花と果物、ワイン容れのある静物|アンリ・ファンタン=ラトゥール |所蔵作品検索

更新日 2024.05.30 | 30 May 2024

展示中常設展 | Permanent collection

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常設展

アンリ・ファンタン=ラトゥール

グルノーブル, 1836年 - ビュレ, 1904年

Henri Fantin-Latour

Grenoble, 1836 - Buré, 1904

花と果物、ワイン容れのある静物 Still Life with a Carafe, Flowers and Fruit

制作年	1865年
材質・技法・形状	油彩、カンヴァス
寸法（cm）	59.1 x 51.5
署名・年記	左上部に署名、年記: H.Fantin. 1865
Standard ref.	Fantin-Latour 280bis
分類	絵画
所蔵番号	P.1997-0001

　ファンタン=ラトゥールが好んで描いたのは肖像画、静物画、寓意的構想画という三つのジャンルでした。なかでも静物画は、この画家独特の感性豊かな表現がもっとも直截に現れた分野です。正方形に近いプロポーションをもつこの画面に表されているのは、美しい花々や美味しそうな果物、そしてガラスのカラフ（ワイン容れ）に注がれた赤ワインなど、五感を刺激するような品々を並べた食卓の様子です。しかしこうした伝統的な構成に対して、真っ白なテーブルクロスの上に浮き出たそれらのモティーフは、いずれも爽やかな近代的感覚で捉えられています。流れる時間の一瞬を切り取ったかのような鮮やかで瑞々しい美しさは、伝統的な静物画の世界にこの画家がもたらした、新しい境地と言えるでしょう。（出典: 展示室作品解説パネル）

来歴

Madam Esnaut-Pelterie.

展覧会歴

2017: Edouard Manet, Von der Heydt-Museum, Wuppertal, 2017年10月24日-2018年2月25日, [n. n.]
2023: ゴッホと静物画：伝統から革新へ, SOMPO美術館, 2023年10月17日-2024年1月21日, cat. no. 18, col. repr.

文献歴

1911: Fantin-Latour, Madame. Catalogue de l'oeuvre complet de Fantin-Latour. Paris, 1911 (rep. ed. Amsterdam/ New York, 1969), cat. no. 280bis.
1995: Roux, P. de. Fantin-Latour, Figures et Fleurs. Paris, 1995, p. 18.
1996: Lévêque, J. J. Henri Fantin-Latour, un peintre intimiste, 1836-1904. Paris, 1996, p. 11.
1998: 高橋明也. ファンタン=ラトゥールと静物画の革新. Fantin-Latour : ファンタン=ラトゥール展カタログ. 宇都宮美術館編. 宇都宮美術館, 宇都宮, 1998年9月23日 - 11月8日. 宇都宮, 宇都宮美術館, 1998, pp. 67-74 (in Japanese), 76-81 (in English), repr.
1999: 国立西洋美術館年報. No. 32 (April 1997-March 1998), 1999, 高橋明也. 新収作品. pp. 8-9, 新収作品一覧. p. 19, col. repr.
2006: 国立西洋美術館名作選. 東京, 国立西洋美術館; 東京, 西洋美術振興財団, 2006, no. 66, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 66, col. repr.
2013: 国立西洋美術館名作選. 東京, 西洋美術振興財団, 2013, no. 83, col. repr.
2013: フランス印象派の陶磁器1866–1886：ジャポニスムの成熟(exh. cat.). アートインプレッション, c2013, cat. no. P1, col. repr.
2017: Edouard Manet (exh. cat.). Finckh, Gerhard. Wuppertal, Von der Heydt-Museum, 2017, p. 196, col. repr.
2021: 山形で考える西洋美術|高岡で考える西洋美術—「ここ」と「遠く」が触れるとき (exh. cat.). 新藤淳責任編集. 東京, 国立西洋美術館, 2021, pp. 137, 183, cat. no. Y3_21 | T3_45, col. repr.
2023: ゴッホと静物画：伝統から革新へ (exh. cat.). 千足伸行; 小林晶子責任編集. [東京], SOMPO美術財団; SOMPO美術館, 2023, pp. 66, 69, 181, cat. no. 18, col. repr.

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On Display

Permanent collection

Henri Fantin-Latour

Grenoble, 1836 - Buré, 1904

Still Life with a Carafe, Flowers and Fruit

Date	1865
Materials and Techniques	oil on canvas
Size（cm）	59.1 x 51.5
Inscriptions	Signed and dated upper left: H.Fantin. 1865
Credit Line	Purchased
Standard ref.	Fantin-Latour 280bis
Category	Paintings
Collection Number	P.1997-0001

Fantin-Latour's oeuvre can be largely divided into three genres, namely, portraits, still-lifes and allegorical compositions. Still-lifes are a genre that Fantin-Latour was particularly enthusiastic about throughout his life. The motifs in this painting are early summer fruit and flowers, making it a typical example of Fantin-Latour's still-lifes. The painting was created relatively early in his career and is noteworthy for the extremely high quality. The almost square canvas is one of the larger still-lifes created by the artist. The composition, made up of various objects placed on a tablecloth-draped table, reflects the traditional methods of the 17th and 18th centuries. Similarly the motifs chosen -- a wine-filled carafe, flowers in a vase, and fruit -- are all standard motifs in such works. The simple contrast between the dark brown background and the pure white tablecloth and the stylish choice of placing a white china dish and white flowers on top of a white tablecloth are characteristic of Fantin-Latour's style. Moreover, the striking contrast between the hard textures of the glass carafe, vase, and plate and the tactile textures of flowers and fruit is extremely modern. In the 1860s Fantin-Latour's friends, Manet, Monet, Renoir and many others began to create still-life paintings, and there is a considerable connection between Manet's still-lifes and Fantin-Latour's in terms of motifs and compositions. The freshness of feeling and the sense that the scene highlights a single moment of time are elements common to both Fantin-Latour's and Manet's still-lifes. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no.66)

Provenance

Madam Esnaut-Pelterie.

Exhibition History

2017: Edouard Manet, Von der Heydt-Museum, Wuppertal, 24 October 2017 - 25 February 2018, [n. n.]
2023: Van Gogh and Still Life: From Traditional to Innovation, Sompo Museum of Art, 17 October 2023 - 21 January 2024, cat. no. 18, col. repr.

Bibliography

1911: Fantin-Latour, Madame. Catalogue de l'oeuvre complet de Fantin-Latour. Paris, 1911 (rep. ed. Amsterdam/ New York, 1969), cat. no. 280bis.
1995: Roux, P. de. Fantin-Latour, Figures et Fleurs. Paris, 1995, p. 18.
1996: Lévêque, J. J. Henri Fantin-Latour, un peintre intimiste, 1836-1904. Paris, 1996, p. 11.
1998: Takahashi, Akiya. Henri Fantin-Latour and the Revolution in Still-life Painting. Fantin- Latour (exh. cat.). Utsunomiya Museum of Art, ed. Utsunomiya Museum of Art, Utsunomiya, 23 September – 8 November 1998. Utsunomiya, Utsunomiya Museum of Art, 1998, pp. 67-74 (in Japanese), 76-81 (in English), repr.
1999: Annual Bulletin of the National Museum of Western Art. No. 32 (April 1997-March 1998), 1999, Takahashi, Akiya. New Acquisitions. pp. 8-9, List of New Acquisitions. p. 19, col. repr.
2006: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2006 (Japanese, preface in Japanese and English), no. 66, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 66, col. repr.
2013: Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 83, col. repr.
2013: French Ceramics at the Time of Impressionism 1866–1886: Maturity of Japonisme(exh. cat.). Art Impression Inc., c2013, cat. no. P1, col. repr.
2017: Edouard Manet (exh. cat.). Finckh, Gerhard. Wuppertal, Von der Heydt-Museum, 2017, p. 196, col. repr.
2021: When Here and Afar Meet: Western Art in Yamagata/Western Art in Takaoka (exh. cat.). Shinfuji, Atsushi, ed. Tokyo, The National Museum of Western Art, Tokyo, 2021, pp. 137, 183, cat. no. Y3_21 | T3_45, col. repr.
2023: Van Gogh and Still Life: From Traditional to Innovation (exh. cat.). Senzoku, Nobuyuki; Kobayashi, Shoko, eds. [Tokyo], Sompo Art Foundation; Sompo Museum of Art, 2023, pp. 66, 69, 181, cat. no. 18, col. repr.

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