海神の闘い（左半図）|アンドレア・マンテーニャ |所蔵作品検索

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アンドレア・マンテーニャ

イゾラ・ディ・カルトゥーラ, 1431年 - マントヴァ, 1506年

Andrea Mantegna

Isola di Cartura, 1431 - Mantova, 1506

海神の闘い（左半図） The Battle of the Sea Gods (the Left Half)

制作年	1475年頃
材質・技法・形状	エングレーヴィング、ドライポイント
寸法（cm）	27.6 x 32.9
Standard ref.	Bartsch XIII, 18; Hind V, 5
分類	版画
所蔵番号	G.1981-0002

今日マンテーニャの真作と認められる銅版画は、《キリストの埋葬》、《キリストの復活》、《酒樽のあるバッカナーレ》、《シレノスのいるバッカナーレ》、《海神の闘い》（左右両図）、《聖母子》の7点だけである。《海神の闘い》の主題については、ギリシャの歴史家ディオドーロス（前1世紀）著『世界史』の中の「魚食の民」についての一節と関連づける説、古典的発想によるルネッサンス時代の創作、あるいはマンテーニャ自身の着想とする説がある。この作品の制作年代については、本図左方の老女の掲げる標牌下段の数字（あるいは文字）を年記と見、1461、1481、1493と読む諸説がある。しかし、ティーツェ・コンラートはこれを数字ではなくギリシャ語あるいはヘブライ語と考え、マントヴァにあるパラッツォ・ドゥカーレ内の「夫妻の間」の天井に描かれた《オルフェウス伝》（1473年頃）との様式的近似から、同時期の作と推定している。デューラーはこの《海神の闘い》に強い感銘を受け、その右半図を、マンテーニャ生前の1494年に模写している（ウィーン、アルベルティーナ版画素描館）が、この年が推定制作年代の下限となる。（出典: 国立西洋美術館名作選. 東京, 国立西洋美術館, 1989. cat. no. 115）

来歴

Purchased by the NMWA, 1981.

展覧会歴

1997: 国立西洋美術館展─愛と生命の響き: ルネサンスから近代への西洋美術の流れ, 新潟県立近代美術館, 1997年4月12日-1997年5月18日, cat. no. 42
2007: イタリア・ルネサンスの版画展: チューリヒ工科大学版画素描館の所蔵作品による, 国立西洋美術館, 2007年3月6日-2007年5月6日, cat. no. 13
2009: かたちは、うつる：国立西洋美術館所蔵版画展, 国立西洋美術館, 2009年7月7日-2009年8月16日, cat. no. 100
2011: 美の軌跡: デューラーから中村彝まで: 前川誠郎の美学, 新潟県立近代美術館, 2011年9月3日-2011年10月10日, cat. no. 59, repr.

文献歴

1816: Ottley, William Young. An Inquiry into the Origin and Early History of Engraving: upon Copper and in Wood, with an Account of Engravers and their Works, from the Invention of Chalcography by Maso Finiguerra, to the Time of Marc' Antonio Raimondi. vol. 2, London, John and Arthur Arch by J. McCreery, 1816, pp. 507-508.
1864: Passavant, Johann David. Le Peintre Graveur. vol. 5, Leipzig, R. Weigel, 1864, p. 77, no. 17.
1902: Kristeller, Andrea. Andrea Mantegna. Berlin, Cosmos, 1902, pp. 414ff.
1923: Borenius, Tancred. Four Early Italian Engravers. London, The Medici Society, 1923, p. 20, no. 4.
1930: Petrucci, Alfredo. "Andrea Mantegna incisore". Debalo: rassegna d’arte. Anno. 11, vol. 1, fasc. 7, 1930, pp. 412-428, pp. 413-415.
1955: Tietze-Conrat, Erika. Mantegna: Paintings, Drawings, Engravings. London, Phaidon Press, 1955, pl. 100.
1964: Bober, Phyllis Pray. "An antique sea-thiasos in the Renaissance". Essays in memory of Karl Lehmann. Lehmann, Karl; Sandler, Lucy Freeman; New York University, Institute of Fine Arts, eds. New York, Institute of Fine Arts, New York University, 1964, pp. 43-48, p. 48.
1966: De Meesterwerken van de Europese prentkunst 1410-1914 (exh. cat.). Boon, Karel Gerard; Hébert, Monique; Wegner, Wolfgang; Verbeek, Jan, et al. Haus der Kunst München, Munich, 16 October, 1965 – 6 January, 1966; Bibliothèque Nationale Paris, Paris, 28 January – 24 March, 1966; Rijksmuseum Amsterdam, Amsterdam, 7 April – 12 June, 1966. Amsterdam, Rijksmuseum, 1966, p. 37, no. 28.
1972: J. アデマール、坂本満、吉川逸治（編）『世界版画大系』第1巻、筑摩書房、1972, pp. 28- 29, nos. 73, 213.
1973: Levenson, Jay A.; Oberhuber, Konrad; Sheehan, Jacquelyn L. Early Italian Engravings from the National Gallery of Art (exh. cat.). Washington, National Gallery of Art, 1973, cat. no. 75.
1976: Jacobsen, Michael Anthony. The Engravings of Mantegna, New York, Columbia University, 1976, Ph. D, pp. 56, 226.
1977: Vickers, Michael. "The sources of invidia in Mantegna’s Battle of the sea gods". Apollo. vol. 106, no. 188, October 1977, pp. 270-273.
1982: Jacobsen, Michael Anthony. "The meaning of mantegna’s ‘Battle of Sea Monsters’". Art Bulletin, vol. 64, no. 4, December 1982, pp. 623-629.
1983: 国立西洋美術館年報. No. 16 (1981), 1983, 八重樫春樹. [作品解説]. p. 12, 新収作品目録. pp. 21-22, repr.
1984: Zucker, Mark J. Early Italian Masters: Ill. Bartsch, vol. 25, Commentary vol. 13, part. 2. New York, Abaris Books, 1984, 2506.004, pp. 90-92.
1986: Lightbown, Ronaldo. Mantegna: with a complete catalogue of the paintings, drawings and prints. oxford, Phaidon Christie’s, 1986, pp. 240-241, 490-491.
1989: 国立西洋美術館名作選. 東京, 国立西洋美術館, 1989, cat. no. 115
1992: 小佐野重利. 記憶の中の古代: ルネサンス美術にみられる古代の受容. 東京, 中央公論美術出版, 1992, pp. 239-240 note 188, fig. 167, note 288.
1992: Andrea Mantegna (exh. cat.). Martineau, Jane; Boorsch, Suzanne; Christiansen, Keith; Ekserdjian; Hope, Charles; Landau, David, et al. Royal Academy of Arts, London, 17 January – 5 April, 1992; The Metropolitan Museum of Art, New York, 9 May – 12 July, 1992. Milano, Electa, 1992, pp. 285-287, no. 79.
1993: Six Centuries of Master Prints: Treasures from the Herbert Greer French collection (exh. cat.). Spangenberg, Kristin L.; Cincinnati Art Museum, eds. Cincinnati Art Museum, Cincinnati, 15 January – 11 April, 1993. Cincinnati, Cincinnati Art Museum, 1993, pp. 16-19, no. 17a.
1994: Landau, David; Parshall, Peter. The Renaissance Print: 1470-1550. New Haven, Yale University Press, 1994, pp. 70-71.
1994: Landau, David. "Printmaking in the age of Lorenzo". Florentine Drawing at the Time of Lorenzo the Magnificent: papers from a colloquium held at the Villa Spelman, Florence, 1992. Cropper, Elizabeth, ed. Bologna, Nuova Alfa, 1994 (Villa Spelman colloquia, vol. 4), pp. 178-179.
1997: Agosti, Giovanni. "Su Mantegna, 6. (Lombardia)". Prospettiva. Vol. 85, January 1997, pp. 59-90, pp. 68, 86 note 72.
1997: 国立西洋美術館展: 愛と生命の響き: ルネサンスから近代への西洋美術の流れ. 平石昌子; 新潟県立近代美術館他編, 新潟県立近代美術館, 長岡, 1997年4月12日 – 5月18日. 長岡, 新潟県立近代美術館; 国立西洋美術館, 1997, p. 73, no. 42.
1998: Stampe di maestri: cento capolavori della Raccolta Bertarelli da Mantegna a Morandi (exh. cat.). Bellini, Paolo, ed. Palazzo Reale, Milano, 16 April – 28 June, 1998. Milano, Electa, 1998, pp. 26-29, no. 3.
1999: Oberhuber, Konrad. "Mantegna e li ruolo delle stampe: un prototipo di innovazione artistica in italia e al Nord". Il Rinascimento a Venezia e la pittura del Nord ai tempi di Bellini, Dürer, Tiziano. Aikema, Bernard; Brown, Beverly Louise, eds. Venezia, Bompiani, 1999, pp. 145-149, p. 148.
1999: Lambert, Gisèle. Les premières gravures italiennes Quattrocento - début du Cinquecento: inventaire de la collection du département des Estampes et de la Photographie. Paris, Bibliothèque Nationale de France, 1999, p. 198, no. 403.
2001: Joannides, Paul. Titian to 1518: The Assumption of Genius. New Haven, Yale University Press, 2001, pp. 68-69, no. 53.
2001: Fletcher, S. "A closer look at Mantegna’s prints". Print Quarterly, vol. 18, no. 1, March 2001, pp. 3-41, pp. 30-33.
2003: Le Siècle de Titien: gravures vénitiennes de la Renaissance (exh. cat.). Sman, Gert Jan van; Bonnefantenmuseum; Groeningemuseum, eds. Bonnefantenmuseum, Maastricht, 17 November, 2002 – 16 February, 2003; Hôtel Arents, Bruges, 1 March – 26 May, 2003. Zwolle, Waanders Uitgevers, 2003, pp. 30-31, no. I. 4.
2003: Les dieux comme les hommes: la Renaissance dans la gravure germanique au début du XVIe siècle: un choix de Jean-Louis Schefer dans les collections du Cabinet des estampes et des dessins des Musées de Strasbourg (exh. cat.). Schefer, Jean Louis; Château des Rohan; Musées de Strasbourg, eds. Musées de Strasbourg, Strasbourg, 7 February – 27 April, 2003. Strasbourg, Musées de Beaux-arts, Palais Rohan, 2003, pp. 85, 208.
2005: Agosti, Giovanni. Su Mantegna. vol. 1, Milano, Feltrinelli, 2005, pp. 44-45, 56, 398.
2006: Mantegna e le arti a Verona 1450-1500 (exh. cat.). Marinelli, Sergio; Marini, Paola, eds. Palazzo della Gran Guardia, Verona, 16 September, 2006 - 14 January, 2007. Venezia, Marsilio, 2006, pp. 230-233, no. 21.
2011: 美の軌跡：デューラーから中村彝まで：前川誠郎の美学(exh. cat.). [長岡], 新潟県立近代美術館, 2011, cat. no. 59, repr.

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Andrea Mantegna

Isola di Cartura, 1431 - Mantova, 1506

The Battle of the Sea Gods (the Left Half)

Date	ca. 1475
Materials and Techniques	Engraving and drypoint
Size（cm）	27.6 x 32.9
Standard ref.	Bartsch XIII, 18; Hind V, 5
Category	Prints
Collection Number	G.1981-0002

Mantegna is a famous painter of 15th century Italy. The word "INVID", which is inscribed on the plate the old woman with a terrifying look is holding, is an abbreviation of INVIDIA, the Latin word for "jealousy". Regarding the interpretation of the theme of this mysterious print, some say it has to do with ichthyophagists referred to in "Bibiliotheca historica" by the ancient Greek historian Diodorus while others identify general literature of the time including Strabo's "Geography" as the source. This print is the left half of an oblong composition of a sequential frieze. (Source: The Digital Gallery. 1999-2006)

Provenance

Purchased by the NMWA, 1981.

Exhibition History

1997: Resonating Love and Life: European Art from National Museum of Western Art, Tokyo, The Niigata Prefectural Museum of Modern Art, Nagaoka, 12 April 1997 - 18 May 1997, cat. no. 42
2007: Italian Renaissance Prints from the Swiss Federal Institute of Technology Zurich, National Museum of Western Art, Tokyo, 6 March 2007 - 6 May 2007, cat. no. 13
2009: Iconomorphosis: Selected Graphics from the NMWA Collection, The National Museum of Western Art, Tokyo, 7 July 2009 - 16 August 2009, cat. no. 100
2011: The Locus of Art: Aesthetics of Seiro Mayekawa from Dürer to Tsune Nakamura, Niigata Prefectural Museum of Modern Art, 3 September 2011 - 10 October 2011, cat. no. 59, repr.

Bibliography

1816: Ottley, William Young. An Inquiry into the Origin and Early History of Engraving: upon Copper and in Wood, with an Account of Engravers and their Works, from the Invention of Chalcography by Maso Finiguerra, to the Time of Marc' Antonio Raimondi. vol. 2, London, John and Arthur Arch by J. McCreery, 1816, pp. 507-508.
1864: Passavant, Johann David. Le Peintre Graveur. vol. 5, Leipzig, R. Weigel, 1864, p. 77, no. 17.
1902: Kristeller, Andrea. Andrea Mantegna. Berlin, Cosmos, 1902, pp. 414ff.
1923: Borenius, Tancred. Four Early Italian Engravers. London, The Medici Society, 1923, p. 20, no. 4.
1930: Petrucci, Alfredo. "Andrea Mantegna incisore". Debalo: rassegna d’arte. Anno. 11, vol. 1, fasc. 7, 1930, pp. 412-428, pp. 413-415.
1955: Tietze-Conrat, Erika. Mantegna: Paintings, Drawings, Engravings. London, Phaidon Press, 1955, pl. 100.
1964: Bober, Phyllis Pray. "An antique sea-thiasos in the Renaissance". Essays in memory of Karl Lehmann. Lehmann, Karl; Sandler, Lucy Freeman; New York University, Institute of Fine Arts, eds. New York, Institute of Fine Arts, New York University, 1964, pp. 43-48, p. 48.
1966: De Meesterwerken van de Europese prentkunst 1410-1914 (exh. cat.). Boon, Karel Gerard; Hébert, Monique; Wegner, Wolfgang; Verbeek, Jan, et al. Haus der Kunst München, Munich, 16 October, 1965 – 6 January, 1966; Bibliothèque Nationale Paris, Paris, 28 January – 24 March, 1966; Rijksmuseum Amsterdam, Amsterdam, 7 April – 12 June, 1966. Amsterdam, Rijksmuseum, 1966, p. 37, no. 28.
1972: Adhémar, Jean; Sakamoto, Mitsuru; Yoshikawa Itsuji, eds. Gravure d'Occident des origines à nos jours. vol. 1, Tokyo, Chikuma Shobo, 1972 (in Japanese and French), pp. 28- 29, nos. 73, 213.
1973: Levenson, Jay A.; Oberhuber, Konrad; Sheehan, Jacquelyn L. Early Italian Engravings from the National Gallery of Art (exh. cat.). Washington, National Gallery of Art, 1973, cat. no. 75.
1976: Jacobsen, Michael Anthony. The Engravings of Mantegna, New York, Columbia University, 1976, Ph. D, pp. 56, 226.
1977: Vickers, Michael. "The sources of invidia in Mantegna’s Battle of the sea gods". Apollo. vol. 106, no. 188, October 1977, pp. 270-273.
1982: Jacobsen, Michael Anthony. "The meaning of mantegna’s ‘Battle of Sea Monsters’". Art Bulletin, vol. 64, no. 4, December 1982, pp. 623-629.
1983: Annual Bulletin of the National Museum of Western Art. No. 16 (1981), 1983, Yaegashi, Haruki. On the New Acquisitions 1981. p. 12, Catalogue of the New Acquisitions. pp. 21-22, repr.
1984: Zucker, Mark J. Early Italian Masters: Ill. Bartsch, vol. 25, Commentary vol. 13, part. 2. New York, Abaris Books, 1984, 2506.004, pp. 90-92.
1986: Lightbown, Ronaldo. Mantegna: with a complete catalogue of the paintings, drawings and prints. oxford, Phaidon Christie’s, 1986, pp. 240-241, 490-491.
1989: Masterpieces of the National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art, 1989 (Japanese, preface in Japanese and English), cat. no. 115
1992: Osano, Shigetoshi. Antiquity in Memory: The Reception of Antique in the Art of the Renaissance. Tokyo, Chuo-Koron Bijutu Shuppan Co., Ltd, 1992, pp. 239-240 note 188, fig. 167, note 288.
1992: Andrea Mantegna (exh. cat.). Martineau, Jane; Boorsch, Suzanne; Christiansen, Keith; Ekserdjian; Hope, Charles; Landau, David, et al. Royal Academy of Arts, London, 17 January – 5 April, 1992; The Metropolitan Museum of Art, New York, 9 May – 12 July, 1992. Milano, Electa, 1992, pp. 285-287, no. 79.
1993: Six Centuries of Master Prints: Treasures from the Herbert Greer French collection (exh. cat.). Spangenberg, Kristin L.; Cincinnati Art Museum, eds. Cincinnati Art Museum, Cincinnati, 15 January – 11 April, 1993. Cincinnati, Cincinnati Art Museum, 1993, pp. 16-19, no. 17a.
1994: Landau, David; Parshall, Peter. The Renaissance Print: 1470-1550. New Haven, Yale University Press, 1994, pp. 70-71.
1994: Landau, David. "Printmaking in the age of Lorenzo". Florentine Drawing at the Time of Lorenzo the Magnificent: papers from a colloquium held at the Villa Spelman, Florence, 1992. Cropper, Elizabeth, ed. Bologna, Nuova Alfa, 1994 (Villa Spelman colloquia, vol. 4), pp. 178-179.
1997: Agosti, Giovanni. "Su Mantegna, 6. (Lombardia)". Prospettiva. Vol. 85, January 1997, pp. 59-90, pp. 68, 86 note 72.
1997: Resonating Love and Life: European Art from The National Museum of Western Art, Tokyo (exh. cat.). Hiraishi, Masako; Kirihara, Hiroshi, eds. The Niigata Prefectural Museum of Modern Art, Nagaoka, 12 April – 18 May, 1997. Nagaoka, The Niigata Prefectural Museum of Modern Art; The National Museum of Western Art, Tokyo, 1997, p. 73, no. 42.
1998: Stampe di maestri: cento capolavori della Raccolta Bertarelli da Mantegna a Morandi (exh. cat.). Bellini, Paolo, ed. Palazzo Reale, Milano, 16 April – 28 June, 1998. Milano, Electa, 1998, pp. 26-29, no. 3.
1999: Oberhuber, Konrad. "Mantegna e li ruolo delle stampe: un prototipo di innovazione artistica in italia e al Nord". Il Rinascimento a Venezia e la pittura del Nord ai tempi di Bellini, Dürer, Tiziano. Aikema, Bernard; Brown, Beverly Louise, eds. Venezia, Bompiani, 1999, pp. 145-149, p. 148.
1999: Lambert, Gisèle. Les premières gravures italiennes Quattrocento - début du Cinquecento: inventaire de la collection du département des Estampes et de la Photographie. Paris, Bibliothèque Nationale de France, 1999, p. 198, no. 403.
2001: Joannides, Paul. Titian to 1518: The Assumption of Genius. New Haven, Yale University Press, 2001, pp. 68-69, no. 53.
2001: Fletcher, S. "A closer look at Mantegna’s prints". Print Quarterly, vol. 18, no. 1, March 2001, pp. 3-41, pp. 30-33.
2003: Le Siècle de Titien: gravures vénitiennes de la Renaissance (exh. cat.). Sman, Gert Jan van; Bonnefantenmuseum; Groeningemuseum, eds. Bonnefantenmuseum, Maastricht, 17 November, 2002 – 16 February, 2003; Hôtel Arents, Bruges, 1 March – 26 May, 2003. Zwolle, Waanders Uitgevers, 2003, pp. 30-31, no. I. 4.
2003: Les dieux comme les hommes: la Renaissance dans la gravure germanique au début du XVIe siècle: un choix de Jean-Louis Schefer dans les collections du Cabinet des estampes et des dessins des Musées de Strasbourg (exh. cat.). Schefer, Jean Louis; Château des Rohan; Musées de Strasbourg, eds. Musées de Strasbourg, Strasbourg, 7 February – 27 April, 2003. Strasbourg, Musées de Beaux-arts, Palais Rohan, 2003, pp. 85, 208.
2005: Agosti, Giovanni. Su Mantegna. vol. 1, Milano, Feltrinelli, 2005, pp. 44-45, 56, 398.
2006: Mantegna e le arti a Verona 1450-1500 (exh. cat.). Marinelli, Sergio; Marini, Paola, eds. Palazzo della Gran Guardia, Verona, 16 September, 2006 - 14 January, 2007. Venezia, Marsilio, 2006, pp. 230-233, no. 21.
2011: The Locus of Art: Aesthetics of Seiro Mayekawa from Dürer to Tsune Nakamura(exh. cat.). [Nagaoka], Niigata Prefectural Museum of Modern Art, 2011, cat. no. 59, repr.

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