオ・カンパニョーラ | 洗礼者ヨハネ | 収蔵作品

更新日 2020.09.18 | 18 September 2020

現在は展示していません

ジュリオ・カンパニョーラ[パドヴァ, 1482年頃 - ヴェネツィア, 1515/18年]

洗礼者ヨハネ

制作年	1505年頃
材質・技法・形状	エングレーヴィング
寸法（cm）	31.2 x 24.0
Standard ref.	Bartsch 1811, No.3; Hind 1910, No.2(repr.); Tietze and Tietze-Conrat 1944; Hind 1948, etc.
分類	版画
所蔵番号	G.1984-0095

作品解説

今日、本作品を含め35点の刷りの存在が知られるこのエングレーヴィングは、牧歌的風景を背景に立つ洗礼者聖ヨハネを表わしている。ヨハネは左手で洗礼の水を注ぐ鉢を持ち、右手で衣の裾をたくし上げ、全体のポーズは優雅なコントラポストを示す。彫像的な人物タイプや衣襞の表現は、極めてマンテーニャ的である。一方、背景には、灌木、切り株、羊飼いと羊たち、家々など、ジョルジョーネ的諸モティーフがスティプル法（点刻法）を駆使して情趣豊かに表現されている。つまり本作品には、カンパニョーラが活動の初期に学んだマンテーニャ的な要素と、ヴェネツィア移住後に身につけたジョルジョニスム的様式とが、人物と風景という形で混在しているわけである。現在ルーヴル美術館の素描室に本作品の下絵素描が保存されており、そこでは、ヨハネ像の部分は16世紀半ば頃の描き加えで、風景部分だけが版画の下図として用いられたことがわかる。従って本作品の背景は、ヨハネ像がマンテーニャ風に構想された後に、新たにルーヴルの素描をもとに付け加えられたものであると考えられる。オーバーフーバーはルーヴルの素描の作者をジョルジョーネその人であるとし、ワシントン・ナショナル・ギャラリー所蔵の《羊飼いの礼拝》が描かれた1505年頃の制作と考えたが、必ずしも確定的な説ではない。たとえばウェセイは、ルーヴル素描を1510年頃のジュリオの手に帰しており、その場合版画の制作年代もオーバーフーバーの説よりも5年ほど下ることになる。（出展: 国立西洋美術館名作選. 東京, 国立西洋美術館, 1989. cat. no. 116）

来歴

A.Ronald Collection; R. M. Light, Santa Barbara; Purchased by the NMWA, 1984.

展覧会歴

1997: 国立西洋美術館展─愛と生命の響き: ルネサンスから近代への西洋美術の流れ, 新潟県立近代美術館, 1997年4月12日-1997年5月18日, cat. no. 44
2007: イタリア・ルネサンスの版画展: チューリヒ工科大学版画素描館の所蔵作品による, 国立西洋美術館, 2007年3月6日-2007年5月6日, cat. no. 50
2009: かたちは、うつる：国立西洋美術館所蔵版画展, 国立西洋美術館, 2009年7月7日-2009年8月16日, cat. no. 56
2011: 美の軌跡: デューラーから中村彝まで: 前川誠郎の美学, 新潟県立近代美術館, 2011年9月3日-2011年10月10日, cat. no. 60, repr.
2017: ティツィアーノとヴェネツィア派展：日伊国交樹立150周年記念, 東京都美術館, 2017年1月21日-2017年4月2日, cat. no. P-3, col. repr.

文献歴

1811: Bartsch, Adam. Le Peintre-graveur. vol. 13, Wien, 1811, no. 3.
1816: Ottley, W. Y. An Inquiry into the Origin and Early History of Engraving upon Copper and in Wood with an Account of Engravers and Their Works: from the Invention of Chalcography by Maso Finiguerra to the Time of Marc'Antonio Raimondi. vol. 2, John and Arthur Arch by J. McCreery, 1816, p. 767, no. 2.
1824: Malaspina di Sannazaro, Luigi. Catalogo di una raccolta di stampe antiche compilato dallo stesso possessore Marchese Malaspina di Sannazaro. vol. 2, Milan, 1824, p. 46.
1835: Nagler, G. K. Neues allgemeines Künstler-Lexicon oder Nachrichten von dem Leben und Werken der Maler, Bildhauer, Baumeister, Kupferstecher, Formschneider, Lithographen, Zeichner, Medailleure, Elfenbeinarbeiter, etc. vol. 2, Munich, 1835, p. 376.
1837: Le premier siècle de la calcographie ou catalogue raisonné des estampes du cabinet de feu M. le Comte Léopold Cicognara, avec une appendice sur les nielles du même cabinet. Venice, 1837, pp. 169-170, no. 219.
1862: Galichon, É. Giulio Campagnola, peintre-graveur du XVIe siècle. Gazzette des Beaux-Arts. vol. 13, 1862, p. 339, no. 3.
1864: Passavant, J. D. Le Peintre-Graveur. vol. 5, Leipzig, R. Weigel, 1864, p. 164, no. 3.
1905: Frizzoni, G. Disegni di antichi maestri. L'Arte. vol. 8, 1905, pp. 249-252.
1907: Kristeller, P. Giulio Campagnola. Kupferstiche und Zeichnungen, Berlin, 1907
1908: Hind, A. M. Giulio Campagnola. The Burlington Magazine. vol. 13, 1908, pp. 365-366.
1910: Hind, Arthur Mayger. Catalogue of Early Italian Engravings Preserved in the Department of Prints and Drawings in the British Museum. London, 1910, p. 494, repr., no. 2.
1923: Borenius, T. Four Early Italian Engravers: Antonio del Pollaiuolo, Andrea Mantegna, Jacopo de' Barbari, Giulio Campagnola. London, 1923, pp. 105-106, no. 11.
1930: Hourticq, L. Le problème de Giorgione: sa lʹegende, son œuvre, ses ʹelèves. Paris, 1930, p. 88, no. 6.
1936: Tietze, H.; Tietze-Conrat, E. Contributi critici allo studio organico dei disegni veneziani del Cinquecento. Criteria d'arte. vol. 2, 1936-37, p. 81.
1944: Tietze, Hans; Tietze-Conrat, E. The Drawings of the Venetian Painters in the 15th and 16th Centuries. New York, 1944, pp. 135-136.
1948: Hind, Arthur Mayger. Early Italian Engraving. vol. 5; vol. 7, London, 1948, vol. 5, pp. 201-202, no. 12; vol. 7, pl. 780.
1949: Pouncy, P. Early Italian Engraving. The Burlington Magazine. vol. 91, no. 556, 1949, p. 236.
1953: De Venetiaanse meesterst. (exh. cat.). Rijksmuseum, Amsterdam, 26July - 11October 1953. Amsterdam, 1953, no. P93.
1966: Renaissance in Italien 16. Jahrhundert: Werke aus dem Besitz der Albertina (exh. cat.). Oberhuber, K. ed. Graphische Sammlung Albertina, Vienna, 18 February - 18 May 1966. Viennna, 1966, p. 68, no. 58.
1970: Hind, Arthur Mayger. Early Italian Engraving. rpt. ed., vol. 5; vol. 7, Nendeln/Liechtenstein, Kraus Reprint, 1970, vol. 5, pp. 201-202, no. 12; vol. 7, pl. 780.
1970: Tietze, Hans; Titeze-Conrat, E. The Drawings of the Venetian Painters in the 15th and 16th Centuries. rpt. ed., New York, 1970, pp. 135-136.
1973: Levenson, Jay A.; Oberhuber, Konrad; Sheehan, Jacquelyn L. Early Italian Engravings from the National Gallery of Art (exh. cat.). Washington, National Gallery of Art, 1973, pp. 402-409, no. 149.
1974: Rome and Venice: Prints of the High Renaissance. (exh. cat.). Oberhuber, K. ed. Fogg Art Museum, Harvard University, Cambridge (Mass.), 5 - 30 May 1974. Cambridge (Mass.), 1974, pp. 67-68, no. 43.
1975: Stampe Italiane dalle origini all'Ottocento (exh. cat.). Petrioli Tofani, A. M. ed. Gabinetto Disegni e Stampe degli Uffizi, Florence, June - September 1975. Florence, 1975, p. 43, no. 46, ill. 29.
1976: Oberhuber, Konrad, ed. Disegni di Tiziano e della sua cerchia. Vicenza, 1976, pp. 51-52.
1977: Rearick, W. R. "Titian's Drawings, 1510-1512". Tiziano nel quarto centenario della sua morte 1576-1976. Venice, 1977, p. 174, note. 3.
1977: W. R. Rearick. "Maestri veneti del Cinquecento: Giorgione, Titian, Campagnola, Sebastiano del Piombo, Lotto, Palma Vecchio, Bordone, Cariani, Pordenone, Girolamo da Treviso, etc.". Biblioteca di disegni. vol. 5, 1977, no. 6, pp. 8-9, 16, 24.
1978: Muraro, M. "Grafica tizianesca". Tiziano e il Manierismo europeo. R. Pallucchini ed. Florence, 1978, pp. 137-38, note. 6.
1979: Pignatti, T.; Chiari, M. A. Tiziano: disegni. Florence, 1979, p. 7, no. II.
1979: Oberhuber, K. Giorgione: atti del Convegno internazionale di studio per il quinto centenario della nascita. 29 - 31 May 1978. Castelfranco, 1979, pp. 317, 320, note. 27.
1980: Byam Shaw, J. Titian's Drawings: A Summing Up. Apollo. Vol. 112, no. 226, 1980, p. 390.
1981: アルベルティーナ所蔵ヨーロッパ版画名作展. 国立西洋美術館, 1981年2月7日-3月22日. 国立西洋美術館, 1981, no. 29.
1982: Saccomani, E. Domenicho Campagnola disegnatore di "paesi" degli esordi alla prima maturità. Arte veneta: rivista di storia dell'arte. vol. 36, 1982, pp. 84, 95, note. 22.
1982: Chiari, M. A. Incisioni da Tiziano: catalogo del fondo grafico a stampa del Museo Correr. (exh. cat.). Venice, 1982, p. 5.
1983: The Genius of Venice 1500-1600. (exh. cat.), Martineau, J.; Hope, C. ed. Royal Academy of Arts, London, 25 November 1983 - 11 March 1984. London, 1983, pp. 314-15, no. P10.
1984: Zucker, Mark J. The Illustrated Bartsch vol. 25 (Commentary): Early Italian Masters. New York, 1984, pp. 470-471, 2518.005.
1985: Emison, P. A. Invention and the Italian Renaissance Print: Mantegna to Parmigianino. Ph. D., Columbia University, 1985, pp. 90-98.
1987: Wethey, H. E. Titian and his Drawings: with Reference to Giorgione and Some Close Contemporaries. Princeton (N.J.), 1987, pp. 192-194, no. A-27.
1988: 国立西洋美術館年報. No. 19 (1984), 1988, 越川倫明. 新収作品解説. pp. 22-25, 新収作品目録. pp. 92-94, repr.
1988: Chiari Moretto Wiel, M. A. Per una nuova cronologia di Giulio Campagnola incisore. Arte veneta. no. 42, 1988, pp. 41-44, 46-47, 50, 53, note. 6.
1988: Chiari Moretto Wiel, M. A. Per un catalogo ragionato dei disegni di Tiziano. Saggi e memorie di storia dell'Arte. no. 16, 1988, pp. 67-68, no. A10.
1989: 国立西洋美術館名作選. 東京, 国立西洋美術館, 1989, cat. no. 116.
1991: Rearick, W. R. Titian Drawings: A Progress Report. Artibus et Historiae. vol. 12, No. 23, 1991, pp. 14, 36, note. 33.
1993: Le Siècle de Titien. L'âge d'or de la peinture à Venise. (exh. cat.). Laclotte, M. et al. eds. Grand Palais, Paris, 9 March - 14 June. Paris, 1993, pp. 437-439, 470, no. 124.
1995: Tiziano: Amor Sacro e Amor Profano. (exh. cat.). Bernardini, M. G. ed. Palazzo delle Esposizioni, Rome, 1995, pp. 295-297, no. 77.
1999: Lambert, G. Les premières gravures italiennes Quattrocento-début du Cinquecento: Inventaire de la collection du Département des Estampes et de la Photographie [Bibliothèque nationale de France]. Paris, 1999, pp. 381-382, no. 706.
2001: Rearick, W. R. Il disegno veneziano del Cinquecento. Milan, 2001, p.34.
2003: Andrea Mantegna e l'incisione italiana del Rinascimento nelle collezioni dei Musei civici di Pavia. (exh. cat.). Lomartire, S. ed. Pavia, 2003, pp. 61, 103-104, no. 36.
2003: van der Sman, G. J. Le Siècle de Titien: gravures vénitiennes de la Renaissance. (exh. cat.). Bonnefantenmuseum à Maastricht, 17 November2002 - 16February 2003; Musée Groeninge; Hôtel Arents à Bruges, 1 March - 26 May 2003. Bruges, 2003, p. 66, no. II. 1.

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Giulio Campagnola [Padua, c. 1482 - Venice, 1515/18]

St, John the Baptist

Date	ca. 1505
Materials/Techniques	engraving
Size (cm)	31.2 x 24.0
Inscriptions	signed upper left; IVLIVS CAMPAGNOLA/ F
Standard ref.	Bartsch 1811, No.3; Hind 1910, No.2(repr.); Tietze and Tietze-Conrat 1944; Hind 1948, etc.
Category	Prints
Collection Number	G.1984-0095

This engraving by an important 16th century Italian printmaker, Giulio Campagnola, portrays John the Baptist standing in front of a pastoral landscape. His left hand is holding a bowl for pouring the holy water and his right hand is tucking up the hem of his outfit so that the overall pose forms an elegant contrapposto. The background is composed of Giorgionesque motifs such as shrubbery, a stump, shepherds and sheep, and houses, which are depicted passionately in stippling. The Mantegnesque elements Campagnola learnt early on in his career and the Giorgionesque style he acquired after he moved to Venice coexist in the form of portraiture and landscape. （Source: The Digital Gallery. 1999-2006)

Provenance

A.Ronald Collection; R. M. Light, Santa Barbara; Purchased by the NMWA, 1984.

Exhibition History

1997: Resonating Love and Life: European Art from National Museum of Western Art, Tokyo, The Niigata Prefectural Museum of Modern Art, Nagaoka, 12 April 1997 - 18 May 1997, cat. no. 44
2007: Italian Renaissance Prints from the Swiss Federal Institute of Technology Zurich, National Museum of Western Art, Tokyo, 6 March 2007 - 6 May 2007, cat. no. 50
2009: Iconomorphosis: Selected Graphics from the NMWA Collection, The National Museum of Western Art, Tokyo, 7 July 2009 - 16 August 2009, cat. no. 56
2011: The Locus of Art: Aesthetics of Seiro Mayekawa from Dürer to Tsune Nakamura, Niigata Prefectural Museum of Modern Art, 3 September 2011 - 10 October 2011, cat. no. 60, repr.
2017: Titian and the Renaissance in Venice: 150th Anniversary of Diplomatic Relations between Japan and Italy, Tokyo Metropolitan Art Museum, 21 January 2017 - 2 April 2017, cat. no. P-3, col. repr.

Bibliography

1811: Bartsch, Adam. Le Peintre-graveur. vol. 13, Wien, 1811, no. 3.
1816: Ottley, W. Y. An Inquiry into the Origin and Early History of Engraving upon Copper and in Wood with an Account of Engravers and Their Works: from the Invention of Chalcography by Maso Finiguerra to the Time of Marc'Antonio Raimondi. vol. 2, John and Arthur Arch by J. McCreery, 1816, p. 767, no. 2.
1824: Malaspina di Sannazaro, Luigi. Catalogo di una raccolta di stampe antiche compilato dallo stesso possessore Marchese Malaspina di Sannazaro. vol. 2, Milan, 1824, p. 46.
1835: Nagler, G. K. Neues allgemeines Künstler-Lexicon oder Nachrichten von dem Leben und Werken der Maler, Bildhauer, Baumeister, Kupferstecher, Formschneider, Lithographen, Zeichner, Medailleure, Elfenbeinarbeiter, etc. vol. 2, Munich, 1835, p. 376.
1837: Le premier siècle de la calcographie ou catalogue raisonné des estampes du cabinet de feu M. le Comte Léopold Cicognara, avec une appendice sur les nielles du même cabinet. Venice, 1837, pp. 169-170, no. 219.
1862: Galichon, É. Giulio Campagnola, peintre-graveur du XVIe siècle. Gazzette des Beaux-Arts. vol. 13, 1862, p. 339, no. 3.
1864: Passavant, J. D. Le Peintre-Graveur. vol. 5, Leipzig, R. Weigel, 1864, p. 164, no. 3.
1905: Frizzoni, G. Disegni di antichi maestri. L'Arte. vol. 8, 1905, pp. 249-252.
1907: Kristeller, P. Giulio Campagnola. Kupferstiche und Zeichnungen, Berlin, 1907
1908: Hind, A. M. Giulio Campagnola. The Burlington Magazine. vol. 13, 1908, pp. 365-366.
1910: Hind, Arthur Mayger. Catalogue of Early Italian Engravings Preserved in the Department of Prints and Drawings in the British Museum. London, 1910, p. 494, repr., no. 2.
1923: Borenius, T. Four Early Italian Engravers: Antonio del Pollaiuolo, Andrea Mantegna, Jacopo de' Barbari, Giulio Campagnola. London, 1923, pp. 105-106, no. 11.
1930: Hourticq, L. Le problème de Giorgione: sa lʹegende, son œuvre, ses ʹelèves. Paris, 1930, p. 88, no. 6.
1936: Tietze, H.; Tietze-Conrat, E. Contributi critici allo studio organico dei disegni veneziani del Cinquecento. Criteria d'arte. vol. 2, 1936-37, p. 81.
1944: Tietze, Hans; Tietze-Conrat, E. The Drawings of the Venetian Painters in the 15th and 16th Centuries. New York, 1944, pp. 135-136.
1948: Hind, Arthur Mayger. Early Italian Engraving. vol. 5; vol. 7, London, 1948, vol. 5, pp. 201-202, no. 12; vol. 7, pl. 780.
1949: Pouncy, P. Early Italian Engraving. The Burlington Magazine. vol. 91, no. 556, 1949, p. 236.
1953: De Venetiaanse meesterst. (exh. cat.). Rijksmuseum, Amsterdam, 26July - 11October 1953. Amsterdam, 1953, no. P93.
1966: Renaissance in Italien 16. Jahrhundert: Werke aus dem Besitz der Albertina (exh. cat.). Oberhuber, K. ed. Graphische Sammlung Albertina, Vienna, 18 February - 18 May 1966. Viennna, 1966, p. 68, no. 58.
1970: Hind, Arthur Mayger. Early Italian Engraving. rpt. ed.,vol. 5; vol. 7, Nendeln/Liechtenstein, Kraus Reprint, 1970, vol. 5, pp. 201-202, no. 12; vol. 7, pl. 780.
1970: Tietze, Hans; Tietze-Conrat, E. The Drawings of the Venetian Painters in the 15th and 16th Centuries. rpt ed., New York, 1970, pp. 135-136.
1973: Levenson, Jay A.; Oberhuber, Konrad; Sheehan, Jacquelyn L. Early Italian Engravings from the National Gallery of Art (exh. cat.). Washington, National Gallery of Art, 1973, pp. 402-409, no. 149.
1974: Rome and Venice: Prints of the High Renaissance. (exh. cat.). Oberhuber, K. ed. Fogg Art Museum, Harvard University, Cambridge (Mass.), 5 - 30 May 1974. Cambridge (Mass.), 1974, pp. 67-68, no. 43.
1975: Stampe Italiane dalle origini all'Ottocento (exh. cat.). Petrioli Tofani, A. M. ed. Gabinetto Disegni e Stampe degli Uffizi, Florence, June - September 1975. Florence, 1975, p. 43, no. 46, ill. 29.
1976: Oberhuber, Konrad, ed. Disegni di Tiziano e della sua cerchia. Vicenza, 1976, pp. 51-52.
1977: Rearick, W. R. "Titian's Drawings, 1510-1512". Tiziano nel quarto centenario della sua morte 1576-1976. Venice, 1977, p. 174, note. 3.
1977: W. R. Rearick. "Maestri veneti del Cinquecento: Giorgione, Titian, Campagnola, Sebastiano del Piombo, Lotto, Palma Vecchio, Bordone, Cariani, Pordenone, Girolamo da Treviso, etc.". Biblioteca di disegni. vol. 5, 1977, no. 6, pp. 8-9, 16, 24.
1978: Muraro, M. "Grafica tizianesca". Tiziano e il Manierismo europeo. R. Pallucchini ed. Florence, 1978, pp. 137-38, note. 6.
1979: Pignatti, T.; Chiari, M. A. Tiziano: disegni. Florence, 1979, p. 7, no. II.
1979: Oberhuber, K. Giorgione: atti del Convegno internazionale di studio per il quinto centenario della nascita. 29 - 31 May 1978. Castelfranco, 1979, pp. 317, 320, note. 27.
1980: Byam Shaw, J. Titian's Drawings: A Summing Up. Apollo. Vol. 112, no. 226, 1980., p. 390.
1981: Sechs Jahrhunderte europäischer Druckgraphik: Meisterwerke aus dem Besitz der Albertina in Wien. The National Museum of Western Art, 7 February - 22 March 1981. The National Museum of Western Art, 1981, no. 29.
1982: Saccomani, E. Domenicho Campagnola disegnatore di "paesi" degli esordi alla prima maturità. Arte veneta: rivista di storia dell'arte. vol. 36, 1982, pp. 84, 95, note. 22.
1982: Chiari, M. A. Incisioni da Tiziano: catalogo del fondo grafico a stampa del Museo Correr. (exh. cat.). Venice, 1982, p. 5.
1983: The Genius of Venice 1500-1600. (exh. cat.), Martineau, J.; Hope, C. ed. Royal Academy of Arts, London, 25 November 1983 - 11 March 1984. London, 1983, pp. 314-15, no. P10.
1984: Zucker, Mark J. The Illustrated Bartsch vol. 25 (Commentary): Early Italian Masters. New York, 1984, pp. 470-471, 2518.005.
1985: Emison, P. A. Invention and the Italian Renaissance Print: Mantegna to Parmigianino. Ph. D., Columbia University, 1985, pp. 90-98.
1987: Wethey, H. E. Titian and his Drawings: with Reference to Giorgione and Some Close Contemporaries. Princeton (N.J.), 1987, pp. 192-194, no. A-27.
1988: Annual bulletin of the National Museum of Western Art. No. 19 (1984), 1988, Koshikawa, Michiaki. New Acquisitions 1984. pp. 22-25, Catalogue of the New Acquisitions 1984. pp. 92-94, repr.
1988: Chiari Moretto Wiel, M. A. Per una nuova cronologia di Giulio Campagnola incisore. Arte veneta. no. 42, 1988, pp. 41-44, 46-47, 50, 53, note. 6.
1988: Chiari Moretto Wiel, M. A. Per un catalogo ragionato dei disegni di Tiziano. Saggi e memorie di storia dell'Arte. no. 16, 1988, pp. 67-68, no. A10.
1989: Masterpieces of the National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art, 1989 (Japanese, preface in Japanese and English), cat. no. 116.
1991: Rearick, W. R. Titian Drawings: A Progress Report. Artibus et Historiae. vol. 12, No. 23, 1991, pp. 14, 36, note. 33.
1993: Le Siècle de Titien. L'âge d'or de la peinture à Venise. (exh. cat.). Laclotte, M. et al. eds. Grand Palais, Paris, 9 March - 14 June. Paris, 1993, pp. 437-439, 470, no. 124.
1995: Tiziano: Amor Sacro e Amor Profano. (exh. cat.). Bernardini, M. G. ed. Palazzo delle Esposizioni, Rome, 1995, pp. 295-297, no. 77.
1999: Lambert, G. Les premières gravures italiennes Quattrocento-début du Cinquecento: Inventaire de la collection du Département des Estampes et de la Photographie [Bibliothèque nationale de France]. Paris, 1999, pp. 381-382, no. 706.
2001: Rearick, W. R. Il disegno veneziano del Cinquecento. Milan, 2001, p.34.
2003: Andrea Mantegna e l'incisione italiana del Rinascimento nelle collezioni dei Musei civici di Pavia. (exh. cat.). Lomartire, S. ed. Pavia, 2003, pp. 61, 103-104, no. 36.
2003: van der Sman, G. J. Le Siècle de Titien: gravures vénitiennes de la Renaissance. (exh. cat.). Bonnefantenmuseum à Maastricht, 17 November2002 - 16February 2003; Musée Groeninge; Hôtel Arents à Bruges, 1 March - 26 May 2003. Bruges, 2003, p. 66, no. II. 1.

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