Harvest Threshing (Le Dépiquage des moissons)|Albert Gleizes |Search Collection

Updated 27 August 2024

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Permanent collection

Albert Gleizes

Paris, 1881 - Avignon, 1953

Harvest Threshing (Le Dépiquage des moissons)

Date	1912
Materials and Techniques	oil on canvas
Size（cm）	269.0 x 353.0
Inscriptions	Signed and dated lower right: Albert Gleizes/ 1912
Category	Paintings
Collection Number	P.2004-0001

Pioneered by Pablo Picasso and Georges Braque, Cubism was the most innovative art movement of the early twentieth century. The Cubist method is to integrate multiple viewpoints of a subject within a geometrically divided picture plane. This painting was one of the highlights of a comprehensive Cubist exhibition, “Section d’Or” (“Golden Section”), held in Paris in 1912. The traditional harvest scene is transformed by the new Cubist approach. (Source: Gallery label, October 2016)

Provenance

Solomon R. Guggenheim (acquired from the artist in 1938); Solomon R. Guggenheim Museum, New York; Sold to a Parisian Gallery, 1988; Private Collections, Paris, 1989; Purchased by the NMWA, 2005.

Exhibition History

1912: La Section d'Or , Galerie de la Boétie, Paris, 10 October 1912 - 30 October 1912, no. 43
1926: Trente ans d'Art indépedant, Grand Palais, Paris, 20 February 1926 - 21 March 1926, cat. no. 1058
1947: Albert Gleizes, 50 ans de peintre, Chapelle du lycée Ampére, Lyon, 15 November 1947 - 14 December 1947, p. 19
1964: Albert Gleizes, 1881-1953: A Retrospective Exhibition, Solomon R. Guggenheim Museum, New York, 0 September 1964 - 0 October 1964, cat. no. 34
1964: Albert Gleizes, 1881-1953, Musée national d'art moderne, Paris, 15 December 1964 - 31 January 1965, no. 16
1965: Albert Gleizes, 1881-1953: Retrospektive, Museum am Ostwall, Dortmund, 13 March 1965 - 25 April 1965, no. 16
2001: Albert Gleizes: le cubisme en majesté, Museu Picasso, Barcelona, 28 March 2001 - 5 August 2001, Musée des Beaux-Arts, Lyon, 6 September - 10 December 2001, cat. no. 35
2022: In Dialogue with Nature - from Friedrich, Monet and Van Gogh to Richter, The National Museum of Western Art, Tokyo, 4 June 2022 - 11 September 2022, cat. no. 85

Bibliography

1912: Hourcade, Olivier. Courrier des Arts. Paris-Journal. Oct. 10-30, 1912, no. 43.
1938: Les Beaux-Arts. August, 1938, repr. p. 2.
1950: Gray, Cleve. Gleizes. Magazine of Art. vol. 43, no. 6, October, 1950, pp. 207-210, repr. p. 208.
1959: Golding, John. Cubism: A History and an Analysis 1907-1914. New York/London, 1959, repr. no. 74B.
1964: Kuh, Katharine. Albert Gleizes: Underrated Cubist. Saturday Review. 31 October, 1964, pp. 32-33.
1964: Robbins, Daniel. Gleizes as a Way of Life. Art News. No. 63, September, 1964, pp. 25-27ff, repr. p. 27.
1964: Robbins, Daniel. Albert Gleizes 1881-1953, A Retrospective Exhibition (exh. cat.). The Solomon R. Guggenheim Museum, New York, 1964, pp. 12-25, repr. in color, p. 47, no. 34.
1967: West, Richard V. Painters of Section d'Or: The Alternatives to Cubism (exh. cat.). Albright-Knox Art Gallery, Buffaro, 1967, repr. p. 58.
1968: Golding, John. Cubism: A History and an Analysis 1907-1914. 2nd ed., London, 1968, pp. 161, repr. no. 74B.
1970: Cooper, Douglas. The Cubist Epoch. New York, 1970, pp. 73-74, repr. col., plate 65.
1975: Robbins, Daniel. The Formation and Maturity of Albert Gleizes, 1881 through 1920. Dissertation, New York University, 1975
1976: Panorama du Cubisme. Paris, 1976, p. 30, repr. col.
1976: Rudenstine, Angelica Zander. The Guggenheim Museum Collection: paintings, 1880-1945. vol. 1, New York, 1976, pp. 140-142, repr. p. 141, no. 47.
1979: Yaegashi, Haruki. Sekai no Bijutsu. Cubism. Vol. 63, Tokyo, Jun. 1979, p. 70, rper. col. "Harvest Threshing (Le Dépiquage des moissons) ".
1980: Yaegashi, Haruki. Kindai no Bijutsu. Cubism. Vol.56, Tokyo, 1980, p. 53, repr. col. no. 56, "Harvest Threshing (Le Dépiquage des moissons) "
1982: Daix, Pierre. Journal du Cubisme. Geneve, 1982, p. 87, repr.
1982: Albert, Pierre. Albert Gleizes: Naissance et avenir du cubisme. Saint-Etienne, 1982, p. 88.
1985: Cottington, David. Cubism and the Politics of Culture in France 1905-1914. Dissertation, Courtauld Institute of Art, University of London, 1985
1988: Golding, John. Cubism: A History and an Analysis 1907-1914. 3rd ed., Cambridge, MA, 1988, pp. 170-171, repr. no. 83B.
1989: Gersh-Nesic, Beth S. The Early Criticism of André Salmon, A Study of His Thought on Cubism. Dissertation, City University of New York, 1989, repr. no. 4.
1993: Antliff, Mark. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton, 1993, repr. p.130.
1993: Franscina, Francis. "Realm and Ideology: An Introduction to Semiotics and Cubism". Primitivism, Cubism, Abstraction: The Early Twentieth Century. Harrison, Charles et al. New Haven/ London, 1993, p. 154, repr. no. 131.
1998: Cottington, David. Cubism in the Shadow of War: The Avant-garde and Politics in Paris, 1905-1914. New Haven/London, 1998, p. 120, repr. col. p. 118, no. 28.
1998: Massent, Michel. Albert Gleizes, 1881-1953. Paris, 1998 , p. 120, repr. p. 118.
1998: Varicho, Anne et al.. Albert Gleizes 1881-1953, atalogue Raisonné. Paris, 1998, p. 145, repr. col. no. 397.
2000: Green, Christopher. Art in France 1900-1940. New Haven/ London, 2000, pp. 198-199, repr. col. p. 198, no. 234.
2000: Hourcade, Olivier. Courrier des Arts (reprint). La Section d'or 1912, 1920, 1925 (exh. cat.). Musées de Châteauroux/Musés Fabre, Montpellier, Édition Cercle d'Art, 2000-2001, pp. 309-310.
2000: Briend, Christian. Albert Gleizes au Salon de la Section d'or de 1912. La Section d'or 1912, 1920, 1925 (exh. cat.). Paris, 2000, pp. 71-75.
2000: Cox, Neil. Cubism. London, 2000, p. 216, repr. col. no. 122.
2001: Antliff, Mark; Leighten, Patricia. Cubism and Culture. London/New York, 2001, pp. 126-167, repr. col. p. 124, no.102.
2001: Brooke, Peter. Albert Gleizes, For and Against theTwentieth Century. New Haven/London, 2001, pp. 35-39, repr. col. p. 35, no. 18.
2001: Briend, Christian; Brooke, Peter et al.. Albert Gleizes: Le cubisme en majesté (exh. cat.). Museu Picasso, Barcelona/Musée des Beaux-Arts, Lyon, 2001, pp. 48-49, repr. col. no. 35.
2002: Briend, Christian. Between Tradition and Modernity: The Cubist Work of Albert Gleizes. Albert Gleizes: Cubism in Magesty (exh. cat.). Centro Cultural de Belém, Lisbon, 2002-2003, pp. 53-75, repr. p. 60, no. 9.
2003: Cox, Neil. Cubism. Tokyo, 2003, pp. 215-216, repr. p. 216. (Japanese Translation.)
2004: Cottington, David. Cubism and its Histories. Manchester/ New York, 2004, pp. 94-95, repr. col. no. XI.
2006: Annual bulletin of the National Museum of Western Art. No. 39 (Apr. 2004-Mar. 2005), 2006, Tanaka, Masayuki. New Acquisitions. pp. 9-13, List of New Acquisitions. p. 38, repr.
2006: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2006 (Japanese, preface in Japanese and English), no. 116, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 116, col. repr.
2013: Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 119, col. repr.
2022: In Dialogue with Nature: from Friedrich, Monet and Van Gogh to Richter (exh. cat.). Jingaoka, Megumi; Shinfuji, Atsushi; Yomiuri Shimbun, Museum Exhibition Department, eds. Tokyo, The National Museum of Western Art, Tokyo; Yomiuri Shimbun; NHK; NHK Promotions, 2022, pp. 166, 261, cat. no. 85, col. repr.

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