グイド・カヴァルカンティの亡霊に出会うテオドーレ|ヨハン・ハインリヒ・フュースリ |所蔵作品検索

更新日 2023.03.07 | 07 March 2023

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ヨハン・ハインリヒ・フュースリ

チューリヒ, 1741年 - ロンドン, 1825年

Johann Heinrich Füssli

Zürich, 1741 - London, 1825

グイド・カヴァルカンティの亡霊に出会うテオドーレ Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti

制作年	1783年頃
材質・技法・形状	油彩、カンヴァス
寸法（cm）	276 x 317
Standard ref.	Schiff 755
分類	絵画
所蔵番号	P.1983-0001

　フュースリはイギリスで活躍したスイス人画家で、本作は彼の重要な初期作品です。主題は、17世紀イギリス人の詩人ジョン・ドライデンがボッカチオの『デカメロン』中の一話を翻案した詩、「テオドーレとホノーリア」に基づいています。画面左下の人物が身分違いのホノーリアに失恋した青年テオドーレです。彼はここで、以前同じ女性に冷たくあしらわれ自殺したグイド・カヴァルカンティの亡霊が、馬に乗り剣をかかげ、裸のホノーリアに犬をけしかけて復讐する場面に出くわしています。こうした奇怪な物語に対する興味や、そのおどろおどろしく劇的な表現は、フュースリのロマン主義的な感性を如実に表したものと言えるでしょう。（出典: 展示室作品解説パネル）

来歴

Lord Orford, Houghton Hall; The Marquess of Cholmondeley, Houghton Hall; Purchased by the NMWA, 1983.

展覧会歴

1969: Johann Heinrich Füssli (1741-1825), Paintings and Drawings, Kunsthaus, Zürich, 1969年0月0日-1969年0月0日, cat. no. 24
1974: Johann Heinrich Füsseli, 1741-1825, Kunst um 1800, Kunsthalle, Hamburg, 1974年0月0日-1975年0月0日, cat. no. 71a
1983: ハインリヒ・フュースリ展, 国立西洋美術館, 1983年11月12日-1983年12月18日, cat. no. 69, repr.

文献歴

1857: Cunningham, Allan. "Introduction, Historical and Critical". Pilkington, M. A General Dictionary of Painters. London, 1857, p. xc.
1860: Thornbury, G. Walter. Fuseli at Somerset House. The Art Journal. New Series VI, 1860, p. 135.
1951: Mason, Eudo C. The Mind of Henry Fuseli, Selections from His Writings with an Introductory Study. London, 1951, p. 36.
1959: Schiff, Gert. Zeichnungen von Johann Heinrich Füssli. Schweizerisches Institut für Kunstwissenschaft, Zürich, 1959, no. 50.
1962: Mason, Eudo C., ed. J. H. Füssli: Remarks on the Writing and Conduct of J. J. Rousseau - Bemerkungen über J. J. Rousseaus Schriften und Verhalten. Zürich, 1962, pp. 48-50.
1973: Schiff, Gert. Johan Heinrich Füssli. 2 vols, Zürich/München, 1973, vol. 1, pp. 495-496, no. 755, pp. 120, 141, 376, vol. 2, pp. 194-195, pl. 755.
1977: Schiff, Gert.; Viotto, Paola. L'opera completa di Füssli. Milano, 1977, no. 84, repr.
1980: Schiff, Gert.; Viotto, Paola. Tout l'œuvre peint de Füssli. Paris, 1980, no. 84, repr.
1981: Le Bris, Michel. Journal du Romantisme. Genève, 1981, p. 37, repr.
1982: Weinglass, David H., ed. The Collected English Letters of Henry Fuseli. Millwood/London/Nendeln, 1982, p. 21.
1983: 有川治男. 《グイド・カヴァルカンディの亡霊に出会うテオドーレ》についての諸考察: 恐怖と激情の構成. ハインリヒ・フュースリ展. 国立西洋美術館, 東京, 1983, pp. 37-47.
1984: Gazette des Beaux-Arts. ser. 6, tome 103, March 1984, "Chronique des Arts", p. 47, no. 292, repr.
1986: 国立西洋美術館年報. No. 18（1983）, 1986, 新収作品目録. pp. 2, 12-13, col. repr.
1986: 有川治男. 《グイド・カヴァルカンディの亡霊に出会うテオドーレ》についての諸考察: 恐怖と激情の構成（英文）. 国立西洋美術館年報. No. 18 (1983), pp. 21-47.
1989: 国立西洋美術館名作選. 東京, 国立西洋美術館, 1989, no. 46, repr.
1990: 国立西洋美術館新収蔵絵画目録: 昭和54年-平成元年. 東京, 国立西洋美術館, 1990, pp. 37-39, repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 57, col. repr.
2013: 国立西洋美術館名作選. 東京, 西洋美術振興財団, 2013, no. 72, col. repr.

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On Display

Permanent collection

Johann Heinrich Füssli

Zürich, 1741 - London, 1825

Theodore Meets in the Wood the Spectre of His Ancestor Guido Cavalcanti

Date	c. 1783
Materials and Techniques	oil on canvas
Size（cm）	276 x 317
Credit Line	Purchased
Standard ref.	Schiff 755
Category	Paintings
Collection Number	P.1983-0001

Painted two years after the famous The Nightmare, this work can be considered one of the greatest of his early works. Füssli frequently quoted from the works of such British authors as Shakespeare, and this work draws its inspiration from Dryden's poem Theodore and Honoria, an adaptation of the "Story of Nastagio degli Onesti" from Boccacio's Decameron. The scene from Theodore and Honoria, shown here, recounts the story of Theodore, a young man from Ravenna, who, spurned by a cool reception from his beloved Honoria, sets out to walk through the forests on the edge of Ravenna. There he meets the specter of the suicide Guido Cavalcanti, who had also been coolly received by his lover. Guido sets ferocious dogs to attack his naked, fleeing lover. Here Füssli turns to the story by Boccacio that was the basis for Dryden's poem, creating a particularly striking image through Dryden's heightened drama and the use of solid figural types that were based on his study of antique sculpture. This work was created under a commission from the third Earl of Orford, George Walpole, for the decoration of his Norfolk estate, Horton Hall. It descended through the generations of the family, and was kept at Horton Hall until recent years. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no.57)

Provenance

Lord Orford, Houghton Hall; The Marquess of Cholmondeley, Houghton Hall; Purchased by the NMWA, 1983.

Exhibition History

1969: Johann Heinrich Füssli (1741-1825), Paintings and Drawings, Kunsthaus, Zürich, 0 1969 - 0 1969, cat. no. 24
1974: Johann Heinrich Füsseli, 1741-1825, Kunst um 1800, Kunsthalle, Hamburg, 0 1974 - 0 1975, cat. no. 71a
1983: Henry Fuseli, National Museum of Western Art, Tokyo, 12 November 1983 - 18 December 1983, cat. no. 69, repr.

Bibliography

1857: Cunningham, Allan. "Introduction, Historical and Critical". Pilkington, M. A General Dictionary of Painters. London, 1857, p. xc.
1860: Thornbury, G. Walter. Fuseli at Somerset House. The Art Journal. New Series VI, 1860, p. 135.
1951: Mason, Eudo C. The Mind of Henry Fuseli, Selections from His Writings with an Introductory Study. London, 1951, p. 36.
1959: Schiff, Gert. Zeichnungen von Johann Heinrich Füssli. Schweizerisches Institut für Kunstwissenschaft, Zürich, 1959, no. 50.
1962: Mason, Eudo C., ed. J. H. Füssli: Remarks on the Writing and Conduct of J. J. Rousseau - Bemerkungen über J. J. Rousseaus Schriften und Verhalten. Zürich, 1962, pp. 48-50.
1973: Schiff, Gert. Johan Heinrich Füssli. 2 vols, Zürich/München, 1973, vol. 1, pp. 495-496, no. 755, pp. 120, 141, 376, vol. 2, pp. 194-195, pl. 755.
1977: Schiff, Gert.; Viotto, Paola. L'opera completa di Füssli. Milano, 1977, no. 84, repr.
1980: Schiff, Gert.; Viotto, Paola. Tout l'œuvre peint de Füssli. Paris, 1980, no. 84, repr.
1981: Le Bris, Michel. Journal du Romantisme. Genève, 1981, p. 37, repr.
1982: Weinglass, David H., ed. The Collected English Letters of Henry Fuseli. Millwood/London/Nendeln, 1982, p. 21.
1983: Arikawa, Haruo. Theodore Meets the Spectre of Guido Cavalcanti by Henry Fuseli: Composition of Terror and Passion (Japanese). Henry Fuseli (exh. cat.). National Museum of Western Art, Tokyo, 1983, pp. 37-47.
1984: Gazette des Beaux-Arts. ser. 6, tome 103, March 1984, "Chronique des Arts", p. 47, no. 292, repr.
1986: Annual bulletin of the National Museum of Western Art. No. 18 (1983), 1986, Catalogue of the New Acquisitions 1983, pp. 2, 12-13, col. repr.
1986: Arikawa, Haruo. Theodore Meets the Spectre of Guido Cavalcanti by Henry Fuseli: Composition of Terror and Passion (English transl.). Annual bulletin of the National Museum of Western Art. No. 18, (1983), 1986, pp. 21-47.
1989: Masterpieces of the National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art, 1989 (Japanese, preface in Japanese and English), no. 46, repr.
1990: Catalogue of painting acquisitions: 1979-1989. Tokyo, The National Museum of Western Art, 1990, pp. 37-39, repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 57, col. repr.
2013: Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 72, col. repr.

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