豊穣|ペーテル・パウル・ルーベンス |所蔵作品検索

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ペーテル・パウル・ルーベンス

ジーゲン, 1577年 - アントウェルペン, 1640年

Peter Paul Rubens

Siegen, 1577 - Antwerp, 1640

豊穣 Abundance (Abundantia)

制作年	1630年頃
材質・技法・形状	油彩、板
寸法（cm）	63.7 x 45.8
所蔵経緯	文化庁より管理換え
Standard ref.	Jaffé 986
分類	絵画
所蔵番号	P.1978-0004

《眠る二人の子供》同様、この《豊穣》の寓意画も習作であるが、前者がルーベンス35-36歳頃の作品と考えられるのに対して、後者はおそらく50代初めの制作であろう。本作品は、タピスリーのための下絵と思われ、同じルーベンスの手になる《正義》（個人蔵）と対をなす。画面中央の若い女性は「豊穣」を表わし、彼女の膝には「豊穣の角(コルヌコピア)」が置かれている。角からこぼれ落ちる果実は、人間に対する自然の恵みを象徴する。それを拾い集めているのは二人のプットーである。女性の足下の財布は、自然の豊かさに対する世俗的物質的な富を象徴しているのであろうか。ルーベンス自身の手になる油彩下絵の佳品である。（出典: 国立西洋美術館名作選. 東京, 国立西洋美術館, 2006. cat. no. 27）

来歴

Charles-Henry, Count of Heym; Duc de Beauvais sale, Paris, 1739(32); James Harris (this information is based on an inventory of the collection of James Harris, entitled: "My pictures, An Account of my Pictures, 1739"... : "bought at Cock's in Covent Garden at the sale of one Beauvais 1739... Two pictures, one of Plenty, the other of Justice... of Rubens..."; On the margin of the MS inventory, Newnham House, Basingstoke, in their possession since the 18th century; E. Victor Thaw, New York; Artemis, S.A., Brussels; David Carritt, London; Agency for Cultural Affairs, Japan, 1978, from which transferred to the NMWA, 1978.

展覧会歴

1957: European pictures from an English Country, Agnew's, London, 1957年6月28日-1957年7月27日, cat. no. 14
1960: King's Lynn, London, 1960年0月0日-1960年0月0日, cat. no. 21
1961: Oil sketches and smaller pictures by Peter Paul Rubens, Agnew's, London, 1961年2月20日-1961年3月11日, cat. no. 35
1977: P.P. Rubens: Gemälde - Ölskizzen - Zeichnungen, Königliches Museum der Schönen Künste, Antwerpen, 1977年6月29日-1977年9月30日, cat. no. 83, repr.
2018: ルーベンス展：バロックの誕生, 国立西洋美術館, 2018年10月16日-2019年1月20日, cat. no. 63

文献歴

1644: Ripa, Cesare. Iconologia, of uytbeeldingen des verstands. Amsterdam, 1644, p. 433.
1957: Nicolson, Benedict. Pictures from Hampshire houses. The Burlington Magazine. vol. 99, no. 653, August 1957, p. 274, fig. 35.
1965: Jaffé, Michael. Unpublished drawings by Rubens in French museums. Gazette des Beaux-Arts. ser. 6, tome 66, septembre 1965, p. 177, fig. 4.
1975: Haverkamp Begemann, Egbert. Corpus Rubenianum Ludwig Burchard. part X ("The Achilles series"), Brussel, 1975, p. 46.
1979: 国立西洋美術館総目録: 絵画篇. 東京, 国立西洋美術館, 1979, no. 251, repr.
1979: Gazette des Beaux-Arts. ser. 6, tome 93, Apr. 1979, "Chronique des Arts", p. 67, no. 338, repr.
1980: Held, Julius S. The Oil Sketches of Peter Paul Rubens: A Critical Catalogue. Princeton, N.J., Princeton University Press, 1980, vol. 1, pp. 367-368, no. 274, vol. 2, col. pl. 15, pl. 268.
1980: 国立西洋美術館年報. No. 13 (1978), 1980, 越宏一. [作品解説]. pp. 14-15, 新収作品目録. pp. 36-37, repr.
1989: Kobayashi-Sato, Yoriko. Catalogue of Dutch and Flemish Paintings in Japan I. ブリヂストン美術館・石橋美術館館報. no. 37 (1988), 1989, p. 53, no. 33, repr.
1989: Jaffé, Michael. Rubens: catalogo completo. Mulazzani, Germano, trans. Milano, Rizzoli, 1989, pp. 317, no. 986, repr.
2006: 国立西洋美術館名作選. 東京, 国立西洋美術館; 東京, 西洋美術振興財団, 2006, no. 27, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 27, col. repr.
2013: 国立西洋美術館名作選. 東京, 西洋美術振興財団, 2013, no. 39, col. repr.
2018: 幸福輝. 国立西洋美術館オランダ絵画・フランドル絵画カタログ. [東京], 国立西洋美術館; 西洋美術振興財団, 2018, pp. 78-81, no. 20, col. repr.
2018: ルーベンス展：バロックの誕生 (exh. cat.). アンナ・ロ・ビアンコ; 渡辺晋輔責任編集. 東京, TBSテレビ, 2018, pp. 180-181, 291, cat. no. 63, col. repr.

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Currently not on display

Peter Paul Rubens

Siegen, 1577 - Antwerp, 1640

Abundance (Abundantia)

Date	c. 1630
Materials and Techniques	oil on panel
Size（cm）	63.7 x 45.8
Credit Line	Transferred from the Agency for Cultural Affairs
Standard ref.	Jaffé 986
Category	Paintings
Collection Number	P.1978-0004

Like the study work Two Sleeping Children, this painting is a study created for an allegory of Abundance image. While the former was painted when Rubens was about 35 or 36 years old, this painting dates from his early 50s. This study is thought to have been a preparatory work for a tapestry, and originally formed a pair with Justice (private collection), also by Rubens's hand. The young woman in the center of the composition represents Abundance, and the cornucopia, symbol of abundance, is placed on her lap. The fruits that spill forth from the cornucopia symbolize the goodness of nature for mankind. Two putti are shown gathering the fruit that spills forth. The purse under the woman's foot represents material treasures in contrast with the natural treasures of the cornucopia. This is a superb preparatory work in oils by Rubens's own hand. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no. 27)

Provenance

Exhibition History

1957: European pictures from an English Country, Agnew's, London, 28 June 1957 - 27 July 1957, cat. no. 14
1960: King's Lynn, London, 0 1960 - 0 1960, cat. no. 21
1961: Oil sketches and smaller pictures by Peter Paul Rubens, Agnew's, London, 20 February 1961 - 11 March 1961, cat. no. 35
1977: P.P. Rubens: Gemälde - Ölskizzen - Zeichnungen, Königliches Museum der Schönen Künste, Antwerpen, 29 June 1977 - 30 September 1977, cat. no. 83, repr.
2018: Rubens and the Birth of the Baroque, The National Museum of Western Art, Tokyo, 16 October 2018 - 20 January 2019, cat. no. 63

Bibliography

1644: Ripa, Cesare. Iconologia, of uytbeeldingen des verstands. Amsterdam, 1644, p. 433.
1957: Nicolson, Benedict. Pictures from Hampshire houses. The Burlington Magazine. vol. 99, no. 653, August 1957, p. 274, fig. 35.
1965: Jaffé, Michael. Unpublished drawings by Rubens in French museums. Gazette des Beaux-Arts. ser.6, tome 66, septembre 1965, p. 177, fig. 4.
1975: Haverkamp Begemann, Egbert. Corpus Rubenianum Ludwig Burchard. part X ("The Achilles series"), Brussel, 1975, p. 46.
1979: The National Museum of Western Art, Tokyo: Catalogue of paintings. Tokyo, The National Museum of Western Art, 1979, no. 251, repr.
1979: Gazette des Beaux-Arts. ser. 6, tome 93, Apr. 1979, "Chronique des Arts", p. 67, no. 338, repr.
1980: Held, Julius S. The Oil Sketches of Peter Paul Rubens: A Critical Catalogue. Princeton, N.J., Princeton University Press, 1980, vol. 1, pp. 367-368, no. 274, vol. 2, col. pl. 15, pl. 268.
1980: Koshi, Koichi. Annual Bulletin of the National Museum of Western Art. No. 13 (1978), 1980, New Acquisitions (Painting). pp. 14-15, New Acquisitions (Catalogue). pp. 36-37, repr.
1989: Kobayashi-Sato, Yoriko. Catalogue of Dutch and Flemish Paintings in Japan I. Annual Report Bridgestone Museum of Art & Ishibashi Museum of Art. no. 37 (1988), 1989, p. 53, no. 33, repr.
1989: Jaffé, Michael. Rubens: catalogo completo. Mulazzani, Germano, trans. Milano, Rizzoli, 1989, pp. 317, no. 986, repr.
2006: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2006 (Japanese, preface in Japanese and English), no. 27, col. repr.
2009: Masterpieces of The National Museum of Western Art, Tokyo. Tokyo, The National Museum of Western Art; Tokyo, The Western Art Foundation, 2009, no. 27, col. repr.
2013: Masterpieces: The National Museum of Western Art, Tokyo. Tokyo, The Western Art Foundation, 2013 (Japanese, preface in Japanese and English), no. 39, col. repr.
2018: Kofuku, Akira. Catalogue of Dutch and Flemish Paintings, The National Museum of Western Art, Tokyo. [Tokyo], The National Museum of Western Art, Tokyo; The Western Art Foundation, 2018, pp. 78-81, no. 20, col. repr.
2018: Rubens and the Birth of the Baroque (exh. cat.). Lo Bianco, Anna; Watanabe Shinsuke, eds. Tokyo, TBS Television, 2018, pp. 180-181, 291, cat. no. 63, col. repr.

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