更新日 2024.02.26 | 26 February 2024
展示中 常設展 | Permanent collection
展示中
Ary Scheffer
1795 - 1858
戦いの中、聖母の加護を願うギリシャの乙女たち Greek Women Plead for the Virgin's Help
| 制作年 | 1826年 |
|---|---|
| 材質・技法・形状 | 油彩、カンヴァス |
| 寸法（cm） | 65 x 55 |
| 署名・年記 | 左下に署名、年記: A. Scheffer/ 1826 |
| 分類 | 絵画 |
| 所蔵番号 | P.1998-0006 |
オランダに生まれ、フランスで活動したシェフェールは、ロマン主義を代表する画家の一人です。ドラクロワの名高い《キオス島の虐殺》（1824年）のように、この作品も、ロマン主義時代の芸術家たちの関心を惹き付けた、オスマン・トルコ帝国からのギリシャの独立戦争（1821-30年）を題材としています。民族衣装に身を包んだ乙女たちは戦火を逃れて洞窟に身を隠し、岩壁に掛けられたイコン（聖画像）に向かって祈りを捧げています。（出典: 展示室作品解説パネル）
来歴
Louis-Philippe d'Orléans (after 1826); Prince Antonie d'Orléans (Duc de Montpensier, catalogued in his collection in Seville, no. 352); Infanta Maria-Isabel (Comtesse de Paris, 1848-1919, on her marriage in 1864); Prince Ferdinand d'Orléans (Duc de Montpensier, 1884-1924); in 1924 to his widow Dona Maria Isabel de Olaneta y Ibarreta (Duchesse de Montpensier, 3rd. Marquesa de Valdeterrazo & Grandee of Spain 1893-1958); in 1958 to her second husband, Exc. mo. Jose Maria de Huarte y Jauregui (Marquez viudo de Valdeterazo, ?-1969); his heirs (1969-1995); Purchased by the NMWA, 1999.
展覧会歴
- 1827
- Salon de 1827, Paris, 1827年11月4日-0年0月0日, no. 943
文献歴
- 2000
- 国立西洋美術館年報. No. 33 (April 1998-March 1999), 2000, 高橋明也. 新収作品. pp. 21-24, 新収作品一覧. p. 44, col. repr.
- 2013
- 国立西洋美術館名作選. 東京, 西洋美術振興財団, 2013, no. 73, col. repr.
On Display
Greek Women Plead for the Virgin's Help
| Date | 1826 |
|---|---|
| Materials and Techniques | oil on canvas |
| Size（cm） | 65 x 55 |
| Inscriptions | Signed and dated in lower left: A. Scheffer/ 1826 |
| Credit Line | Purchased |
| Category | Paintings |
| Collection Number | P.1998-0006 |
A native of Holland, Ary Scheffer was a representative Romantic painter active in nineteenth-century France. The work takes its theme from the Greek War of Independence against the Ottoman Empire (1821-1830), a favorite subject of artists in the Romantic Period. Eugène Delacroix’s masterpiece The Massacre at Chios (1824) is another example. Greek maidens in native dress are shown hiding in a cave from the battle outside, praying to an icon fixed to the rock wall. (Source: Gallery label, October 2016)
Provenance
Louis-Philippe d'Orléans (after 1826); Prince Antonie d'Orléans (Duc de Montpensier, catalogued in his collection in Seville, no. 352); Infanta Maria-Isabel (Comtesse de Paris, 1848-1919, on her marriage in 1864); Prince Ferdinand d'Orléans (Duc de Montpensier, 1884-1924); in 1924 to his widow Dona Maria Isabel de Olaneta y Ibarreta (Duchesse de Montpensier, 3rd. Marquesa de Valdeterrazo & Grandee of Spain 1893-1958); in 1958 to her second husband, Exc. mo. Jose Maria de Huarte y Jauregui (Marquez viudo de Valdeterazo, ?-1969); his heirs (1969-1995); Purchased by the NMWA, 1999.
Exhibition History
- 1827
- Salon de 1827, Paris, 4 November 1827 - 0 0, no. 943
Bibliography
- 2000
- New Acquisitions. Annual bulletin of the National Museum of Western Art. no. 33 (Apr. 1998-Mar. 1999), 2000, Takahashi, Akiya. New Acquisitions. pp. 21-24, List of New Acquisitions. p. 44, col. repr.
- 2013
- Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 73, col. repr.