更新日 2022.04.28 | 28 April 2022
現在は展示していません
現在は展示していません。
Honoré Daumier
Marseille, 1808 - Valmondois, 1879
新たなる聖アントニウスの誘惑 ちょうどまさにこんなときに、ヴェロンという名の偉大なる巨漢の罪人が、神の恩寵にふれたと思い込んだのだった。新聞稼業は神父生活みたいなもんだった、と顧みて彼は隠者になり、モンマルトルの険しい山また山の懐にある荒れ地へと引きこもった。そこで彼は昼夜を問わずお祈り三昧をつづけて、悔悛のしるしに『コンスティテューショネル』の定期購読者名簿を再読しつづけるという苦行をみずからに課したのだった─食べ物といえばルニョーの練り薬だけで、それもヴェロンはごくたまに、ほんのちょっぴり口にしただけだった。─悪魔は、このいかにもいい子ぶった、思いもよらない宗旨変えにいらいらして、聖ヴェロンを誘惑して屈服させるのに手を変え品を変えしてみたのだが、われらが気高き修道士は、このところ自分にとってずいぶんと魅力的に映っていたいろんなものに、あっぱれ抗う術を心得ていたのだった。みずからヴェロン誘惑に乗り出し『コンスティテューショネル』となってやってきた大魔王サタンは、パリへ戻る道すがら怒り狂っていたらしい。─モンマルトルの隠者は爾来もっとも偉大なる聖人に列せられ、パリジャンの報道関係者の誉れとなって、とくに鼻風邪をひいた不運な人々の嘆願を受けている THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. — For his only food, Véron took at long intervals a light fragment of Regnauld pâté. — The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. — The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold.
制作年 | 1849年 |
---|---|
材質・技法・形状 | リトグラフ |
寸法(cm) | 24.7 x 42.4 |
署名・年記 | ほら穴の左側にある岩の上に署名: h. D.; 石版右下に番号: 95 |
Standard ref. | Delteil 1912 (ii/ii), Tobu II-29 |
分類 | 版画 |
所蔵番号 | G.2000-0704 |
来歴
ピーター・モース;東武美術館; Purchased by the NMWA, 2001.
展覧会歴
- 1999
- オノレ・ドーミエ版画展II:顔・かお・カオ:東武美術館所蔵による, 東武美術館, 1999年1月25日-1999年2月23日, no. 9
- 2016
- [版画素描展示]描かれた夢解釈――醒めて見るゆめ/眠って見るうつつ, 国立西洋美術館 版画素描展示室, 2016年3月19日-2016年6月12日, cat. no. 27
文献歴
- 2002
- 国立西洋美術館年報. No. 35 (Apr. 2000-Mar. 2001), 2002, 高橋明也. 新収作品. pp. 14-15, 新収作品一覧. pp. 73-74.
Currently not on display
THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. — For his only food, Véron took at long intervals a light fragment of Regnauld pâté. — The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. — The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold.
Date | 1849 |
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Materials and Techniques | lithograph |
Size(cm) | 24.7 x 42.4 |
Inscriptions | Signed on the stone, on the rock by the mouth of the cave, left: h. D.; Numbered on the stone, lower right: 95 |
Standard ref. | Delteil 1912 (ii/ii), Tobu II-29 |
Category | Prints |
Collection Number | G.2000-0704 |
Provenance
Peter Morse; Tobu Museum of Art (Tobu Railway Company); Purchased by the NMWA, 2001.
Exhibition History
- 1999
- Honoré Daumier Caricatures II: From the Tobu Collections, Tobu Museum of Art, 25 January 1999 - 23 February 1999, no. 9
- 2016
- [Prints and Drawings Exhibition] Dream Analysis Depicted: Dreams Seen Awake / Real Worlds Seen Asleep, National Museum of Western Art, Tokyo, Prints and Drawings Gallery, 19 March 2016 - 12 June 2016, cat. no. 27
Bibliography
- 2002
- Annual Bulletin of the National Museum of Western Art. No. 35 (Apr. 2000-Mar. 2001), 2002, Takahashi, Akiya. New Acquisitions. pp. 14-15, List of New Acquisitions. pp. 73-74.