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ヨハネス・フェルメール (に帰属)

1632年 - 1675

Johannes Vermeer (attributed to)

1632 - 1675

聖プラクセディス Saint Praxedis

制作年	1655
材質・技法・形状	油彩、カンヴァス
寸法（cm）	101.6 x 82.6
署名・年記	左下に署名・年記：Meer 1655
所蔵経緯	株式会社くふうカンパニーより寄託
分類	絵画
所蔵番号	DEP.2014-0001

来歴

Erna and Jacob Reder, New York, 1943; With Spencer Samuels & Co., New York, 1969; The Barbara Piasecka Johnson Collection, by whom acquired from the above in 1987; Sold at Christie's London, 8 July 2014, lot 39; Deposited from Kufu Company Inc. to the NMWA, 2014.

展覧会歴

1969: Florentine Baroque Art from American Collections, The Metropolitan Museum of Art, New York, 1969年0月0日-1969年0月0日, no. 39, pp. 22, 44-45, illustrated as Ficherelli.
1984: Inaugural Exhibition, Spencer A. Samuels Gallery, New York, 1984年0月0日-1984年0月0日, no. 14, as by Vermeer
1990: Opus Sacrum: Catalogue of the Exhibition from the Collection of Barbara Piasecka Johnson, The Royal Castle, Warsaw, 1990年0月0日-1990年0月0日, no. 48, pp. 11, 272-277, illustrated, as by Vermeer
1991: Jan Vermeer van Delft, St. Praxedis: An Exhibition of a Painting from the Collection of Barbara Piasecka Johnson, International Cultural Centre and the Wawel Royal Castle, Cracow, 1991年5月0日-1991年9月0日, pp. 8-28, as by Vermeer
1995: Johannes Vermeer, The National Gallery of Art, Washington D.C., 1995年11月12日-1996年2月11日, The Mauritshuis, the Hague, 1 March-2 June 1996, no. 1, pp. 86-89, as by Vermeer
1998: Johannes Vermeer (1632-1675): Sainte Praxedis, Musée de la Chapelle de la Visitation, Monaco, 1998年0月0日-1998年0月0日, pp. 4-37, as by Vermeer
2012: Vermeer: Il secolo d'oro dell'arte olandese, Scuderia del Quirinale, Rome, 2012年9月27日-2013年1月20日, no. 45a, as by Vermeer
2023: Vermeer, Rijksmuseum, 2023年2月10日-2023年6月4日, cat. no. 2

文献歴

1968: Kühn, Hermann. A study of the pigments and grounds used by Jan Vermeer. Report and Studies in the History of Art. vol. 2. 1968, pp. 154-202.
1969: Kitson, M. Current and forthcoming exhibitions: Florentine Baroque Art in New York. The Burlington Magazine. vol. 111, June 1969, p. 410, as by Vermeer.
1974: Hannema, D. Nieuws over Johannes Vermeer van Delft. Enkele mededelingen. 1974-75, p. 22, illustrated p. 30.
1975: Blankert, Albert. Johannes Vermeer van Delft 1632-1675. 1975, p. 112, no. 5.
1976: Wright, C. Vermeer. London, 1976, p. 7, fig. 3, as 'attributed to Vermeer'.
1978: D. Hannema, "Problemen rondom Vermeer van Delft". Boymans Bijdragen. Ebbinge, J. C., ed. Rotterdam, 1978, p. 95, illustrated p. 6.
1978: Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford, Phaidon, 1978, p. 75, note no. 13, as a copy after Ficherelli.
1986: Aillaud, G.; Blankert, Albert; Montias, John Michael. Vermeer. Paris, Hazan, 1986 (reprinted Amsterdam, 1992), p. 163, note no. 5.
1986: Wheelock, Aethur K. Jr. Saint Praxedis: new light on the early career of Vermeer. Artibus et Historiae, no. 14, 1986, pp. 71-89, figs. 1,3-4, 7-13, 15-16, 19-20, as by Vermeer.
1987: Richard, P. Trying to verify a Vermeer. International Herald Tribune. 25:18, 1987, p. 18, illustrated.
1988: Wheelock, Aethur K. Jr. Vermeer. New York, Abrams, 1988, pp. 8, 13, 50-51, pl. 2, as by Vermeer.
1989: Montias, John Michael. Vermeer and His Milieu: A Web of Social History. Princeton, Princeton University Press, 1989, pp. 140-143, 146, fig. 17.
1991: Jan Vermeer van Delft: St. Praxedis (exh. cat.). The Wawel Royal Castle, Cracow, May-September 1991. 1991, as by Vermeer.
1992: Chong, W. Johannes Vermeer: Gezicht op Delft. Bloemendaal, 1992, pp. 21, 89, no. 23.
1992: Blankert Albert; Montias, John Michael; Aillaud, Gilles; Ruurs, Rob; Watering, Willem L van de. Vermeer. Amsterdam, Meulenhoff, 1992, p. 163, no. 5.
1992: Liedtke, Walter. "Vermeer teaching himself". Rembrandt Och Hans Tid, Rembrandt and His Age (exh. cat.). The Nationalmuseum, Stockholm, 2 October 1992-6 January 1993. [1992], pp. 96, 104-105, nos. 37-38, illustrated p. 96, fig. 3, as possibly by Vermeer.
1993: Montias, J. M. Vermeer en zijn milieu. Baarn, 1993, pp. 162-163, illustrated p. 17.
1993: Weber, Gregor J. M. Antoine Dézallier d'Argenville unf fünf Künstler namens Jan van der Meer. Oud Holland. vol. 107, no.3, 1993, p. 301, fig. 7, as Jan van der Meer of Utrecht.
1993: Broos, B. Intimacies and Intrigues. History Painting in the Mauritshuis, The Hague/ Ghent, 1993, p. 314, no. 41, as possibly the 'missing link' between Christ in the House of Mary and Martha and Diana and her Companions.
1995: Wheelock, Arthur K. Jr. Vermeer & the Art of Painting. New Haven/ London, Yale University Press, 1995, pp. 7, 20-27, 29, 34, 36, 113, 163, 169, illustrated p. 20, pl. 8, as by Vermeer.
1995: Wright, C. Vermeer: Catalogue Raisonné, London, 1995, as possibly by Vermeer.
1996: Brown, Christopher. Exhibition review: Washington ant the Hague, Vermeer. The Burlington Magazine. vol. 138, no. 1117, April 1996, p. 281- 282, fig. 75, as attributed to Vermeer, with reservations.
1996: Van Eck, X. Exhibition reviews: Vermeer in The Hague. Apollo, vol. 148, no. 411, May 1996, p. 47, as 'hotly disputed'.
1996: Franits, Wayne. "Vermeer, Johannes". The Dictionary of Art. Turner, Jane, ed. vol, 32, New York, Grove, 1996, p. 262, 'the controversial Saint Praxedis also testifes to Vermeer's exposure to Italian art'.
1998: Wheelock, A. Johannes Vermeer (1632-1675): Sainte Praxedis (exh. cat.). Musée de la Chapelle de la Visitation, Monaco. 1998, pp. 5-34, as by Vermeer.
1998: Bok, Marten Jan. "Not to be confused with the sphinx of Delft: the Utrecht Painter Johannes van der Meer (Schipluiden 1630-1695/ 1697 Vreeswijk?)". Vermeer Studies: Studies in the History of Art, 55, Center for Advanced Study in the Visual Arts, Symposium Papers 33. Gaskell, Ivan; Jonker, Michiel, eds. New Haven/ London, 1998, pp. 67-68, 75, 79, as probably Italian, not by van der Meer or Vermeer.
1998: Broos, Ben. "Vermeer: malice and misconception". Vermeer Studies: Studies in the History of Art, 55, Center for Advanced Study in the Visual Arts, Symposium Papers 33. Gaskell, Ivan; Jonker, Michiel, eds. New Haven/ London, 1998, p. 30, as 'the latest wrongly attributed Vermeer'.
1998: Wadum, Jørgen. "Contours of Vermeer". Vermeer Studies: Studies in the History of Art, 55, Center for Advanced Study in the Visual Arts, Symposium Papers 33. Gaskell, Ivan; Jonker, Michiel, eds. New Haven/ London, 1998
2000: Liedtke, W. A View of Delft: Vermeer and His Contemporaries. Zwolle, 2000, p. 197, as not by Vermeer.
2001: The Cambridge Companion to Vermeer. Frantis, Wayne E., ed. Cambridge/ New York, Cambridge University Press, 2001, 'the controversial Saint Praxedis'.
2001: W. Liedtke, Vermeer and the Deflt School (exh. cat.). The Metropolitan Museum of Art, New York, 8 March-27 May 2001. New York, Metropolitan Museum of Art, 2001, pp. 581-582, no. 87, as probably Florentine.
2012: Buvelot, Quentin. Exhibition: Vermeer and Dutch painting. The Burlington Magazine. vol. 154, no. 1317, December 2012, p. 873.
2023: Vermeer (exh.cat.). Pieter Roelofs; Weber, Gregor J.M. et al. Amsterdam, Rijksmuseum, 2023, pp. 7, 17, 32, 123, 126, 128-130, 136, 274, cat. no. 2, col. repr.

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Currently not on display

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Johannes Vermeer (attributed to)

1632 - 1675

Saint Praxedis

Materials and Techniques	Oil on canvas
Size（cm）	101.6 x 82.6
Inscriptions	Signed and dated lower left: Meer 1655
Credit Line	Deposit from Kufu Company Inc.
Category	Paintings
Collection Number	DEP.2014-0001

Provenance

Exhibition History

1969: Florentine Baroque Art from American Collections, The Metropolitan Museum of Art, New York, 0 1969 - 0 1969, no. 39, pp. 22, 44-45, illustrated as Ficherelli.
1984: Inaugural Exhibition, Spencer A. Samuels Gallery, New York, 0 1984 - 0 1984, no. 14, as by Vermeer
1990: Opus Sacrum: Catalogue of the Exhibition from the Collection of Barbara Piasecka Johnson, The Royal Castle, Warsaw, 0 1990 - 0 1990, no. 48, pp. 11, 272-277, illustrated, as by Vermeer
1991: Jan Vermeer van Delft, St. Praxedis: An Exhibition of a Painting from the Collection of Barbara Piasecka Johnson, International Cultural Centre and the Wawel Royal Castle, Cracow, 0 May 1991 - 0 September 1991, pp. 8-28, as by Vermeer
1995: Johannes Vermeer, The National Gallery of Art, Washington D.C., 12 November 1995 - 11 February 1996, The Mauritshuis, the Hague, 1 March-2 June 1996, no. 1, pp. 86-89, as by Vermeer
1998: Johannes Vermeer (1632-1675): Sainte Praxedis, Musée de la Chapelle de la Visitation, Monaco, 0 1998 - 0 1998, pp. 4-37, as by Vermeer
2012: Vermeer: Il secolo d'oro dell'arte olandese, Scuderia del Quirinale, Rome, 27 September 2012 - 20 January 2013, no. 45a, as by Vermeer
2023: Vermeer, Rijksmuseum, 10 February 2023 - 4 June 2023, cat. no. 2

Bibliography

1968: Kühn, Hermann. A study of the pigments and grounds used by Jan Vermeer. Report and Studies in the History of Art. vol. 2. 1968, pp. 154-202.
1969: Kitson, M. Current and forthcoming exhibitions: Florentine Baroque Art in New York. The Burlington Magazine. vol. 111, June 1969, p. 410, as by Vermeer.
1974: Hannema, D. Nieuws over Johannes Vermeer van Delft. Enkele mededelingen. 1974-75, p. 22, illustrated p. 30.
1975: Blankert, Albert. Johannes Vermeer van Delft 1632-1675. 1975, p. 112, no. 5.
1976: Wright, C. Vermeer. London, 1976, p. 7, fig. 3, as 'attributed to Vermeer'.
1978: D. Hannema, "Problemen rondom Vermeer van Delft". Boymans Bijdragen. Ebbinge, J. C., ed. Rotterdam, 1978, p. 95, illustrated p. 6.
1978: Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford, Phaidon, 1978, p. 75, note no. 13, as a copy after Ficherelli.
1986: Aillaud, G.; Blankert, Albert; Montias, John Michael. Vermeer. Paris, Hazan, 1986 (reprinted Amsterdam, 1992), p. 163, note no. 5.
1986: Wheelock, Aethur K. Jr. Saint Praxedis: new light on the early career of Vermeer. Artibus et Historiae, no. 14, 1986, pp. 71-89, figs. 1,3-4, 7-13, 15-16, 19-20, as by Vermeer.
1987: Richard, P. Trying to verify a Vermeer. International Herald Tribune. 25:18, 1987, p. 18, illustrated.
1988: Wheelock, Aethur K. Jr. Vermeer. New York, Abrams, 1988, pp. 8, 13, 50-51, pl. 2, as by Vermeer.
1989: Montias, John Michael. Vermeer and His Milieu: A Web of Social History. Princeton, Princeton University Press, 1989, pp. 140-143, 146, fig. 17.
1991: Jan Vermeer van Delft: St. Praxedis (exh. cat.). The Wawel Royal Castle, Cracow, May-September 1991. 1991, as by Vermeer.
1992: Chong, W. Johannes Vermeer: Gezicht op Delft. Bloemendaal, 1992, pp. 21, 89, no. 23.
1992: Blankert Albert; Montias, John Michael; Aillaud, Gilles; Ruurs, Rob; Watering, Willem L van de. Vermeer. Amsterdam, Meulenhoff, 1992, p. 163, no. 5.
1992: Liedtke, Walter. "Vermeer teaching himself". Rembrandt Och Hans Tid, Rembrandt and His Age (exh. cat.). The Nationalmuseum, Stockholm, 2 October 1992-6 January 1993. [1992], pp. 96, 104-105, nos. 37-38, illustrated p. 96, fig. 3, as possibly by Vermeer.
1993: Montias, J. M. Vermeer en zijn milieu. Baarn, 1993, pp. 162-163, illustrated p. 17.
1993: Weber, Gregor J. M. Antoine Dézallier d'Argenville unf fünf Künstler namens Jan van der Meer. Oud Holland. vol. 107, no.3, 1993, p. 301, fig. 7, as Jan van der Meer of Utrecht.
1993: Broos, B. Intimacies and Intrigues. History Painting in the Mauritshuis, The Hague/ Ghent, 1993, p. 314, no. 41, as possibly the 'missing link' between Christ in the House of Mary and Martha and Diana and her Companions.
1995: Wheelock, Arthur K. Jr. Vermeer & the Art of Painting. New Haven/ London, Yale University Press, 1995, pp. 7, 20-27, 29, 34, 36, 113, 163, 169, illustrated p. 20, pl. 8, as by Vermeer.
1995: Wright, C. Vermeer: Catalogue Raisonné, London, 1995, as possibly by Vermeer.
1996: Brown, Christopher. Exhibition review: Washington ant the Hague, Vermeer. The Burlington Magazine. vol. 138, no. 1117, April 1996, p. 281- 282, fig. 75, as attributed to Vermeer, with reservations.
1996: Van Eck, X. Exhibition reviews: Vermeer in The Hague. Apollo, vol. 148, no. 411, May 1996, p. 47, as 'hotly disputed'.
1996: Franits, Wayne. "Vermeer, Johannes". The Dictionary of Art. Turner, Jane, ed. vol, 32, New York, Grove, 1996, p. 262, 'the controversial Saint Praxedis also testifes to Vermeer's exposure to Italian art'.
1998: Wheelock, A. Johannes Vermeer (1632-1675): Sainte Praxedis (exh. cat.). Musée de la Chapelle de la Visitation, Monaco. 1998, pp. 5-34, as by Vermeer.
1998: Bok, Marten Jan. "Not to be confused with the sphinx of Delft: the Utrecht Painter Johannes van der Meer (Schipluiden 1630-1695/ 1697 Vreeswijk?)". Vermeer Studies: Studies in the History of Art, 55, Center for Advanced Study in the Visual Arts, Symposium Papers 33. Gaskell, Ivan; Jonker, Michiel, eds. New Haven/ London, 1998, pp. 67-68, 75, 79, as probably Italian, not by van der Meer or Vermeer.
1998: Broos, Ben. "Vermeer: malice and misconception". Vermeer Studies: Studies in the History of Art, 55, Center for Advanced Study in the Visual Arts, Symposium Papers 33. Gaskell, Ivan; Jonker, Michiel, eds. New Haven/ London, 1998, p. 30, as 'the latest wrongly attributed Vermeer'.
1998: Wadum, Jørgen. "Contours of Vermeer". Vermeer Studies: Studies in the History of Art, 55, Center for Advanced Study in the Visual Arts, Symposium Papers 33. Gaskell, Ivan; Jonker, Michiel, eds. New Haven/ London, 1998
2000: Liedtke, W. A View of Delft: Vermeer and His Contemporaries. Zwolle, 2000, p. 197, as not by Vermeer.
2001: The Cambridge Companion to Vermeer. Frantis, Wayne E., ed. Cambridge/ New York, Cambridge University Press, 2001, 'the controversial Saint Praxedis'.
2001: W. Liedtke, Vermeer and the Deflt School (exh. cat.). The Metropolitan Museum of Art, New York, 8 March-27 May 2001. New York, Metropolitan Museum of Art, 2001, pp. 581-582, no. 87, as probably Florentine.
2012: Buvelot, Quentin. Exhibition: Vermeer and Dutch painting. The Burlington Magazine. vol. 154, no. 1317, December 2012, p. 873.
2023: Vermeer (exh.cat.). Pieter Roelofs; Weber, Gregor J.M. et al. Amsterdam, Rijksmuseum, 2023, pp. 7, 17, 32, 123, 126, 128-130, 136, 274, cat. no. 2, col. repr.

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