更新日 2024.02.26 | 26 February 2024
展示中 常設展 | Permanent collection
展示中
Giovanni Domenico Tiepolo
Venice, 1727 - Venice, 1804
聖母子と三聖人 Madonna and Child with Three Saints
| 制作年 | 1759-62年頃 |
|---|---|
| 材質・技法・形状 | 油彩、カンヴァス |
| 寸法（cm） | 135 x 77.8 |
| 分類 | 絵画 |
| 所蔵番号 | P.1987-0004 |
ジョヴァンニ・ドメニコ・ティエポロ、通称ジャンドメニコ・ティエポロは、18世紀ヴェネツィア派の巨匠ジャンバッティスタ・ティエポロの息子です。彼は父の忠実な助手として仕事をする一方、父の死後は当時の風俗を中心とした作品を描くようになりました。この《聖母子と諸聖人たち》は1759-1762年頃の作品と考えられます。ヴュルツブルクでの仕事を終え1753年に父と共にイタリアに戻ったジャンドメニコは父に酷似する作風を見せるようになりますが、この作品にも見られるように、茶色の輪郭線が強く現れる特徴があります。ここに描かれている聖ガエターノ、跪くパオラの聖フランチェスコ、そして天使の翼をもった聖ビセンテ・フェレールは、いずれも質素な生活と個人の強い内面の信仰をうたって新たに修道会を創設した聖人たちです。静かな心の祈りを見守る聖母子と聖人たちの表情には凛とした気迫が漂っています。（出典: 展示室作品解説パネル）
来歴
Purchased in Venice by Prince Pierre d'Arenberg; Presented by him to Comtesse Greffulhe, born de la Rochefoucauld; By bequest to her son-in-law, Prince Auguste d'Arenberg, by 1911 (according to an inscription dated Aug. 24, 1911, formerly attached on the back of the canvas); Prince d'Arenberg, Paris; Wildenstein & Co.; Purchased by the NMWA, 1988.
展覧会歴
- 1971
- Venise au dix-huitième siècle: peintures, dessins et gravures des collections françaises, Orangerie des Tuileries, Paris, 1971年0月0日-1971年0月0日, cat. no. 292, repr.
- 1996
- 東京国立近代美術館・国立西洋美術館所蔵作品による 交差するまなざし: ヨーロッパと近代日本の美術, 東京国立近代美術館, 1996年7月20日-1996年9月8日, cat. no. 77
文献歴
- 1971
- Pallucchini, Rodolfo. Il settecento veneziano all'Orangerie. Arte Veneta. vol. 25, 1971, p. 329.
- 1989
- 国立西洋美術館名作選. 東京, 国立西洋美術館, 1989, no. 36, repr.
- 1990
- 国立西洋美術館新収蔵絵画目録: 昭和54年-平成元年. 東京, 国立西洋美術館, 1990, pp.73-74, repr.
- 1990
- 越川倫明. 新収蔵のドメニコ・ティエポロ作《聖母子と三聖人》について：制作年代の問題を中心に. 国立西洋美術館年報. Nos. 21-22 (1987-88), 1990, pp. 203-216, 新収作品目録. pp. 34, 36-37, repr.
- 2006
- 国立西洋美術館名作選. 東京, 国立西洋美術館; 東京, 西洋美術振興財団, 2006, no. 49, col. repr.
- 2009
- Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 49, col. repr.
- 2013
- 国立西洋美術館名作選. 東京, 西洋美術振興財団, 2013, no. 61, col. repr.
On Display
Madonna and Child with Three Saints
| Date | c. 1759-62 |
|---|---|
| Materials and Techniques | oil on canvas |
| Size（cm） | 135 x 77.8 |
| Credit Line | Purchased |
| Category | Paintings |
| Collection Number | P.1987-0004 |
This work depicting the Madonna and Child accompanied by three saints is a typical altarpiece by Domenico Tiepolo based on a composition of his father, Giovanni Battista Tiepolo. The work was definitively attributed to Domenico in 1971 by A. Morassi. The saint kneeling in the front in black robes is St. Francis of Paola, Vicente Ferrer stands on his right and it is suggested that St. Gaetano of Tiene (?) stands behind the Madonna and Child. Backed by classical architectural motifs and surrounded by saints and supporting figures, the Madonna and Child look down from a high throne. This traditional composition began in the 16th century with Titian and was continued by such Venetian painters as Veronese and Tiepolo. The individual motifs drawn from several of Battista's works, including the work that Domenico made into a print, The Madonna and Child with Two Saints (Upton House, Banbury), are skillfully arranged in a stable composition. While this work lacks the strong spatial sense found in the architectural motifs in similar works by Battista, the color scheme and the sculptural quality of the objects and their sense of depth reflect Domenico's steady hand. The brushwork is not facile, rather the quick broad strokes convey only the general sense of the clothing. It is not clear when or for whom this work was created, but information gleaned from the work's provenance, the selection of saints, and related works by Domenico's father indicate that this work was probably created for a Venetian or Veneto area patron during the period of 1753-62 after Domenico returned from Würzburg and before he departed for Madrid. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no.49)
Provenance
Purchased in Venice by Prince Pierre d'Arenberg; Presented by him to Comtesse Greffulhe, born de la Rochefoucauld; By bequest to her son-in-law, Prince Auguste d'Arenberg, by 1911 (according to an inscription dated Aug. 24, 1911, formerly attached on the back of the canvas); Prince d'Arenberg, Paris; Wildenstein & Co.; Purchased by the NMWA, 1988.
Exhibition History
- 1971
- Venise au dix-huitième siècle: peintures, dessins et gravures des collections françaises, Orangerie des Tuileries, Paris, 0 1971 - 0 1971, cat. no. 292, repr.
- 1996
- The Crossing Visions: European and Modern Japanese Art from the Collections of The National Museum of Western Art & The National Museum of Modern Art, Tokyo, National Museum of Modern Art, Tokyo, 20 July 1996 - 8 September 1996, cat. no. 77
Bibliography
- 1971
- Pallucchini, Rodolfo. Il settecento veneziano all'Orangerie. Arte Veneta. vol. 25, 1971, p. 329.
- 1989
- Masterpieces of the National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art, 1989 (Japanese, preface in Japanese and English), no. 36, repr.
- 1990
- Catalogue of painting acquisitions: 1979-1989. Tokyo, The National Museum of Western Art, 1990, pp.73-74, repr.
- 1990
- Koshikawa, Michiaki. The Dating of the Newly Acquired Madonna and Child with Three Saints by Giovanni Domenico Tiepolo. Annual bulletin of the National Museum of Western Art. Nos. 21-22 (1987-88), 1990, pp. 203-216, Catalogue of the New Acquisitions 1986-87. pp. 34, 36-37, repr.
- 2006
- Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2006 (Japanese, preface in Japanese and English), no. 49, col. repr.
- 2009
- Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 49, col. repr.
- 2013
- Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 61, col. repr.