悲しみの聖母|カルロ・ドルチ |所蔵作品検索

更新日 2025.04.17 | 17 April 2025

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カルロ・ドルチ

フィレンツェ, 1616年 - フィレンツェ, 1687年

Carlo Dolci

Florence, 1616 - Florence, 1687

悲しみの聖母 Mater Dolorosa

制作年	1655年頃
材質・技法・形状	油彩、カンヴァス
寸法（cm）	82.5 x 67
署名・年記	カンヴァス裏面に書込み: REGINA MARTIRUM ORA PRO NOBIS
分類	絵画
所蔵番号	P.1998-0002

　この作品は1655年頃、カルロ・ドルチ39歳の作です。暗い背景に淡い光背に包まれて、深みのあるラピスラズリの青のマントを身にまとった聖母マリアの美しくも悲痛な表情は観者の心に深く訴えかけるものがあります。カルロ・ドルチの詳細な伝記を最初に残したフィリッポ・バルディヌッチ（1625-1695）によれば、彼は子供の頃から敬虔な信仰の持ち主で、生涯聖ベネディクトゥス信者会に属していたといいます。両手を合わせた聖母の構図はティツィアーノの聖母像に起源をもちますが、むしろティツアーノを原型として16-17世紀にスペインで人気を博した聖母像の形式をふまえたものと考えられます。長いこと聖母のモデルは1654年に結婚した妻テレーザ・ブケレッリと考えられてきましたが、テレーザを描いた自筆デッサンとの比較により、疑問も提示されています。（出典: 展示室作品解説パネル）

来歴

Possibly the like-sized oval Madonna from the Colonna Collection, Palazzo Colonna, Rome; sold in London by W. Young Ottley, 24 January 1801, lot 12; Carlo Dorci Madonna Dolorata Oval-2 ft. 8 ins. high by 2 ft. 2 ins. wide; Duke of Buckingham and Chandos until 1848; Lord Dudley and Ward 1848-1892; Christie's London, 8 December 1892, lot 60, bt by Mr. Dunthorne; Purchased by the NMWA, 1999.

展覧会歴

1993: Trafalgar Galleries: XII, London, 1993年11月23日-1993年12月10日, no. 12
2008: バチカンの名宝とキリシタン文化, 長崎歴史文化博物館, 2008年11月1日-2009年1月12日, cat. no. 224, col. repr.
2017: ［平成29年度国立美術館巡回展］国立西洋美術館所蔵　ミューズ(芸術の女神)：まなざしの先の女性たち, 福島県立美術館, 2017年4月22日-2017年7月2日, 秋田県立近代美術館, 7月15日-9月18日, cat. no. 12
2019: 日本の聖母マリア像展：東京国立博物館所蔵キリシタン関係遺品を中心に, 長崎歴史文化博物館, 2019年11月9日-2019年12月7日, cat. no. 20

文献歴

1848: Forster, Herny R. The Stowe Catalogue. London, 1848, lot 404.
1854: Waagen, G. Treasures of Art in Great Britain. vol. 2, London, 1854, p. 232.
1918: Graves, A. Art Sales. London, 1918, p. 230.
1988: The Provenance Index of the Getty Art History Information Program. Index of Paintings Sold in the British Isles. vol. 1, 1801-5, 1988, p. 237.
1995: Baldassari, F. Carlo Dorci. Turin, 1995, no. 99.
2000: 国立西洋美術館年報. No. 33 (April 1998-March 1999), 2000, 越川倫明. 新収作品. pp. 12-14, 新収作品一覧. p. 44, col. repr.
2006: 国立西洋美術館名作選. 東京, 国立西洋美術館; 東京, 西洋美術振興財団, 2006, no. 22, col. repr.
2008: バチカンの名宝とキリシタン文化 : ローマ・長崎信仰の証 : 列福式関連特別企画展. 長崎歴史文化博物館編. 長崎, 長崎歴史文化博物館, 2008, cat. no. 224, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 22, col. repr.
2013: 国立西洋美術館名作選. 東京, 西洋美術振興財団, 2013, no. 37, col. repr.
2017: 芸術の女神ミューズ：まなざしの先の女性たち：国立西洋美術館所蔵：平成29年度国立美術館巡回展 (exh. cat.). 中田明日佳責任編集. 東京, 国立西洋美術館, 2017, pp. 34, 138, cat. no. 12, col. repr.
2019: 日本の聖母マリア像展：東京国立博物館所蔵キリシタン関係遺品を中心に. 「長崎と天草地方の潜伏キリシタン関連遺産」企画展実行委員会 (長崎市, 長崎歴史文化博物館), 2019, cat. no. 20, col.repr.

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On Display

Permanent collection

Carlo Dolci

Florence, 1616 - Florence, 1687

Mater Dolorosa

Date	ca. 1655
Materials and Techniques	oil on canvas
Size（cm）	82.5 x 67
Inscriptions	Inscribed on the reverse: REGINA MARTIRUM ORA PRO NOBIS
Credit Line	Purchased
Category	Paintings
Collection Number	P.1998-0002

This elegant work was created around 1655 when Carlo Dolci was 39 years old. The dark background yields to a faint light surrounding a beautifully sad image of the Madonna, wrapped in a blue robe created in deep lapis lazuli pigment. These factors all conspire to deeply appeal to the viewer. According to F. Bardinucci, the first to write a detailed biography of Dolci, from an early age Dolci was deeply faithful and was a lifelong member of the Order of St. Benedict. In addition to his large-scale religious works, around 1650 he began to paint relatively small-scale works depicting various half-length portraits of saints. This work is an extremely fine example of this type. The model for this image of the Madonna with folded hands can be found in the Madonna images of Titian, and the source for Titian's images may be found in the images of the Madonna that were extremely popular in Spain during the 16th-17th centuries. Dolci's paintings of the Madonna in this style became quite popular; there is one known extant copy of this work and other images of the Madonna with slightly different compositions are known. For many years the model for this painting was thought to be the painter's wife Teresa Bucherelli, whom he married in 1654, but comparisons with known portrait drawings of his wife reveal some questions about this attribution of the sitter. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no. 22)

Provenance

Exhibition History

1993: Trafalgar Galleries: XII, London, 23 November 1993 - 10 December 1993, no. 12
2008: Masterpieces from the Vatican Museums and Christian Culture in Japan, Nagasaki Museum of History and Culture, 1 November 2008 - 12 January 2009, cat. no. 224, col. repr.
2017: [Traveling Exhibitions Presenting National Art Museum Collections, Fiscal 2017] Muse: Women before the Artists' Eyes: From the Collection of the National Museum of Western Art, Tokyo, Fukushima Prefectural Museum of Art, 22 April 2017 - 2 July 2017, Akita Museum of Modern Art, 15 July-18 September, cat. no. 12
2019: Virgin Mary of Japan: Mainly of Tokyo National Museum's Collection Relating to the Early Christian Faith in Japan, Nagasaki Museum of History and Culture, 9 November 2019 - 7 December 2019, cat. no. 20

Bibliography

1848: Forster, Herny R. The Stowe Catalogue. London, 1848, lot 404.
1854: Waagen, G. Treasures of Art in Great Britain. vol. 2, London, 1854, p. 232.
1918: Graves, A. Art Sales. London, 1918, p. 230.
1988: The Provenance Index of the Getty Art History Information Program. Index of Paintings Sold in the British Isles. vol. 1, 1801-5, 1988, p. 237.
1995: Baldassari, F. Carlo Dorci. Turin, 1995, no. 99.
2000: Annual Bulletin of the National Museum of Western Art. No. 33 (April 1998-March 1999), 2000, Koshikawa, Michiaki. New Acquisitions. pp. 12-14, List of New Acquisitions. p. 44, col. repr.pp. 12-14, repr.
2006: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2006 (Japanese, preface in Japanese and English), no. 22, col. repr.
2008: Masterpieces from the Vatican Museums and Christian Culture in Japan. Nagasaki Museum of History and Culture, ed. Nagasaki, Nagasaki Museum of History and Culture, 2008, cat. no. 224, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 22, col. repr.
2013: Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 37, col. repr.
2017: Muse: Women before the Artists' Eyes: from the Collection of the National Museum of Western Art, Tokyo: Traveling Exhibitions Presenting National Art Museum Collections, Fiscal 2017 (exh. cat.). Nakada, Asuka, ed. Tokyo, The National Museum of Western Art, Tokyo, 2017, pp. 34, 138, cat. no. 12, col. repr.
2019: Virgin Mary of Japan: Mainly of Tokyo National Museum’s Collection Relating to the Early Christian Faith in Japan(exh. cat.). Hidden Christian Sites in the Nagasaki Region Special Exhibition Executive Committee (Nagasaki, Nagasaki Museum of History and Culture), 2019, cat. no. 20, col.repr.

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